Review by Booklist Review
With more than 30 million books in print, it's a sure bet that Krentz's newest romantic suspense novel will be popular, especially since it features her trademark heroine: a strong, independent woman. Alexa Chambers, an expert in early-twentieth-century art, has returned to Avalon to lick her wounds and rebuild her life after her reputation was wrongfully trashed when she exposed some well-placed forgeries. Avalon, a Sedona, Arizona-like town, is the headquarters of a metaphysical institute, long the town's major employer until Trask, the son of Alexa's stepfather's late partner, returns to open his grand fantasy hotel. As a teenager, Alexa had been frightened but not cowed when Trask had vowed revenge for his father's death, but now, after having secretly selected the art that graces his hotel, she finds his dangerous allure irresistible. As Trask and Alexa try to solve the 12-year-old mystery of his father's death, another death and a couple of attempted murders strongly suggest that there may well be a basis for their conspiracy theories. Superbly crafted by a master of the genre, this novel offers all the elements of a successful romance skillfully interwoven with convincing suspense and carefully rendered clues that keep the reader guessing right up to the last page. Former librarian Krentz also writes historical romances as Amanda Quick and futuristic ones as Jayne Castle. (Reviewed March 15, 1999)0671523066Diana Tixier Herald
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
When hotel magnate J.L. Trask returns to Avalon, Ariz., to open his magnificent new resort, art expert Alexa Chambers and the other locals in this New Age town suspect he's come, after 12 years, to avenge his father's death. Trask, convinced that his father was murdered, must deal with Avalon's charismatic guru, Webster Bell, and his many eager disciples in bestselling author Krentz's (Flash) latest romantic thriller. Alexa, who considers herself Trask's nemesisÄhis accusations against her stepfather have echoed in her mind since she was 16, when she forced the furious Trask to leave her homeÄbecomes his unlikely ally in the search for the truth behind his father's death. The prolific Krentz, who also churns out bestsellers as Amanda Quick and Jayne Castle, once again demonstrates her knack for page-turning plots that masterfully inveigle and misdirect readers up to a surprising denouement. Krentz here captures the intriguing perils of the art collecting world: Alexa's career as an expert on 20th-century art was nearly ruined after a forgery scandal tarnished her reputation. The Dimensions Institute, the metaphysical retreat that dominates Avalon, is another richly observed milieu. Psychics, aura readers and meditation guides hold sway, and the author treads a thin line between poking fun at so-called New Age enlightenment and lauding the benefits of introspection and intellectual pursuits. In the end, this is a well-paced thriller fraught with tensionÄboth sexual and suspensefulÄthat will please Krentz fans. (May) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Twelve years after his father's suspicious death, J.L. Trask returns to Avalon, AZ, to open the latest in his string of luxury resorts but also to investigate what really happened. While in Avalon, Trask crosses paths with Alexa Chambers, art expert and boutique owner, who has her own reasons for cooperating with Trask's search for the truth. As smoothly polished and elegantly crafted as the art deco objets d'art that grace the plot, Krentz's latest romance is a seamless blend of passion and suspense. Lightly seasoned with touches of humor, this stellar romance should win new readers for Krentz (a.k.a. Amanda Quick and Jayne Castle), who lives in the Seattle area.ÄJC, SM (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Another charming modern romance featuring the usual Krentz ingredients: a Big Biz hero, an artsy heroine and a pile of New Age cosmobabble. Alexa Chambers, a world-class Art Deco consultant, lives in the picturesque desert town of Avalon, Ariz. (a Sedona look-alike), and runs a kitschy museum-replica store called Elegant Relic. Alexa has been relegated to hawking gargoyles after her reputation was devastated by an art-fake scandal two years earlier. Now, she's pinning hopes for her ""triumphant return"" to the art world on the secret consulting work she's done for the new Avalon Resort & Spa, an Art Deco fantasy hotel for which she has assembled a museum-caliber collection. The owner of the new resort, John Laird Trask, is returning to Avalon both to open his hotel and to investigate the death of his father, whose car went over Avalon Point 12 years before. In typical Krentzian fashion, Trask (called simply ""Trask"") is a self-made tycoon who has single-handedly built an empire and brought up a younger brother but is a bust in the male-female relationship department. He remembers Alexa because she's cute and the stepdaughter of the man Trask believes killed his dad. Luckily for Trask, the same lunatic responsible for his father's death is still in Avalon, where he has appointed himself guardian of the Dimensions Institute, a New Age haven that until Trask's arrival was Avalon's chief employer and visitor attraction. In his zeal to keep all the energy ""vortices"" balanced and positive, the Guardian embarks on a new series of murders and begins to threaten Alexa. As they follow clues to the crazy killer's identity, Alexa and Trask experience two nights of mad passion that turn their individual unbalanced vortices into a perfectly wired whole. The mystery's dorky, but Krentz again assembles an easy-to-like community of people. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.