Sandy Rodriguez
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Sandy Rodriguez was born in 1975 in
National City, California. She is a
Los Angeles based artist who grew up on the US-Mexico border, in
Tijuana,
San Diego, and Los Angeles. She has exhibited her works with numerous museums and galleries, including the
Denver Art Museum, The
Huntington Library, Art Museum and Botanical Garden, the
Amon Carter Museum of American Art,
Los Angeles County Museum of Art,
Museum of Contemporary Art San Diego, MOCA Busan
Busan Bienniale,
Crystal Bridges Museum of American Art,
The Cheech Marin Center for Chicano Art, Art+Practice, and
Self Help Graphics. Her work focuses on the ongoing cycles of violence on communities of color by blending historical and recent events in the Los Angeles area and along south-west US-Mexico border. A transitional moment for Rodriguez happened in 2014 on a visit to
Oaxaca, a southern Mexican Region, where she first procured a red pigment called
cochineal, coming from the
pre-Columbian era. Prior to this, Rodriguez had painted exclusively in modern paint. The encounter with cochineal happened at the same time she was painting fire paintings and the protests began in
Ayotzinapa Mexico in response to
forty-three missing college students, which included setting fire to
palacio nacional and an
Enrique Peña Nieto effigy pinata. The alignment of content, form, and the materials magnified how material can signal cultural identity, history, and politics. A goal of her work is to disrupt dominant narratives and interrogate systems that are ongoing expressions of colonial violence witnessed regularly, including Customs Border Enforcement, Police, and Climate Change.
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