Selected poems and four plays of William Butler Yeats

W. B. Yeats, 1865-1939

Book - 1996

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Published
New York, NY : Scribner Paperback Poetry 1996.
Language
English
Main Author
W. B. Yeats, 1865-1939 (-)
Other Authors
M. L. (Macha Louis) Rosenthal, 1917-1996 (-)
Edition
Fourth edition
Item Description
"First Scribner Paperback Poetry edition"--Title page verso.
Physical Description
xliv, 270 pages ; 22 cm
Audience
NP
Bibliography
Includes bibliographical references (pages 259-261) and indexes.
ISBN
9780684826462
  • Foreword to the Fourth Edition
  • Introduction: The Poetry of Yeatsfrom Crossways (1889)
  • The Cloak, the Boat, and the Shoes
  • Ephemera
  • The Stolen Child
  • To an Isle in the Water
  • Down by the Salley Gardens from The Rose (1893)
  • To the Rose upon the Rood of Time
  • Fergus and the Druid
  • Cuchulain''s Fight with the Sea
  • The Rose of the World
  • A Faery Song
  • The Lake Isle of Innisfree
  • The Pity of Love
  • The Sorrow of Love
  • When You Are Old
  • A Dream of Death
  • Who Goes with Fergus?
  • The Man Who Dreamed of Faeryland
  • The Two Trees
  • To Ireland in the Coming Timesfrom The Wind Among the Reeds (1899)
  • The Hosting of the Sidhe
  • The Moods
  • The Unappeasable Host
  • Into the Twilight
  • The Song of Wandering Aengus
  • The Song of the Old Mother
  • He Bids His Beloved Be at Peace
  • He Reproves the Curlew
  • To His Heart, Bidding It Have No Fear
  • The Cap and Bells
  • The Valley of the Black Pig
  • He Hears the Cry of the Sedge
  • The Lover Pleads with His Friends for Old Friends
  • He Wishes His Beloved Were Dead
  • He Wishes for the Cloths of Heavenfrom In the Seven Woods (1904)
  • The Folly of Being Comforted
  • Adam''s Curse
  • Red Hanrahan''s Song About Ireland
  • The Old Men Admiring Themselves in the Waterfrom The Green Helmet and Other Poems (1910)
  • A Woman Homer Sung
  • Words
  • No Second Troy
  • Against Unworthy Praise
  • The Fascination of What''s Difficult
  • A Drinking Song
  • On Hearing That the Students of Our New University Have Joined the Agitation Against Immoral Literature
  • To a Poet, Who Would Have Me Praise Certain Bad Poets, Imitators of His and Mine
  • The Mask
  • Upon a House Shaken by the Land Agitation
  • These Are the Clouds
  • All Things Can Tempt Me
  • Brown Pennyfrom Responsibilities (1914)
  • [Pardon, Old Fathers]
  • September 1913
  • To a Friend Whose Work Has Come to Nothing
  • Paudeen
  • To a Shade
  • When Helen Lived
  • The Three Hermits
  • Beggar to Beggar Cried
  • Running to Paradise
  • I. The Witch
  • II. The Peacock
  • I. To a Child Dancing in the Wind
  • II. Two Years Later
  • A Memory of Youth
  • Fallen Majesty
  • The Cold Heaven
  • That the Night Come
  • The Magi
  • The Dolls
  • A Coatfrom The Wild Swans at Coole (1919)
  • The Wild Swans at CooleIn Memory of Major Robert Gregory
  • An Irish Airman Foresees His Death
  • The Collar-Bone of a Hare
  • Solomon to Sheba
  • To a Young Beauty
  • The Scholars
  • Tom O''Roughley
  • Lines Written in Dejection
  • The Dawn
  • On Woman
  • The Fisherman
  • The Hawk
  • Memory
  • The People
  • A Thought from Propertius
  • A Deep-Sworn Vow
  • Presences
  • On Being Asked for a War Poem
  • Upon A Dying Lady:
  • I. Her Courtesy
  • II. Certain Artists Bring Her Dolls and Drawings
  • III. She Turns the Dolls'' Faces to the Wall
  • IV. The End of Day
  • V. Her Race
  • VI. Her Courage
  • VII. Her Friends Bring Her a Christmas Tree
  • Ego Dominus Tuus
  • The Phases of the Moon
  • The Cat and the Moon
  • The Saint and the Hunchback
  • Two Songs of a Fool
  • The Double Vision of Michael Robartesfrom Michael Robartes and the Dancer (1921)
  • Solomon and the Witch
  • An Image from a Past Life
  • Easter, 1916
  • On a Political Prisoner
  • The Leaders of the Crowd
  • Towards Break of DayDemon and Beast
  • The Second Coming
  • A Prayer for My Daughter
  • A Meditation in Time of War
  • Calvary (1921)from The Tower (1928)
  • Sailing to Byzantium
  • The Tower
  • Meditations in Time of Civil War:
  • I. Ancestral Houses
  • II. My House
  • III. My Table
  • IV. My Descendants
  • V. The Road at My Door
  • VI. The Stare''s Nest by My Window
  • VII. I See Phantoms of Hatred and of the Heart''s Fullness and of the Coming Emptiness
  • Nineteen Hundred and Nineteen
  • Two Songs from a Play
  • Fragments
  • Leda and the Swan
  • Among School Childrenfrom
  • A Man Young and Old:
  • I. First Love
  • IV. The Death of the Hare
  • IX. The Secrets of the Old
  • All Souls'' Nightfrom The Winding Stair and Other Poems (1933)
  • In Memory of Eva Gore-Booth and Con Markievicz
  • DeathA Dialogue of Self and Soul
  • Blood and the Moon
  • Veronica''s Napkin
  • The Nineteenth Century and After
  • Three Movements
  • Coole and Ballylee, 1931
  • For Anne Gregory
  • Swift''s Epitaph
  • The Choice
  • Byzantium
  • The Mother of God
  • Vacillation
  • Quarrel in Old Age
  • Remorse for Intemperate Speechfrom
  • Words for Music Perhaps:
  • I. Crazy Jane and the Bishop
  • II. Crazy Jane Reproved
  • III. Crazy Jane on the Day of Judgment
  • IV. Crazy Jane and Jack the Journeyman
  • V. Crazy Jane on God
  • VI. Crazy Jane Talks with the Bishop
  • VII. Crazy Jane Grown Old Looks at the Dancers
  • VIII. Girl''s Song
  • IX. Young Man''s Song
  • X. Her Anxiety
  • XV. Three Things
  • XVI. Lullaby
  • XVII. After Long Silence
  • XX. ''I Am of Ireland''
  • XXII. Tom the Lunatic
  • XXV. The Delphic Oracle upon Plotinusfrom
  • A Woman Young and Old:
  • III. A First Confession
  • VI. Chosen
  • IX. A Last Confession
  • The Words Upon the Window-Pane (1934)from A Full Moon in March:"Parnell''s Funeral" and Other Poems (1935)
  • Parnell''s Funeral
  • Church and Statefrom
  • Supernatural Songs:
  • I. Ribh at the Tomb of Baile and Aillinn
  • III. Ribh in Ecstasy
  • IV. There
  • VI. He and She
  • VIII. Whence Had They Come?
  • IX. The Four Ages of Man
  • XII. Merufrom New Poems (1938)
  • The GyresLapis Lazuli
  • The Three Bushes
  • The Lady''s First Song
  • The Lady''s Second Song
  • The Lady''s Third Song
  • The Lover''s Song
  • The Chambermaid''s First Song
  • The Chambermaid''s Second Song
  • An Acre of Grass
  • What Then?
  • Beautiful Lofty Things
  • Come Gather Round Me, Parnellites
  • The Wild Old Wicked Man
  • The Great DayParnell
  • The Spur
  • A Model for the Laureate
  • The Old Stone Cross
  • Those Images
  • The Municipal Gallery Revisitedfrom On the Boiler (1939)
  • Why Should Not Old Men Be Mad?
  • Crazy Jane on the Mountain
  • A Statesman''s Holidayfrom Last Poems and Two Plays (1939)
  • Under Ben Bulben
  • The Black Tower
  • Cuchulain Comfortedfrom Three Marching Songs
  • The Statues
  • News for the Delphic Oracle
  • Long-legged Fly
  • John Kinsella''s Lament for Mrs. Mary Moore
  • The Apparitions
  • Man and the Echo
  • The Circus Animals'' Desertion
  • Politics
  • The Death of Cuchulain (1939)
  • Purgatory (1939)
  • Notes
  • Glossary of Names and Places
  • Selective Bibliography
  • Index to Titles
  • Index of First Lines of Poems

Chapter 1 from Crossways (1889) THE CLOAK, THE BOAT, AND THE SHOES 'What do you make so fair and bright?' 'I make the cloak of Sorrow: O lovely to see in all men's sight Shall be the cloak of Sorrow, In all men's sight.' 'What do you build with sails for flight?' 'I build a boat for Sorrow: O swift on the seas all day and night Saileth the rover Sorrow, All day and night.' 'What do you weave with wool so white?' 'I weave the shoes of Sorrow: Soundless shall be the footfall light In all men's ears of Sorrow, Sudden and light.' (1885) EPHEMERA 'Your eyes that once were never weary of mine Are bowed in sorrow under pendulous lids, Because our love is waning.' And then she: 'Although our love is waning, let us stand By the lone border of the lake once more, Together in that hour of gentleness When the poor tired child, Passion, falls asleep: How far away the stars seem, and how far Is our first kiss, and ah, how old my heart!' Pensive they paced along the faded leaves, While slowly he whose hand held hers replied: 'Passion has often worn our wandering hearts.' The woods were round them, and the yellow leaves Fell like faint meteors in the gloom, and once A rabbit old and lame limped down the path; Autumn was over him: and now they stood On the lone border of the lake once more: Turning, he saw that she had thrust dead leaves Gathered in silence, dewy as her eyes, In bosom and hair. 'Ah, do not mourn,' he said, 'That we are tired, for other loves await us; Hate on and love through unrepining hours. Before us lies eternity; our souls Are love, and a continual farewell.' (1889) THE STOLEN CHILD Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water-rats; There we've hid our faery vats, Full of berries And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim grey sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, From a world more full of weeping than he can understand. (1886) TO AN ISLE IN THE WATER Shy one, shy one, Shy one of my heart, She moves in the firelight Pensively apart. She carries in the dishes, And lays them in a row. To an isle in the water With her would I go. She carries in the candles, And lights the curtained room, Shy in the doorway And shy in the gloom; And shy as a rabbit, Helpful and shy. To an isle in the water With her would I fly. (1889) DOWN BY THE SALLEY GARDENS Down by the salley gardens my love and I did meet; She passed the salley gardens with little snow-white feet. She bid me take love easy, as the leaves grow on the tree; But I, being young and foolish, with her would not agree. In a field by the river my love and I did stand, And on my leaning shoulder she laid her snow-white hand. She bid me take life easy, as the grass grows on the weirs; But I was young and foolish, and now am full of tears. (1889) Foreword and introduction copyright © 1996 by M. L. Rosenthal Excerpted from Selected Poems and Four Plays by W. B. Yeats All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.