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FICTION/Smiley, Jane
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Subjects
Published
New York : A.A. Knopf [1995]
Language
English
Main Author
Jane Smiley (-)
Item Description
Published in paperback by Anchor Books in 2009.
Physical Description
414 pages
ISBN
9780307472762
9780679420231
Contents unavailable.
Review by Booklist Review

Incorporating the arc of a Shakespearean comedy, Smiley skewers any number of easily recognizable campus fixtures: the grant-seeking egomaniac, bewildered freshmen, the obsessive researcher. Smiley's satire also takes dead aim at the venal motives of college fund-raisers and scores a direct hit.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Effortlessly switching gears after the Pulitzer Prize-winning A Thousand Acres, Smiley delivers a surprising tour de force, a satire of university life that leaves no aspect of contemporary academia unscathed. The setting is a large midwestern agricultural college known as Moo U., whose faculty and students Smiley depicts with sophisticated humor, turning a gimlet eye on the hypocrisy, egomania, prejudice and self-delusion that flourish on campus-and also reflect society at large. Everybody at Moo U. has an agenda: academic, sexual, social, economic, political and philosophical. Among the more egregious types that Smiley portrays are Dr. Lionel Gift, an intellectual whore who calls students ``customers'' and is willing to skew research to further his name and line his pocketbook; Dr. Bo Jones, who is conducting a secret experiment on an appealing boar named Earl Butz (Earl and the horses on campus are nicer than the humans by a mile); and a superlatively bossy secretary who is a lot smarter than the Ph.Ds she serves. A chapter titled ``Who's in Bed With Whom'' clears things up in that department-but only temporarily, since musical beds is a continuous game. A quartet of women roommates who all hide secrets from each other, an unscrupulous ``little Texan with jug ears'' who wants to give the college tainted money, and a stuffy dean who thinks that anything he desires is God's will are some of the large cast of characters that Smiley manipulates with remarkable ease-and though some portrayals verge on caricature, she never goes over the line. Details of midwest topography, weather and culture are rendered with unerring authenticity. The narrative sails along with unflagging vigor and cleverness, and even the ironic denouement has an inevitability that Smiley orchestrates with hilarious wit. 100,000 first printing; BOMC selection; Random House Audio; author tour. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Smiley, now acclaimed for her portrayals of the dark side of America's pastoral ideal (a Pulitzer for A Thousand Acres, LJ 10/1/91, plus her wonderful novellas, Ordinary Love and Good Will, LJ 9/15/89), returns with a sharp-edged spoof of academic life. "Moo U" is a large, Midwestern "ag and tech" school where campus politics and intrigue rule. Smiley has assembled a large, colorful group of characters who will be familiar to ivory tower dwellers: the campus secretary who controls personnel and paper flow, the faculty who plot for power and revenge, plus the dining hall worker, the students, and the administrators, all with their own agendas. While entertaining and on-target as parody, Moo is not as riveting as Smiley's best work. This should do well and be very popular with higher education insiders. [Previewed in Prepub Alert, LJ 12/94.]-Ann H. Fisher, Radford P.L., Va. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A comic novel proves an agreeable change of pace for the ordinarily serious-minded Smiley (A Thousand Acres, 1991, etc.). At an unnamed Midwestern state university familiarly known as Moo U., the academic year 1989-90 is not going well. Budget cuts have been imposed by the state's yahoo governor; the faculty will have to clean their own offices, and food services will be taken over by McDonald's, which has no use for the unionized kitchen staff. Hostilities simmer between Dr. Lionel Gift, self-satisfied apostle of free-market economics, and ``Chairman X,'' an unreconstructed '60s radical who heads the horticulture department. Other staff members jostling for position include Ivar Harstad, the university's ineffectual provost; Loraine Walker, his secretary, who really runs the place (and isn't above quietly shuffling money in and out of departments, depending on who gains her favor); associate English professor Timothy Monahan, whose social climbing in New York publishing is one of the book's funniest sequences; and earthy Helen Levy, professor of foreign languages, who likes to make life uncomfortable for her pompous male colleagues. A few students are sketched with equal incisiveness, though readers are unlikely to get emotionally involved with any of the characters. The fun comes from watching Smiley expertly juggle a huge cast in a convoluted plot that somehow manages to connect Gift's involvement with a sinister corporation that wants to mine gold from a virgin rain forest to a crazy local farmer's invention of a revolutionary new agricultural technique. The satire--of academic careerism, politics both left and right (though the conservatives get the worst lashing), and human foolishness of all sorts--stings but is never heavy-handed. As always in Smiley's fiction, expert storytelling propels the narrative forward, compensating here for a slightly chilly tone. Not as intellectually or morally challenging as the Pulitzer Prize-winner can be at her best, but Smiley coasting is still more stimulating than most writers trying their hardest. (First printing of 100,000; Book-of-the-Month Club alternate selection; author tour)

Copyright (c) Kirkus Reviews, used with permission.

1 Old Meats FROM THE OUTSIDE it was clear that the building known generally as "Old Meats" had eased under the hegemony of the horticulture department. Its southern approach, once a featureless slope of green lawn, was now an undulating perennial border whose two arms embraced a small formal garden defined by a carefully clipped and fragrant boxwood hedge. In front of that, an expanse of annuals flowed down the hillside and spilled across flat ground in a tide of August reds, golds, and yellows. Here and there, discreetly placed experimentals tested the climate. Right up against the long windowless southem wall of Old Meats, someone, sometime, without benefit of application, grant, permission from administration or grounds crew, without even the passing back and forth of a memo, someone had planted, then espaliered, a row of apricot and peach trees. In midsummer, just at the end of summer session, they were seen to bear fruit--heavy burnished apricots and big peaches swollen with juice that later disappeared and never seemed to reappear on the salad bars or the dessert bars in any of the dorms or fraternity houses. Nor were they sold at any hort department fund-raising sale, the way apples, Christmas trees, and bedding plants were. They just appeared and disappeared, unnoticed by most though legendary to the few who had stolen fruit, who kept an eye on the seed catalogues, wondering when these cultivars, the Moo U. cultivars, might be introduced to the open market. In fact, though it stood much in the way of foot traffic from the Bovine Confinement Complex, the Business College, the Chemistry building, the foreign travel office, and graduate student housing, and though, as generations of freshman geographers had found, it stood on the exact geographical center of the campus (unless you included the recently constructed Vet School two miles to the south, which threw everything off), and though it was large and blocky, Old Meats had disappeared from the perceptions of the university population at large. This was fine with the horticulture department, for certain unnamed members and their student cadres had just this summer laid out an extension of the perennial border to the east, curving in wanton floral revelry toward Old Meats' unused loading dock and Ames Road. So much, said the Chairman in private meetings with the rest of his faculty, for their assigned garden site, out by the physical plant and the bus barn, on a dead-end road that no one travelled unless lost. Guerrilla action, as he often remarked to the woman everyone including their children thought was his wife and whom he had met in SDS at the Chicago convention in 1969, was as protean and changeable as the needs of the people. It was also true, however, that Bob Carlson, sophomore workstudy student, was as invisible to the horticulturists, though he passed them every day, as Old Meats was to the rest of the campus. No busy digger or mulcher ever noticed him unlock the door beside the loading dock and enter, though he did it openly and in full view, often carrying bulky sacks. To them, Old Meats was a hillock in the center of the campus, a field for covering with vines and flowers; to Bob, it was a convenient job, an extension of his life on the farm, but instead of helping his dad feed and care for a thousand sows and their offspring, Bob tended to only one hog, a Landrace boar named Earl Butz. Right on Earl's pen, Bob had taped up a sign that read, "Get big or get out." Every time Bob saw that sign it gave him a chuckle. It was just the sort of joke his dad would appreciate, even though, of course, he had agreed to tell no one, not even his dad, about Earl, Earl's venue, a sparkling new, clean, air-conditioned, and profoundly well-ventilated Ritz-Carlton of a room, or Earl's business, which was eating, only eating, and forever eating. Just now, as Bob entered, Earl Butz was at the trough, but he noted Excerpted from Moo by Jane Smiley All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.