Review by Publisher's Weekly Review
``Brilliantly fulfilling the promise of his first novel, Mohawk , Russo's ``richly satisfying narrative'' is about the coming-of-age of Ned Hall, son of Sam Hall--a disreputable barfly, petty thief and gambler whose wicked ways place him at the lower end of the insurance risk pool. PW called the author's prose style ``as seductive as spring.'' (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
A story of not-so-successful folk in a decaying town in New York as seen through the eyes of Ned Hall, better known as ``Sam's son.'' Sam was once an average citizen who grew up, married, and went off to fight in World War II but returned a drifter. Leaving his wife and small son at home, he would haunt the bars and pool halls and hobnob with his cronies. Now and then he'd appear from nowhere to take Ned with him. When Ned's mother, Jenny, trips over the edge, Ned goes to live with Sam in a dilapidated loft above the town's one department store and shares his father's roguish life. Ned's 20-year story is filled with wonderfully drawn characters and hilarious adventures but the subtext is one of sadness and near desperation. Highly recommended. Marion Hanscom, SUNY at Binghamton Lib. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The author of the well-received first novel Mohawk (1986), a long soap opera set in a decaying mill town in upstate New York, here returns to that setting with a father-son drama that spans several decades. With an unerring sense of place, the book transcends some soapiness of its own and breathes life into its small-town types. Ned Hall tells the story of his father Sam, who is at the very bottom of the autoinsurance risk pool; of his mother Jenny, who breaks down after her lover, a priest, leaves her at the communion rail; and of the assorted citizens of Mohawk, ranging from suicidal adolescents and battered drunks to well-to-do philanderers and a solicitous attorney. Sam is the most memorable character, a classic rogue and no-account who appears in his son's life at will until Jenny breaks down. Ned moves in with his father and receives a young man's classic education into street life in the 50's: he learns how to play pool, how to bet the horses, how to steal and lie--partly from malice and hurt, partly to please others. He witnesses endless fights between his father and Drew, the son of his father's girlfriend. He falls in love with the well-to-do girl on the hill and returns, years later, to become her lover and his father's buddy before leaving again. Drew gets killed, Jenny moves to California with the solicitous lawyer, and Sam gets cancer. Though the book gets baggy with too many long-winded stories about smalltown eccentrics and grotesques, its ending is a powerful epiphany, if a bit forced: Ned's girl has a child at the same time as Sam dies. The seasonal structure here comes full circle. Self-consciously written as an old-fashioned novel, the book creates a time and place with gusto and, by its end, manages to move us. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
