Pay it forward

Catherine Ryan Hyde

Book - 2000

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FICTION/Hyde, Catherine Ryan
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Published
New York : Simon & Schuster 2000.
Language
English
Main Author
Catherine Ryan Hyde (-)
Physical Description
288 p.
ISBN
9780684862712
Contents unavailable.
Review by Booklist Review

Twelve-year-old Trevor McKinney takes on an extracredit assignment for his social studies class: think of an idea for world change and put it into action. Trevor's plan is simple--do something "big" for three people, and instead of having them pay him back, have each of them choose three people and pay it forward, and so on and on. The three people Trevor chooses to help seem unlikely to be able to pay it forward--a homeless junkie who lands back in jail; an elderly lady who suddenly dies; and his social studies teacher, Reuben St. Clair, who was disfigured in the Vietnam War and has a difficult time opening up to people. Hyde takes her time, slowly and delightfully revealing clues as to the impact of Trevor's plan, which, unknown to Trevor, takes on a life of its own. Although the ending is slightly contrived, Hyde makes the unbelievable seem possible in a beautifully written, heartwarming story of one boy's belief in the goodness of humanity. --Carolyn Kubisz

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

An ordinary boy engineers a secular miracle in Hyde's (Funerals for Horses) winning second novel, set in small-town 1990s California. Twelve-year-old Trevor McKinney, the son of Arlene, a single mom working two jobs, and Ricky, a deadbeat absentee dad, does not seem well-positioned to revolutionize the world. But when Trevor's social studies teacher, Reuben St. Clair, gives the class an extra-credit assignment, challenging his students to design a plan to change society, Trevor decides to start a goodwill chain. To begin, he helps out three people, telling each of them that instead of paying him back, they must "pay it forward" by helping three others. At first, nothing seems to work out as planned, not even Trevor's attempt to bring Arlene and Reuben together. Granted, Trevor's mother and his teacher are an unlikely couple: she is a small, white, attractive, determined but insecure recovering alcoholic; he is an educated black man who lost half his face in Vietnam. But eventually romance does blossom, and unbeknownst to Trevor, his other attempts to help do "pay forward," yielding a chain reaction of newsworthy proportions. Reporter Chris Chandler is the first to chase down the story, and Hyde's narrative is punctuated with excerpts from histories Chandler publishes in later years (Those Who Knew Trevor Speak and The Other Faces Behind the Movement), as well as entries from Trevor's journal. Trevor's ultimate martyrdom, and the extraordinary worldwide success of his project, catapult the drama into the realm of myth, but Hyde's simple prose rarely turns preachy. Her Capraesque themeÄthat one person can make a differenceÄmay be sentimental, but for once, that's a virtue. $250,000 ad/promo; BOMC and QPB alternates; 7-city author tour; film rights optioned by Warner Bros. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

It started with a school assignment that a 12-year-old boy embraced, and it changed everything. When Reuben St. Clair wrote on the blackboard "Think of an Idea for World Change, and Put It Into Action," Trevor McKinney (who understood the concept of compounding) came up with the idea of Paying Forward. That is, he'll do something really good for three people, who, instead of paying him back, will be asked to pay it forwardÄby aiding someone else. (And so on, and so on.) But hard as he tries, Trevor's projects seem to fail: a down-and-out stranger, financed by Trevor's paper route money, buys drink and drugs; widowed Mrs. Greenberg, whose beloved garden Trevor tends, dies; and Trevor's attempts at matchmaking his lonely teacher with his feisty single mother sparks then fizzles. But then, things take a turn for the better: provisions in Mrs. Greenberg's will keep the movement going and saving lives, and then a tenacious reporter tells the story. Even if the seed for this concept came from Lloyd Douglas's Magnificent Obsession, Hyde's (Earthquake Weather) book is still an uplifting, tear-jerking, and inspiring modern fable, with an extremely appealing young protagonist. For all reading audiences. [Previewed in Prepub Alert, LJ 10/15/99.]ÄMichele Leber, Fairfax Cty. P.L., VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

YA-Eighth-grader Trevor is challenged by his social-studies teacher to do something that will change the world. And he does. His rule is to do one very good deed for three different people, telling them that rather than paying him back, they are to "pay it forward" to three others. When the numbers grow exponentially, The Movement starts and the world is changed. Hyde uses a variety of writing styles and techniques to present the story: a first-person account by Chris, the journalist who writes about The Movement; excerpts from his books; transcripts of his interviews; entries from Trevor's diary; and a third-person narration. The central character changes in these chapters as the story moves forward but these shifts are clear enough that most readers should not be confused. A short, unsavory sexual episode results in a violent, sacrificial ending that is softened somewhat through foreshadowing. Since the film version of the book has already been cast, YAs are likely to be asking for it soon.-Claudia Moore, W. T. Woodson High School, Fairfax, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The buzz is big for this heartwarming, funny, and bittersweet story from Hyde (Funerals for Horses, not reviewed) about a teenager's plan to better the world. It all starts with a man and a boy. The man, Reuben St. Clair, a social-studies teacher who believes in positive thinking but who's also a badly disfigured, black Vietnam vet struggling daily with the way people look at him, assigns the following for extra credit: ``Think of an idea for world change, and put it into action.'' The boy, Trevor McKinney, takes the assignment to heart, not only because his mother, Arlene, is battling with alcohol and his father's gone missing, but also because he likes Reuben and begins to think maybe his mom would too. Trevor develops a pyramid payback scheme of good deeds, with the flow of payment reversed, and starts by finding three people he believes he can help, each of whom pledges to help three others. The first, a homeless addict/mechanic, receives Trevor's paper-route earnings and a place to shower before a job interview, but then blows his first paycheck on cocaine and ends up in jail. The second, an elderly woman on the paper route, receives all the yard- and garden-work she needs for free, but later dies in her sleep. The third, Reuben and Arlene considered together as a dysfunctional unit, are brought together by Trevor so they can help each other out of loneliness and just maybe give him a dad in the bargain, but they mix like oil and water. Apparently negative results prove to be just the opposite, however, and, unbeknownst to Trevor, his project snowballs into a national phenomenon with no end in sight. Invited to Washington to be honored by President Clinton, Trevor decides to do one more good deed, a selfless act that again succeeds beyond his wildest expectations. A quiet, steady masterpiece, with an incandescent ending. (Film rights to Warner Bros.; Book-of-the-Month featured alternate/Quality Paperback Book Club alternate selection; $250,00 ad/promo; author tour)

Copyright (c) Kirkus Reviews, used with permission.

Pay It Forward Chapter One REUBEN January 1992 The woman smiled so politely that he felt offended. "Let me tell Principal Morgan that you're here, Mr. St. Clair. She'll want to talk with you." She walked two steps, turned back. "She likes to talk to everyone, I mean. Any new teacher." "Of course." He should have been used to this by now. More than three minutes later she emerged from the principal's office, smiling too widely. Too openly. People always display far too much acceptance, he'd noticed, when they are having trouble mustering any for real. "Go right on in, Mr. St. Clair. She'll see you." "Thank you." The principal appeared to be about ten years older than he, with a great deal of dark hair, worn up, a Caucasian and attractive. And attractive women always made him hurt, literally, a long pain that started high up in his solar plexus and radiated downward through his gut. As if he had just asked this attractive woman to the theater, only to be told, You must be joking. "We are so pleased to meet you face-to-face, Mr. St. Clair." Then she flushed, as if the mention of the word "face" had been an unforgivable faux pas. "Please call me Reuben." "Reuben, yes. And I'm Anne." She met him with a steady, head-on gaze, and at no time appeared startled. So she had been verbally prepared by her assistant. And somehow the only thing worse than an unprepared reaction was the obviously rehearsed absence of one. He hated these moments so. He was, by his own admission, a man who should stay in one place. But the same factors that made it hard to start over made it hard to stay. She motioned toward a chair and he sat. Crossed his legs. The crease of his slacks was neatly, carefully pressed. He'd chosen his tie the previous night, to go well with the suit. He was a demon about grooming, although he knew no one would ever really see. He appreciated these habits in himself, even if, or because, no one else did. "I'm not quite what you were expecting, am I, Anne?" The use of her first name brought it back, but more acutely. It was very hard to talk to an attractive woman. "In what respect?" "Please don't do this. You must appreciate how many times I've replayed this same scene. I can't bear to talk around an obvious issue." She tried to establish eye contact, as one normally would when addressing a coworker in conversation, but she could not make it stick. "I understand," she said. I doubt it, he said, but not out loud. "It is human nature," he said out loud, "to form a picture of someone in your mind. You read a résumé and an application, and you see I'm forty-four, a black male, a war veteran with a good educational background. And you think you see me. And because you are not prejudiced, you hire this black man to move to your town, teach at your school. But now I arrive to test the limits of your open mind. It's easy not to be prejudiced against a black man, because we have all seen hundreds of those." "If you think your position is in any jeopardy, Reuben, you're worrying for nothing." "Do you really have this little talk with everyone?" "Of course I do." "Before they even address their first class?" Pause. "Not necessarily. I just thought we might discuss the subject of...initial adjustment." "You worry that my appearance will alarm the students." "What has your experience been with that in the past?" "The students are always easy, Anne. This is the difficult moment. Always." "I understand." "With all respect, I'm not sure you do," he said. Out loud.   AT HIS FORMER SCHOOL, in Cincinnati, Reuben had a friend named Louis Tartaglia. Lou had a special way of addressing an unfamiliar class. He would enter, on that first morning, with a yardstick in his hand. Walk right into the flap and fray. They like to test a teacher, you see, at first. This yardstick was Lou's own, bought and carried in with him. A rather thin, cheap one. He always bought the same brand at the same store. Then he would ask for silence, which he never received on the first request. After counting to three, he would bring this yardstick up over his head and smack it down on the desktop in such a way that it would break in two. The free half would fly up into the air behind him, hit the blackboard, and clatter to the floor. Then, in the audible silence to follow, he would say, simply, "Thank you." And would have no trouble with the class after that. Reuben warned him that someday a piece would fly in the wrong direction and hit a student, causing a world of problems, but it had always worked as planned, so far as he knew. "It boils down to unpredictability," Lou explained. "Once they see you as unpredictable, you hold the cards." Then he asked what Reuben did to quiet an unfamiliar and unruly class, and Reuben replied that he had never experienced the problem; he had never been greeted by anything but stony silence and was never assumed to be predictable. "Oh. Right," Lou said, as if he should have known better. And he should have.   REUBEN STOOD BEFORE THEM, for the first time, both grateful for and resentful of their silence. Outside the windows on his right was California, a place he'd never been before. The trees were different; the sky did not say winter as it had when he'd started the long drive from Cincinnati. He wouldn't say from home, because it was not his home, not really. And neither was this. And he'd grown tired of feeling like a stranger. He performed a quick head count, seats per row, number of rows. "Since I can see you're all here," he said, "we will dispense with the roll call." It seemed to break a spell, that he spoke, and the students shifted a bit, made eye contact with one another. Whispered across aisles. Neither better nor worse than usual. To encourage this normality, he turned away to write his name on the board. Mr. St. Clair. Also wrote it out underneath, Saint Clair, as an aid to pronunciation. Then paused before turning back, so they would have time to finish reading his name. In his mind, his plan, he thought he'd start right off with the assignment. But it caved from under him, like skidding down the side of a sand dune. He was not Lou, and sometimes people needed to know him first. Sometimes he was startling enough on his own, before his ideas even showed themselves. "Maybe we should spend this first day," he said, "just talking. Since you don't know me at all. We can start by talking about appearances. How we feel about people because of how they look. There are no rules. You can say anything you want." Apparently they did not believe him yet, because they said the same things they might have with their parents looking on. To his disappointment. Then, in what he supposed was an attempt at humor, a boy in the back row asked if he was a pirate. "No," he said. "I'm not. I'm a teacher." "I thought only pirates wore eye patches." "People who have lost eyes wear eye patches. Whether they are pirates or not is beside the point."   THE CLASS FILED OUT, to his relief, and he looked up to see a boy standing in front of his desk. A thin white boy, but very dark-haired, possibly part Hispanic, who said, "Hi." "Hello." "What happened to your face?" Reuben smiled, which was rare for him, being self-conscious about the lopsided effect. He pulled a chair around so the boy could sit facing him and motioned for him to sit, which he did without hesitation. "What's your name?" "Trevor." "Trevor what?" "McKinney. Did I hurt your feelings?" "No, Trevor. You didn't." "My mom says I shouldn't ask people things like that, because it might hurt their feelings. She says you should act like you didn't notice." "Well, what your mom doesn't know, Trevor, because she's never been in my shoes, is that if you act like you didn't notice, I still know that you did. And then it feels strange that we can't talk about it when we're both thinking about it. Know what I mean?" "I think so. So, what happened?" "I was injured in a war." "In Vietnam?" "That's right." "My daddy was in Vietnam. He says it's a hellhole." "I would tend to agree. Even though I was only there for seven weeks." "My daddy was there two years." "Was he injured?" "Maybe a little. I think he has a sore knee." "I was supposed to stay two years, but I got hurt so badly that I had to come home. So, in a way I was lucky that I didn't have to stay, and in a way your daddy was lucky because he didn't get hurt that badly. If you know what I mean." The boy didn't look too sure that he did. "Maybe someday I'll meet your dad. Maybe on parents' night." "I don't think so. We don't know where he is. What's under the eye patch?" "Nothing." "How can it be nothing?" "It's like nothing was ever there. Do you want to see?" "You bet." Reuben took off the patch. No one seemed to know quite what he meant by "nothing," until they saw it. No one seemed prepared for the shock of "nothing" where there would be an eye on everyone else they had ever met. The boy's head rocked back a little, then he nodded. Kids were easier. Reuben replaced the patch. "Sorry about your face. But you know, it's only just that one side. The other side looks real good." "Thank you, Trevor. I think you are the first person to offer me that compliment." "Well, see ya." "Good-bye, Trevor." Reuben moved to the window and looked out over the front lawn. Watched students clump and talk and run on the grass, until Trevor appeared, trotting down the front steps. It was ingrained in Reuben to defend this moment, and he could not have returned to his desk if he'd tried. This he could not release. He needed to know if Trevor would run up to the other boys to flaunt his new knowledge. To collect on any bets or tell any tales, which Reuben would not hear, only imagine from his second-floor perch, his face flushing under the imagined words. But Trevor trotted past the boys without so much as a glance, stopping to speak to no one. It was almost time for Reuben's second class to arrive. So he had to get started, preparing himself to do it all over again. From The Other Faces Behind the Movement by Chris Chandler There is nothing monstrous or grotesque about my face. I get to state this with a certain objectivity, being perhaps the only one capable of such. I am the only one used to seeing it, because I am the only one who dares, with the help of a shaving mirror, to openly stare. I have undergone eleven operations, all in all, to repair what was, at one time, unsightly damage. The area that was my left eye, and the lost bone and muscle under cheek and brow, have been neatly covered with skin removed from my thigh. I have endured numerous skin grafts and plastic surgery. Only a few of these were necessary for health or function. Most were intended to make me an easier individual to meet. The final result is a smooth, complete absence of an eye, as if one had never existed; a great loss of muscle and mass in cheek and neck; and obvious nerve damage to the left corner of my mouth. It is dead, so to speak, and droops. But after many years of remedial diction therapy, my speech is fairly easily understood. So, in a sense it is not what people see in my face that disturbs them, but rather what they expect to see and do not. I also have minimal use of my left arm, which is foreshortened and thin from resulting atrophy. My guess is that people rarely notice this until I've been around awhile, because my face tends to steal the show. I have worked in schools, lounged in staff rooms, where a Band-Aid draws comment and requires explanation. Richie, what did you do to your hand? A cast on an extremity becomes a story told for six weeks, multiplied by the number of employees. Well, I was on a ladder, see, preparing to clean my storm drains.... So, it seems odd to me that no one will ask. If they suddenly did and I were forced to repeat the story, I might decide I had liked things better before. But it's not so much that they don't ask, but why they don't ask, as if I am an unspeakable tragedy, as new and shocking to myself as to them. Occasionally my left arm will draw comment, always the same one. "How lucky that it was your left." But even this supposed consolation is misguided, because I am left-handed, by nature if not by practice. Until I was shipped home from overseas, I had a fiancée. I still have pictures of us together. We were a handsome couple--ask anyone. To someone who wasn't there, it might seem as if my fiancée must have been a coldhearted woman. Surely she could have married me just the same. I wish Eleanor had been a coldhearted woman, or even that I could pretend such to be the case, but unfortunately I was there. The real truth is hard to re-create. The real truth is that we both agreed so staunchly not to see it or care about it that it was all we could see, nor had we time left over to care about anything else. Eleanor was a strong woman, which no doubt contributed to our defeat. She is married now and lives with her husband in Detroit. She is a plastic surgeon. I haven't entirely decided how much significance to attribute to these facts. Any of them. Excerpted from Pay It Forward by Catherine Ryan Hyde All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.