Innocent blood

An adopted child turns 18, learns the shocking story of her real parents' identity, and determines to reclaim her natural mother. A mild-mannered man vows revenge on the woman who killed his only child. No, neither of these premises is terribly original or inherently profound; but P. D. James, whose richly textured, probingly psychological approach is familiar to followers of her Dalgliesh detective series, laces up these two plot strands with crisp and gentle dexterity, resisting every melodramatic clichÉ that a lesser writer would lurch into. The young identity-seeker is Philippa Palfrey, who remembers nothing of her life before age eight--when she was adopted by unflappable sociologist Maurice and his shaky second wife Hilda, a compulsive cook. And, though Philippa has grown into a wildly sophisticated and intellectually sharp young lady (an aspiring writer), she's oddly detached from all feeling, aware of some great lack. So at age 18 she demands and receives her birth certificate, and after just one day of inquiries, she knows the truth: ten years ago, her father raped a little girl, her mother then killed the girl (to stop her screaming), and both went to prison--where her father died. But Philippa is only momentarily deflected: she insists on contacting her real mother--who's about to be paroled--and invites her to spend her first months out with Philippa in a London flat. And while all this is happening, retired clerk Norman Scase, father of the girl killed by Philippa's mother, is preparing to take revenge--for his daughter who was raped and killed, for his wife who died of grief/cancer. The parallel scenes are beautifully, subtly balanced: Philippa's frustrating, seedy search for an affordable two-room London flat; Norman's sad selling of his house to gain funds for his revenge mission. And by the time that Norman has quietly, shrewdly tracked down his reclusive target and chosen his modus operandi, Philippa has come to love her pleasant, attractive, child-killer mum--a love that turns to hate and triggers tragedy, however, when Philippa learns some less criminal yet more hurtful truths about her mother. The climax is superbly, unobviously timed; and throughout James provides gritty, ironic details of character and place to anchor it all firmly to reality. Less consistently satisfying: the somewhat over-explicit psychological musings, the sometimes over-formal dialogue, the occasionally over-elaborate prose. But minor flaws aside, James has made the move from straight detection to full-bodied psychological crime-novel with no loss of command or personality: a gripping, darkly moody, yet warmly moving triumph of resonant craftsmanship. Copyright ©Kirkus Reviews, used with permission.

Chapter 1 The social worker was older than she had expected; perhaps the nameless official who arranged these matters thought that graying hair and menopausal plumpness might induce confidence in the adopted adults who came for their compulsory counseling. After all, they must be in need of reassurance of some kind, these displaced persons whose umbilical cord was a court order, or why had they troubled to travel this bureaucratic road to identity? The social worker smiled her encouraging professional smile. She said, holding out her hand, "My name is Naomi Henderson and you're Miss Philippa Rose Palfrey. I'm afraid I have to begin by asking you for some proof of identity." Philippa nearly replied: "Philippa Rose Palfrey is what I'm called. I'm here to find out who I am," but checked herself in time, sensing that such an affectation would be an unpropitious beginning to the interview. They both knew why she was here. And she wanted the session to be a success; wanted it to go her way without being precisely clear what way that was. She unclipped the fastening of her leather shoulder bag and handed over in silence her passport and the newly acquired driving license. The attempt at reassuring informality extended to the furnishing of the room. There was an official-looking desk, but Miss Henderson had moved from behind it as soon as Philippa was announced and had motioned her to one of the two vinyl-covered armchairs on each side of a low table. There were even flowers on the table, in a small blue bowl lettered "a present from Polperro." It held a mixed bunch of roses. These weren't the scentless, thornless buds of the florist's window. These were garden roses, recognized from the garden at Caldecote Terrace: Peace, Superstar, Albertine, the blossoms overblown, already peeling with only one or two tightly furled buds, darkening at the lips and destined never to open. Philippa wondered if the social worker had brought them in from her own garden. Perhaps she was retired, living in the country, and had been recruited part-time for this particular job. She could picture her clumping round her rose bed in the brogues and serviceable tweeds she was wearing now, snipping away at roses which were due for culling, might just last out the London day. Someone had watered the flowers overenthusiastically. A milky bead lay like a pearl between two yellow petals and there was a splash on the table top. But the imitation mahogany wouldn't be stained; it wasn't really wood. The roses gave forth a damp sweetness, but they weren't really fresh. In these easy chairs no visitor had ever sat at ease. The smile which invited her confidence and trust across the table was bestowed by courtesy of section twenty-six of the Children Act 1975. She had taken trouble with her appearance, but then she always did, presenting herself to the world with self-conscious art, daily remaking herself in her own image. The aim this morning had been to suggest that no trouble had in fact been taken, that this interview had induced no special anxiety, warranted no exceptional care. Her strong corn-colored hair, bleached by the summer so that no two strands were exactly the same gold, was drawn back from a high forehead and knotted in a single heavy plait. The wide mouth with its strong, curved upper lip and sensuous droop at each corner was devoid of lipstick, but she had applied her eyeshadow with care, emphasizing her most remarkable feature, the luminous, slightly protuberant green eyes. Her honey-colored skin glistened with sweat. She had lingered too long in the Embankment Gardens, unwilling to arrive early, and in the end had had to hurry. She wore sandals and a pale green open-necked cotton shirt above her corduroy trousers. In contrast to this casual informality, the careful ambiguity about money or social class were the possessions which she wore like talismans: the slim gold watch, the three heavy Victorian rings, topaz, cornelian, peridot, the leather Italian bag slung from her left shoulder. The contrast was deliberate. The advantage of remembering virtually nothing before her eighth birthday, the knowledge that she was illegitimate, meant that there was no phalanx of the living dead, no pious ancestor worship, no conditioned reflexes of thought to inhibit the creativity with which she presented herself to the world. What she aimed to achieve was singularity, an impression of intelligence, a look that could be spectacular, even eccentric, but never ordinary. Her file, clean and new, lay open before Miss Henderson. Across the table Philippa could recognize some of the contents: the orange and brown government information sheet, a copy of which she had obtained from a Citizens Advice Bureau in north London where there had been no risk that she would be known or recognized; her letter to the Registrar General written five weeks ago, the day after her eighteenth birthday, in which she had requested the application form which was the first document to identity; a copy of the form itself. The letter was tagged on top of the file, stark white against the buff of bureaucracy. Miss Henderson fingered it. Something about it, the address, the quality of the heavy linen-based paper apparent even in a copy, evoked, Philippa thought, a transitory unease. Perhaps it was a recognition that her adoptive father was Maurice Palfrey. Given Maurice's indefatigable self-advertisement, the stream of sociological publications which flowed from his department, it would be odd if a senior social worker hadn't heard of him. She wondered whether Miss Henderson had read his Theory and Technique in Counseling: A Guide for Practitioners, and if so, how much she had been helped in bolstering her clients' self-esteem -- and what a significant word "client" was in social-work jargon -- by Maurice's lucid exploration of the difference between developmental counseling and Gestalt therapy. Miss Henderson said, "Perhaps I ought to begin by telling you how far I'm able to help you. Some of this you probably already know, but I find it useful to get it straight. The Children Act 1975 made important changes in the law relating to access to birth records. It provides that adopted adults -- that is, people who are at least eighteen years old -- may if they wish apply to the Registrar General for information which will lead them to the original record of their birth. When you were adopted you were given a new birth certificate, and the information which links your present name, Philippa Rose Palfrey, with your original birth certificate is kept by the Registrar General in confidential records. It is this linking information which the law now requires the Registrar General to give you if you want it. The 1975 Act also provides that people adopted before the twelfth of November 1975, that is, before the Act was passed, must attend an interview with a counselor before he or she can be given the information. The reason for this is that Parliament was concerned about making the new arrangements retrospective, since over the years many natural parents gave up their children for adoption and adopters took on the children on the understanding that their natural parentage would remain unknown. So you have come here today so that we can consider together the possible effect of any inquiries you may make about your natural parents, both on yourself and on other people, and so that the information you are now seeking, and to which you have, of course, a legal right, is provided in a helpful and appropriate manner. At the end of our talk, and if you still want it, I shall be able to give you your original name; the name of your natural mother; possibly -- but not certainly -- the name of your natural father, and the name of the court where your adoption order was made. I shall also be able to give you an application form which you can use to apply to the Registrar General for a copy of your original birth certificate." She had said it all before. It came out a little too pat. Philippa said, "And there's a standard charge of two pounds fifty pence for the birth certificate. It seems cheap at the price. I know all that. It's in the orange and brown pamphlet." "As long as it's quite clear. I wonder if you'd like to tell me when you first decided to ask for your birth record. I see that you applied as soon as you were eighteen. Was this a sudden decision, or had you been thinking about it for some time?" "I decided when the 1975 Act was going through Parliament. I was fifteen then and taking my O-levels. I don't think I gave it a great deal of thought at the time. I just made up my mind that I'd apply as soon as I was legally able to." "Have you spoken to your adoptive parents about it?" "No. We're not exactly a communicative family." Miss Henderson let that pass for the moment. "And what exactly did you have in mind? Do you want just to know who your natural parents are, or are you hoping to trace them?" "I'm hoping to find out who I am. I don't see the point of stopping at two names on a birth certificate. There may not even be two names. I know I'm illegitimate. The search may all come to nothing. I know that my mother is dead so I can't trace her, and I may never find my father. But at least if I can find out who my mother was I may get a lead to him. He may be dead too, but I don't think so. Somehow I'm certain that my father is alive." Normally she liked her fantasies at least tenuously rooted in reality. Only this one was different, out of time, wildly improbable and yet impossible to relinquish, like an ancient religion whose archaic ceremonies, comfortingly familiar and absurd, somehow witness to an essential truth. She couldn't remember why she had originally set her scene in the nineteenth century, or why, learning so soon that this was nonsense since she had been born in 1960, she had never updated the persistent self-indulgent imaginings. Her mother, a slim figure dressed as a Victorian parlor maid, an upswept glory of golden hair under the goffered cap with its two broderie Anglaise streamers, ghostlike against the tall hedge which surrounded the rose garden. Her father in full evening dress striding like a god across the terrace, down the broad walk, under the spray of the fountains. The sloping lawn, drenched by the mellow light of the last sun, glittering with peacocks. The two shadows merging into one shadow, the dark head bending to the gold. "My darling, my darling. I can't let you go. Marry me." "I can't. You know I can't." It had become a habit to conjure up her favorite scenes in the minutes before she fell asleep. Sleep came in a drift of rose leaves. In the earliest dreams her father had been in uniform, scarlet and gold, his chest beribboned, sword clanking at his side. As she grew older she had edited out these embarrassing embellishments. The soldier, the fearless rider to hounds, had become the aristocrat scholar. But the essential picture remained. There was a globule of water creeping down the petal of the yellow rose. She watched it, fascinated, willing it not to fall. She had distanced her thoughts from what Miss Henderson had been saying. Now she made an effort to attend. The social worker was asking about her adoptive parents. "And your mother, what does she do?" "My adoptive mother cooks." "You mean she works as a cook?" The social worker modified this as if conscious that it could imply some derogation, and added, "She cooks professionally?" "She cooks for her husband and her guests and me. And she's a juvenile court magistrate, but I think she only took that on to please my adoptive father. He believes that a woman should have a job outside the home, provided, of course, that it doesn't interfere with his comfort. But cooking is her enthusiasm. She's good enough at it to cook professionally, although I don't think she was ever properly taught except at evening classes. She was my father's secretary before they married. I mean that cooking is her hobby, her interest." "Well, that's nice for your father and you." Presumably that hint of encouraging patronage was by now too unconsciously part of her to be easily disciplined. Philippa gazed at the woman stonily, noted it, took strength from it. "Yes, we're both greedy, my adoptive father and I. We can both eat voraciously without putting on weight." That, she supposed, implied something of an appetite for life, not indiscriminate, since they were both appreciative of good food; perhaps a reinforcement of their belief that one could indulge without having to pay for indulgence. Greed, unlike sex, involved no commitment except to one's self, no violence except to one's own body. She had always taken comfort from her discernment about food and drink. That, at least, could hardly have been caught from his example. Even Maurice, convinced environmentalist that he was, would hardly claim that a nose for claret could be so easily acquired. Learning to enjoy wine, discovering that she had a palate, had been one more reassuring affirmation of inherited taste. She recalled her seventeenth birthday; the three bottles on the table before them, the labels shrouded. She couldn't recall that Hilda had been with them. Surely she must have been present for a family birthday dinner, but in memory she and Maurice celebrated alone. He had said, "Now tell me which you prefer. Forget the purple prose of the color supplements, I want to know what you think in your own words." She had tasted them again, holding the wine in her mouth, sipping water between each sampling, since she supposed that this was the proper thing to do, watching his bright, challenging eyes. "This one." "Why?" "I don't know. I just like it best." But he would expect a more considered judgment than that. She added, "Perhaps because with this one I can't distinguish taste from smell and from the feel of it in the mouth. They aren't separate sensations, it's a trinity of pleasure." She had chosen the right one. There always was a right answer and a wrong answer. This had been one more test successfully passed, one more notch on the scale of approval. He couldn't entirely reject her, couldn't send her back; she knew that. An adoption order couldn't be revoked. That made it the more important that she should justify his choice of her, that she should give value for money. Hilda, who worked for hours in the kitchen preparing their meals, ate and drank little. She would sit, anxious eyes fixed on them as they shoveled in their food. She gave and they took. It was almost too psychologically neat. Miss Henderson asked, "Do you resent them for adopting you?" "No, I'm grateful. I was lucky. I don't think I'd have done well with a poor family." "Not even if they loved you?" "I don't see why they should. I'm not particularly lovable." She hadn't done well with a poor family, of that at least she could be certain. She hadn't done well with any of her foster parents. Some smells: her own excreta, the rotting waste outside a restaurant, a young child bundled into soiled clothes on its mother's lap pressed against her by the lurch of a bus, these could evoke a momentary panic that had nothing to do with disgust. Memory was like a searchlight sweeping over the lost hinterland of the self, illuminating scenes with total clarity, the colors gaudy as a child's comic, edges of objects hard as blocks, scenes which could lie for months unremembered in that black wasteland, not rooted, as were other childish memories, in time and place, not rooted in love. "Do you love them, your adoptive parents?" She considered. Love. One of the most used words in the language, the most debased. Heloise and Abelard. Rochester and Jane Eyre. Emma and Mr. Knightly. Anna and Count Vronsky. Even within the narrow connotation of heterosexual love it meant exactly what you wanted it to mean. "No. And I don't think they love me. But we suit each other on the whole. That's more convenient, I imagine, than living with people that you love but don't suit." "I can see that it could be. How much were you told about the circumstances of your adoption? About your natural parents?" "As much, I think, as my adoptive mother could tell me. Maurice never talks about it. My adoptive father's a university lecturer, a sociologist. Maurice Palfrey, the sociologist who can write English. His first wife and their son died in a car crash when the boy was three. She was driving. He married my adoptive mother nine months afterward. They discovered that she couldn't have children, so they found me. I was being fostered at the time, so they took over the care of me and after six months applied to the county court and got an adoption order. It was a private arrangement, the kind of thing your new Act would make illegal. I can't think why. It seems to me a perfectly sensible way of going about it. I've certainly nothing to complain of." "It worked very well for thousands of children and their adopters, but it had its dangers. We wouldn't want to go back to the days when unwanted babies lay in rows of cots in nurseries so that adoptive parents could just go and pick out the one they fancied." "I don't see why not. That seems to me the only sensible way, as long as the children are too young to know what's happening. That's how you'd pick a puppy or a kitten. I imagine that you need to take to a baby, to feel that this is a child that you want to rear, could grow to love. If I needed to adopt, and I never would, the last thing I'd want would be a child selected for me by a social worker. If we didn't take to each other I wouldn't be able to hand it back without the social services department striking me off the books as being one of those neurotic self-indulgent women who want a child for their own satisfaction. And what other possible reason could there be for wanting an adopted child?" "Perhaps to give that child a better chance." "Don't you mean, to have the personal satisfaction of giving that child a better chance? It amounts to the same thing." She wouldn't bother to refute that heresy, of course. Social-work theory didn't err. After all, its practitioners were the new priesthood, the ministry of unbelievers. She merely smiled and persevered, "Did they tell you anything about your background?" "Only that I'm illegitimate. My adoptive father's first wife came from the aristocracy, an earl's daughter, and was brought up in a Palladian mansion in Wiltshire. I believe that my mother was one of the maids there, who got herself pregnant. She died soon after I was born and no one knew who my father was. Obviously he wasn't a fellow servant; she couldn't have kept that particular secret from the servants' hall. I think he must have been a visitor to the house. There are only two things I can remember clearly about my life before I was eight; one is the rose garden at Pennington, the other is the library. I think that my father, my real father, was there with me. It's possible that one of the upper servants at Pennington put my adoptive father in touch with me after his first wife died. He never speaks about it. I only learned as much as that from my adoptive mother. I suppose Maurice thought that I'd do because I was a girl. He wouldn't want a boy to bear his name unless he were really his son. It would be terribly important to him to know that a son was really his own." "That's understandable, isn't it?" "Of course. That's why I'm here. It's important for me to know that my parents really were my own." "Well, let's say that you think it important." Her eyes dropped to the file. There was a rustle of papers. "So you were adopted on the seventh of January 1969. You must have been eight. That's quite old." "I suppose they thought it was better than taking a very young baby and having broken nights. And my adoptive father could see that I was all right, physically all right, that I wasn't stupid. There wasn't the same risk as with a young baby. I know that there are stringent medical examinations, but one can never be quite sure, not about intelligence, anyway. He couldn't have borne to find himself saddled with a stupid child." "Is that what he told you?" "No, it's what I've thought out for myself." One fact she could be sure of: that she came from Pennington. There was a childhood memory more clear even than that of the rose garden: the Wren library. She knew that she had once stood there under that exuberant seventeenth-century stuccoed ceiling with its garlands and cherubs, had stared down that vast room at the Grinling Gibbons carvings richly spilling from the shelves, at the Roubiliac busts set above the bookcases, Homer, Dante, Shakespeare, Milton. In memory she saw herself standing at the great chart table reading from a book. The book had been almost too heavy to hold. She could still recall the ache in her wrists and the fear that she might drop it. And she was certain that her real father had been with her; that she had been reading aloud to him. She was so sure that she belonged at Pennington that sometimes she was tempted to believe that the earl had been her father. But the fantasy was unacceptable and she rejected it, faithful to the original vision of the visiting aristocrat. The earl must have known if he had fathered a child on one of his servants, and surely, surely he wouldn't have rejected her totally, left her unsought and unrecognized for eighteen years. She had never been back to the house, and now that the Arabs had bought it and it had become a Moslem fortress she never would. But when she was twelve she had searched in Westminster reference library for a book on Pennington and had read a description of the library. There had been a picture too. The confirmation had jolted her heart. It was all there, the plaster ceiling, the Grinling Gibbons carvings, the busts. But her memory had come first. The child standing beside the chart table holding the book in her aching hands must have existed. She scarcely heard the rest of the counseling. If it had to be done, she supposed that Miss Henderson was making a good enough job of it. But it was no more than a statutory nuisance, the way in which uneasy legislators had salved their consciences. None of the arguments so conscientiously put forward could shake her resolve to track down her father. And how could their meeting, however delayed, be unwelcome to him? She wouldn't be coming empty-handed. She had her Cambridge scholarship to lay at his feet. She said, wrenching her mind back to the present, "I can't see the point of this compulsory counseling. Are you supposed to dissuade me from tracing my father? Either our legislators think I have a right to know, or they don't. To give me the right and at the same time officially try to discourage me from exercising it seems muddled thinking even for Parliament. Or do they just have a bad conscience about retrospective legislation?" "Parliament wants adopted people to think carefully about the implications of what they're doing, what it could mean for themselves, for their adoptive parents, for their natural parents." "I have thought. My mother is dead, so it can't hurt her. I don't propose to embarrass my father. I want to know who he is, or was, if he's dead. That's all. If he's still alive, I should like to meet him, but I'm not thinking of bursting in on a family party and announcing that I'm his bastard. And I don't see how any of this concerns my adoptive parents." "Wouldn't it be wise, and kinder, to discuss it first with your adoptive parents?" "What is there to discuss? The law gives me a right. I'm exercising it." Thinking back on the counseling session that evening at home, Philippa couldn't remember the precise moment when the information she sought had been handed to her. She supposed that the social worker must have said something: "Here, then, are the facts you are seeking" was surely too pretentious and theatrical for Miss Henderson's detached professionalism. But some words must have been said, or had she merely taken the General Registrar Office paper from the file and passed it over in silence? But here it was at last in her hands. She stared at it in disbelief, her first thought that there had been some bureaucratic muddle. There were two names, not one, on the form. Her natural parents were shown as Mary Ducton and Martin John Ducton. She muttered the words to herself. The names meant nothing to her, stirred no memory, evoked no sense of completeness, of forgotten knowledge resurrected at a word to be recognized and acknowledged. And then she saw what must have happened. She said, hardly realizing that she spoke aloud, "I suppose they married my mother off when they found out that she was pregnant. Probably to a fellow servant. They must have been making that kind of tactful arrangement for generations at Pennington. But I hadn't realized that I was placed for adoption before my mother died. She must have known that she hadn't long to live and wanted to be sure that I would be all right. And, of course, if she were married before I was born the husband would be registered as my father. Nominally I suppose I'm legitimate. It's helpful that she did have a husband. Martin Ducton must have been told that she was pregnant before he agreed to the marriage. She may even have told him before she died who my real father was. Obviously the next step is to trace Martin Ducton." She picked up her shoulder bag and held out her hand to say good-bye. She only half heard Miss Henderson's closing words, the offer of any future help she could give, reiterated advice that Philippa discuss her plans with her adoptive parents, the gently urged suggestion that if she were able to trace her father it should be done through an intermediary. But some words did penetrate her consciousness. "We all need our fantasies in order to live. Sometimes relinquishing them can be extraordinarily painful, not a rebirth into something exciting and new, but a kind of death." They shook hands, and Philippa, looking into her face for the first time with any real interest, seeing her for the first time as a woman, detected there a fleeting look which, had she not known better, she might have mistaken for pity. Copyright © 1980 by P. D. James Excerpted from Innocent Blood by P. D. James All rights reserved by the original copyright owners. 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