Driving blind

The 21 stories in Bradbury's new anthology are full of sweetness and humanity. Despite bizarre actions and abstract twists, all are grounded in the everyday. Here are sketches, vignettes, strange tales, colorful anecdotes, little tragedies, hilarious lies and metaphysics too. Here are a spinster's ancient love letters and the man who wrote them, wholesome small-town folk and conniving sharpsters, a moribund circus camel, a homicidal garbage disposal and a dead man searching for mourners. Much of the text is dialogue, and it works because Bradbury excels at portraying the robust textures of American speech. He is unapologetically romantic: most of the stories have love songs in them, or thunderstorms, or both, and no one seems to need to lock their door. Only four of these tales are science fiction, and one of those sneaks very cleverly out from under the genre's strictures: in the title story, Mr. Mysterious, a black-hooded stranger, is befriended by a boy whom Norman Rockwell might have painted. The reader is led to expect a supernatural change beneath the hood, but the boy has an insight of almost Philip K. Dickian subtlety about the nature of reality and memory that allows Mr. Mysterious to redeem his troubled history with both feet on the ground, while Bradbury leaps to an ecstatically optimistic ending. A few of the entries are less finished. "Mr. Pale," the book's one outer-space story, leans heavily on certain tropes about the dilemmas of immortality without actually giving them substance. But in the face of Bradbury's craft and humanity, these are minor flaws. (Oct.) FYI: Bradbury's next novel, From the Dust Returned, is due out from Avon in 1998. (c) Copyright PWxyz, LLC. All rights reserved

Following his Quicker than the Eye (Avon, 1996), Bradbury, author of such sf classics as Fahrenheit 451 (1953), returns in top form with another new collection of 21 short stories, only four of which were previously published. In "Fee Fie Foe Fum," Grandma fears her grandson-in-law's intentions for her with his new garbage disposal unit. In "Someone in the Rain," a man's adult experiences at a summer resort don't live up to his childhood memories. Bradbury explores a tarnished circus, one of his favorite themes, in "That Old Dog Lying in the Dust." He paints vivid word pictures of people and small towns in a kind of skewed Norman Rockwell way that moves beyond sf categorization. A must for all fiction collections. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Arriving too late for a full review, grandmaster Bradbury's latest collection (Quicker Than the Eye, 1996, etc.) consists of 17 new tales and 4 reprints, 197497. Among the themes: gambling, WW II, a dead man who doesn't realize he's dead, sexual awakening and ghost stories, a mysterious theft, a sinister butcher and an equally sinister garbage disposal unit, a man with no face who's an expert car salesman (the title piece), circuses, moths, twins, September, a street-cleaning machine, a persecuted smart kid, Irish blarney, religion, and the death of Death. Typically diverse, veering between sentiment and nostalgia, and set forth in the curiously mannered, modern-antique style that has become Bradbury's trademark.