Cash The Autobiography Chapter One My line comes down from Queen Ada, the sister of Malcolm IV, descended from King Duff, the first king of Scotland. Ada's holdings encompassed all the land east of the Miglo River in the Valley of the Bran, in what is now the county of Fife. Malcolm's castle is long gone, but you can still see some of its stones in the walls of the church tower in the little village of Strathmiglo. The motto on my people's coat of arms was "Better Times Will Come." Their name was Caesche; with emigration in the sixteenth and seventeenth centuries it came to be spelled the way it was pronounced, C-A-S-H. The first American Cash was William, a mariner who captained his own ship, the Good Intent, sailing out of Glasgow across the Atlantic with cargoes of pilgrims for the New World until he himself settled in Essex County, Massachusetts, in 1667. His descendants migrated to Westmoreland County, Virginia, in the very early 1700s, before so many sons-in-law, past and present, that June makes a joke of it in her stage act. My work life has been simple: cotton as a youth and music as an adult. In between I was an automobile factory worker in Michigan, a radio intercept operator for the United States Air Force in Germany, and a door-to-door appliance salesman for the Home Equipment Company of Memphis, Tennessee. I was a great radio operator and a terrible salesman. I hated the assembly line. My first records were on the Sun label, run by Mr. Sam Phillips in Memphis and featuring Elvis Presley, Carl Perkins, Jerry Lee Lewis, Roy Orbison, Charlie Rich, and others as well as myself. My first single was "Cry, Cry, Cry" in 1955, my first big hit "I Walk the Line" in 19 5 6. 1 left Sun Records for Columbia in 119 5 8, and shortly after that I left Memphis for California. My affair with pills had already begun. It quickly became allconsuming, eating me up for the next decade or so. Amazingly, it didn't completely ruin my career. During those years I made music I'm still proud of-particularly Ride This Train, Bitter Tears, and my other concept albums-and I had commercial success: "Ring of Fire" was a big hit for me in 1963. By that time I'd destroyed my family and was working hard on doing the same to myself. I survived, though. I moved to Nashville, kicked my habit, and married June. My career accelerated. The Johnny Cash at Folsom Prison album was a huge success, and in 1969 1 began hosting The Johnny Cash Show on the ABC TV network. After "Flesh and Blood" in 1970, 1 didn't have a chart-topping single until "One Piece at a Time " in 19 7 6, long after The Johnny Cash Show was history. Between the early '70s and the early '90s I didn't sell huge numbers of records, but again I have to say that I made some music I'm still proud of, and those years weren't dull. I wrote my first autobiography, Man in Black, and my first novel, Man in White. I teamed up with Waylon Jennings, Kris Kristofferson, and Willie Nelson in the Highwaymen. I left Columbia, owned by CBS Records, and went to Mercury/Polygram. I got elected to the Country Music Hall of Fame and the Rock 'n' Roll Hall of Fame. I got addicted to pain pills, got treated at the Betty Ford Clinic, recovered, got addicted again, and recovered again. I just about died, got saved by heart bypass surgery, and just about died again. I worked hundreds and hundreds of shows. I kept my operation together, more or less, until the wheel of fortune rolled around to me again. That happened in 1994, when I formed an alliance with Rick Rubin, producer of radically non-Nashvillian acts like the Beastie Boys and Red Hot Chill Peppers, and made my American Recordings album. According to the media at the time, that caused an overnight change in my status from "Nashville has-been" to "hip icon." Whatever they called me, I was grateful. It was my second major comeback; the minor ones have been too many to count. I'm still on the circuit today, still recording, still writing songs, still showing up to play everywhere from Midwestern auditoriums to Manhattan trend spots to the Royal Albert Hall.I'm in reasonable shape physically and financially. I'm still a Christian, as I have been all my life. vBeyond that I get complicated. I endorse Kris Kristofferson's line about me: "He's a walking contradiction, partly truth and partly fiction." I also like Rosanne's line: "He believes what he says, but that don't make him a saint." I do believe what I say. There are levels of honesty, though. And there are levels of intimacy. I go by various names. I'm Johnny Cash in public and on record sleeves, CD labels, and billboards. I'm Johnny to many people in the business, some of them friends and acquaintances of many years. To June, I'm John, and that's my name among other intimates: my band, my sons-in-law, many friends, and people who work closely with me. Finally, I'm J.R., my name from childhood. My brothers and sisters and other relatives still call me that. So does Marty Stuart. Lou Robin, my manager, alternates between J.R. and John.June recognizes that I operate at various levels, so she doesn't always call me John. When I'm paranoid or belligerent, she'll say, "Go away, Cash! It's time for Johnny to come out." Cash is her name for the star, the egomaniac. Johnny is her name for her playmate. Several names, several homes. I'm part gypsy, part homebody, so I live according to a rhythm alien to most people but natural to me, splitting my time on a semi-predictable basis between my big house on Old Hickory Lake just outside Nashville; my farm at Bon Aqua, farther outside Nashville; the house in Port Richey, Florida, that June inherited from her parents; an endless succession of hotels all over the world; my bus; and my house in Jamaica, Cinnamon Hill. Cash The Autobiography . Copyright © by Johnny Cash. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Cash: The Autobiography by Johnny Cash, Patrick Carr All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
