The case of the murdered muckraker

Carola Dunn

Book - 2002

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MYSTERY/Dunn, Carola
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Subjects
Published
New York : St. Martin's Minotaur 2002.
Language
English
Main Author
Carola Dunn (-)
Edition
1st ed
Physical Description
262 p.
ISBN
9780312272845
Contents unavailable.
Review by Booklist Review

The latest installment of Dunn's quaint series starring Daisy Dalrymple--now Fletcher after her recent marriage to Scotland Yard Inspector Alec Fletcher--lets readers see Daisy in action without Alec, who's in Washington, D.C., advising the U.S. government and doesn't appear until late in the story. Daisy is staying alone at the famous Chelsea Hotel in New York, continuing her travel writing duties for Abroad magazine. Dunn once again peppers the story with historical tidbits from the late 1920s: Prohibition, the Algonquin Round Table, J. Edgar Hoover, and more. Most of the historical name-dropping is somewhat choppily incorporated into the action, but the odd bit--such as the "tea" drinkers in the hotel lobby with whiskey in their teapots--captures the atmosphere perfectly. When Daisy witnesses the murder of a journalist, her neighbor at the Chelsea, he joins with a bumbling federal agent to track down the killer. Despite its rather implausible plot and heavy-handed history lesson, this is a charming-enough mix of cozy and historical subgenres, and it features an endearing protagonist. --Jenny McLarin

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In her 10th cozy featuring English writer Daisy Dalrymple (To Davy Jones Below, etc.), Dunn captures the melting pot of Prohibition-era New York with humorous characterizations and a vivid sense of place, and with careful plotting lays out an enjoyable tale of adventure. While her husband, Alec Fletcher, DCI at Scotland Yard, is consulting with J. Edgar Hoover in Washington, Daisy is on her own in New York. At the Chelsea Hotel, Daisy meets a number of eccentrics, including a formidable retired crime writer, a hustling elevator boy with the connections to get good whiskey and the reporter Otis Carmody. Carmody's path crosses Daisy's once again at the offices of her American editor in the Flatiron building where Daisy witnesses the reporter's murder. He'd riled the mob and many Tammany politicos, any of whom might have reason to kill Carmody as well as any witnesses. With little confidence in the politically aware DA and his bumbling detective, Daisy and her new friends recreate a scenario that points to perpetrator and motive. Daisy knows this is just speculation, but by the time Alec arrives, she is chasing a thread across the country on a hitched ride on a plane. As an amateur sleuth, Daisy never overreaches the limits of what she can plausibly uncover; the cross-country trek is earned by a sure and gradual build-up of suspicion. Throughout her travels in the States, Daisy is keenly attuned to people and place: race relations, regional accents, even foods all add to the texture of the story. (Feb. 25) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Now married to a Scotland Yard detective, series sleuth Daisy Dalrymple takes on another murder case when the pair honeymoons in New York. While there, Daisy sees a journalist fall down an elevator shaft after being shot. With lively city surrounds circa 1923, including the Chelsea Hotel. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Her wild Atlantic crossing (To Davy Jones Below, 2001) behind her, Daisy Fletcher-the Honorable Daisy Dalrymple that was-now settled comfortably in the genteelly bohemian Hotel Chelsea, faces two challenges: making her ancient Remington typewriter fit to produce the series of travel articles for Abroad magazine that brought her across the pond, and making sense of the gabble the natives talk. Fortunately, a brief ride on a tram-er, streetcar-takes her to the Flatiron building, where, outside the offices of Sigurd Thorwald, her editor, she witnesses the shooting of Chelsea neighbor Otis Carmody, an investigative reporter whose body lands on top of the Flatiron's main lift-um, elevator. With a juicy murder to solve, it won't take long for Daisy to fit right into the beat of 1920s New York, even though Tammany Hall stooges Sgt. Gillian and D.A. Rosenblatt are clearly hopeless bumblers. Daisy soon learns from Kevin, the Chelsea's observant elevator boy, and his chambermaid sister Bridget that Carmody was in the middle of a messy separation from his wife, Elva, who prefers the company of shady industrialist Barton Bender. The elderly Misses Cabot are almost as much help as hapless FBI agent Lambert is a hindrance. But the real hero is Daisy's husband Alec, who cuts short his consultation with J. Edgar Hoover to help his wife corner a murderer. Dunn's tenth-short on detection, long on atmosphere, adventure, and Daisy-will appeal mainly to Dalrymple diehards.

Copyright (c) Kirkus Reviews, used with permission.

  1 V oices raised in anger: in the quiet when the clacking of the typewriter keys ceased, as Daisy reached the bottom of a page, the muffled sound came through the wall from the room next door. It was not the first time. Apparently her neighbour was not of a conciliatory nature. This time there were two men and a woman, Daisy was pretty sure, but try as she might, she could not make out the words. None of her business, she told herself firmly, and turned her attention back to her work. Squealing, the Remington reluctantly released the two sheets of paper and the carbon between. Daisy used them to fan herself. Not yet accustomed to the indoor temperature preferred by New Yorkers, and bred as she was to an age-old tradition of roaring fires tempered by icy draughts, she found the hotel room stifling. Her battle with the balky radiator had been less successful than that with the typewriter provided by the management. She looked longingly at the French windows, surrounded by elaborate rosewood carvings, then scowled at the typewriter. The Hotel Chelsea was a noted haven for writers and catered to their needs, but the Remington was on its last legs. Daisy suspected it had stood on this very desk for forty years, ever since the place was built in 1883, pounded daily by fingers expert and inexpert. It creaked and groaned at every touch and strongly objected to demands for capital letters. The prospect of resuming her battle with the beastly machine made her feel hotter than ever. Beside the typewriter, the piles of paper were growing. Mr. Thorwald had requested few changes in her article about the transatlantic voyage. It was all typed, ready to be delivered tomorrow. The article on her first impressions of America was coming along nicely. She had time to spare. Stepping out onto the balcony, she shivered in the biting chill of a wintry breeze. The yellow-grey sky threatened rain, or even snow, though it was not quite November yet. Petrol--gasoline--fumes drifted up from West Twenty-third Street, mingled with dust, but the tang of sooty coalsmoke was not as predominent as in faraway London. Daisy leant on the flowery wrought-iron rail to watch a tram rattle and clang past seven stories below. Not a tram, a streetcar. She wondered why Americans insisted that they spoke English, when they might just as well call their language American. The oddest thing was that people kept telling her, an Englishwoman speaking the King's English, that she had a quaint accent! An unmistakably American voice interrupted Daisy's musing. The window of the next room was open a few inches. The woman whom Daisy had heard indistinctly before was now clear as a bell--no mellow church bell, no tinkling harness bell, but the shrillest of shrill electric bells. "You bastard!" she cried venomously. "I wouldn't come back to you for a million dollars." "If I had a million dollars," retorted a biting male voice, more sarcastic than irate, "you still wouldn't squeeze one red cent out of me." A different man said something indistinguishable in a soothing, rather nervous tone. A moment later a door slammed. Guiltily aware that curiosity as much as overheating had driven her outside, Daisy ducked back into her room. She hoped she had not been spotted eavesdropping on the balcony. Rather than sit there awaiting an indignant knock on her door, she decided to go in search of a cup of tea. It was, after all, past four o'clock. Prohibition had led some Americans to rethink the Boston Tea Party and agree that the British custom of afternoon tea was worth adopting. True, other Americans appeared to obtain alcoholic drinks without the least difficulty. Despite its bohemian clientele, however, the Chelsea was a respectable hostelry, not to be compared to a speakeasy. With any luck, a pot of tea and perhaps even a few biscuits--cookies--might be available below. Why on earth speakeasy ? Daisy wondered, making for the lifts. No one she had asked had the foggiest. As she approached the nearer lift, the outer gate of the farther one clanked shut. She hurried, but when she arrived, the inner gate had also closed and the lift was already moving down the shaft with a rattle and whine of aged machinery. It left behind a whiff of mingled bay rum, expensive cigars, and still more expensive perfume. Daisy caught a glimpse of the top of the lift boy's livery cap, and beyond him a man's head, thin on top, and a scarlet cloche hat with a spray of white egret feathers. "Missed it!" she exclaimed. "Blast!" On the other hand, if that was the couple who had been quarrelling in the room next door to hers, she was quite glad not to be boxed in with them. She walked back to the other lift and pushed the button to summon it. A young chambermaid popped out of a linen room just down the passage, her arms full of towels. "'Tis a long wait ye'll be having of it, I'm thinkin', miss," she remarked in an Irish brogue thick enough to spread on soda-bread. Her carroty hair and freckled face reminded Daisy of her stepdaughter, Belinda. A pang of homesickness struck, unexpectedly strong. She smiled at the girl, who was probably just as homesick, with far more reason. "Is this one out of order?" she asked. "The elevator boy's a bold young limb o' Satan, ma'am. This time o' day he'll likely be off creating 'stead o' minding his duties." "I dare say this is a slack time and it must be frightfully boring going up and down in a cage all day." The girl beamed at her. "'Tis me little brother, ma'am. He's been on since six this morning. Sure, 'tis hard on a lively lad, but he's his bread to earn and lucky to have a job." "I shan't tell tales," Daisy promised. "I'm in no hurry. I suppose I could always take the stairs, at that." "Oh no, ma'am, 'tis a desp'rate long way down. The other elevator'll be back in a minute, if our Kevin don't come."   In fact, the groan and clatter of cables and ratchets announced the imminent arrival of the maligned Kevin. Daisy had only to wait while his lift made its laborious way aloft, but during that interval a man came along the passage to join her. At the sight of him, the chambermaid turned pink and ducked hurriedly back into her linen room. He didn't look at all bohemian--in his forties at a guess, dressed in a medium grey tweed suit, with a black homburg and tan leather gloves in one hand, an attaché case in the other. Stocky, slightly bowlegged, he walked with a swagger. His jaw had an aggressive thrust, and his nose was long and inquisitive above a narrow moustache. His glance at Daisy was bold, impertinent even, with a sort of cynical dismissiveness which at once raised her hackles. At the same time, she wondered if he was the man next door, if he had seen her on the balcony, and whether she was blushing like the Irish girl. She hoped not. She despised blushing as too, too Victorian. She gave him a haughty, withering look worthy of her mother, the Dowager Viscountess Dalrymple, but the bounder had already turned away. He punched the call button, quite unnecessarily as the cage's rackety approach was obvious. Impatiently he opened the gate onto the empty shaft, where loops of cable performed their mysterious trigonometrical functions. Unless it was calculus Daisy was thinking of--her girls' school had not plumbed such mathematical depths, but she remembered looking over Gervaise's shoulder while he groaned over holiday cramming. All that cramming for nothing, she thought mournfully. Her brother had gone off to the War instead of to university, and all his maths had not saved him from death in the Flanders trenches. Maths would not save her impatient fellow-resident, either, if he plumbed the depths of the lift shaft, as he seemed in imminent danger of doing. However, he pulled his head back safely. The lift arrived, piloted by a youth of fourteen or so, whose carroty hair and freckles proclaimed him to be Kevin, while his watering eyes and scarlet ear suggested misconduct chastised. Nonetheless, he gave Daisy a cocky, snaggletoothed grin and enquired, "Going down, ma'am?" Perhaps his words recalled the impatient man to a sense of common courtesy. He was already stepping forward, but he drew back and, with an ironical half bow, allowed Daisy to go first. "Where can I get a pot of tea?" she asked the boy as the lift started down. "In the lobby, m'lady." He tipped his cap, the gesture of respect cheekily exaggerated. His native Irish was overlaid with nasal New York. "Stanley--that's the bellhop, m'lady--'ll take your order to the dining room and a waiter'll deliver, m'lady." His cheek was good-natured. Daisy laughed. "I'm English," she admitted, "but not 'my lady.'" "We can't all be bishops," he commiserated. "It's the real tay you want? You tell Stanley Kevin said to tell 'em make it good and strong, not the dishwater the yankees call tay." The man behind Daisy snorted. From the corner of her eye, she saw him take a flask from his pocket, uncap it, and swallow a hefty pull. She assumed it was neither tea nor dishwater he had swigged, as his face turned an unbecoming purple. Not that she was looking. She wouldn't give him the satisfaction. "I'll remember your advice," she said to Kevin with a smile. He winked. "I can get you the other stuff, too," he whispered. "Not moonshine, gen-u-wine Irish whisky straight from the Emerald Isle." "No, thank you." "It's safe enough. All the right people been paid off." "Paid off?" The man was suddenly sticking his long nose between Daisy and Kevin. The lift boy gave him a wide-eyed, would-be innocent stare. "Musta misheard, mister. I was tellin' the lady how me brother was laid off. Worked down on the waterfront, he did." It was obvious the man did not believe him. Daisy thought he might have pressed the issue if she had not been there. She did her best to look thoroughly respectable, and they reached the bottom with no further exchange. He strode off without a backward glance. Stepping out, Daisy passed the untenanted reception desk and went on through to the lobby. The floor was patterned in white, grey, black, and dried-blood-coloured marble, and grey marble lined the walls to waist height. In every corner potted palms lurked unhappily, as de rigueur here as in London. In this unlikely oasis, a fire flickered beneath a dark, ornately carved mantlepiece. Against the wall on either side stood a stiff, uninviting bench of the same dark carved wood, with red and ivory striped upholstery. The stripes reappeared on two armchairs and a small sofa arranged in front of the fireplace around a low glasstopped table. Matching stripes adorned the seats of the rather spindly wrought-iron chairs set out around several small, equally spindly tables. Two of these pushed together were surrounded by a group of earnest-looking women and rather long-haired men. Their clothes tended toward the flamboyant, the men with floppy, kaleidoscopic cravats in place of neckties, several of the women wearing corduroy trousers. Daisy felt positively staid in her powder blue costume. She had seen virtually identical gatherings in Chelsea--the London suburb, not the hotel--where she had lived before she married. They were discussing either the future course of serious literature or the malevolence of editors. In Chelsea, such a group would have scorned afternoon tea as too bourgeois for words (their preferred drinks were beer or cheap sherry, depending on their pretensions), but here they all held teacups. In fact Daisy saw teapots on the tables, all occupied, on both sides of the lobby. One young man sat on his own, on one of the stiff benches against the wall. His teapot was perched on a side table, at an awkward height and distance, his cup and saucer balanced equally awkwardly in one hand, as if he wasn't quite sure what to do with them. He was soberly dressed in a dark, businesslike suit, his fair hair cropped short above studious horn-rimmed spectacles. Three or four years younger than Daisy's twenty-six, he appeared to be deliberately avoiding her eye. Of course she would not have joined him even if invited, but she did wish she had someone to sit with. She was a modern independent woman, she reminded herself. For years now she had looked after herself, having concluded that absolutely anything was preferable to living with her mother in the Dower House, after her father died in the '19 influenza pandemic. Just because she was married now, had been married for a whole month , and her darling Alec was hundreds of miles away, it didn't mean she could no longer take care of herself. The only free place was the other bench, but as she resigned herself to it, a couple stood up to leave a table on the other side of the lobby, by the door to the little-used Ladies' Sitting Room. Daisy was moving to take possession when a short, plump woman with untidy grey hair bustled up to her. "Oh dear," she said, "I do hope you don't mind?" She looked up appealingly at Daisy over half-spectacles. "Mind?" Daisy asked, bewildered. The little lady waved the knitting she was carrying, a beautifully patterned baby's jacket in pale yellow and white. The yellow and white yarn trailed behind her, Daisy noticed, back to the low table by the fire, on the far side of the lobby, where she had left her knitting bag. "It's my sister," she confided. "Oh dear, so awkward, but she does like to know." "Know what?" Daisy asked cautiously. "Oh dear, I'm muddling it as usual. My sister, Genevieve, insists on meeting everyone who comes to stay at the hotel. Do say you will?" She looked a little reproachful when Daisy laughed, but brightened when Daisy said, "I'd be glad to. May I know your name?" "Oh dear, I ought to have introduced myself first thing! I am Miss Cabot, Ernestine Cabot--Boston, you know--only a very junior branch." Why this obscure announcement should make Daisy think of fish she had no leisure to contemplate. Miss Cabot turned about, tangling her feet in her own yarn. She would have come to grief had not Kevin, playing truant from his lift, dashed over to prop her up. "Happens reg'lar, once a week, like clockwork," he murmured to Daisy. Though no one else seemed to notice the minor imbroglio, the solitary young man must have been watching, for he also hurried to help. He stooped to unwind the wool, but Miss Cabot turned skittish. "Oh dear ... no, please ... so kind, Mr. er-hm ..." "Lambert." "Mr ... . I'm afraid ... rather indelicate ..." Daisy gathered that female assistance would be appreciated. She disentangled the black lisle stocking-clad ankles while Miss Cabot twittered a series of oh dears above her. Mr. Lambert offered a hand to help Daisy up, with an oddly assessing look as though he were comparing her face with some inner ideal. Wondering whether she passed muster, Daisy thanked him with a nod and a smile. "You're welcome, ma'am." The words arrived with a whiff of Irish whiskey. Kevin's business was apparently a going concern, and not all teapots contained tea. Daisy collected the yarn where it hung down from Miss Cabot's needles, intending to gather up the excess as she accompanied the old lady to meet her sister. The length of yarn rose a foot or two from the floor just as the impatient man from the lift strode past in his purposeful way. It caught him across the shins. He barged on, oblivious. The knitting flew from Miss Cabot's grasp and the knitting bag attached to the far end of the yarn flopped to the floor. Lambert caught the man's sleeve. "Say, look here, wait a minute!" "You know something about it?" He turned eagerly. Daisy could have sworn his long nose twitched. "You're willing to talk?" His face bemused, Lambert blinked. "Talk? I can't see there's anything to talk about, buddy, except you might watch where you're going." "Watch ... ?" It was his turn to look blank; then he followed Lambert's gesture to the yellow and white strands adorning his legs. Turning to Miss Cabot, he said sarcastically, "Ah, Madame Defarge strikes again." His glance moved on to Daisy. "Another victim for Madame Guillotine, I see." His French pronunciation was rotten, Daisy noted, even as she wondered if the hackneyed reference to Dickens had any significance beyond its evident malice. Miss Cabot bridled. "I'm sure I don't know what you can mean." "I don't suppose you do." In an effort to disembarrass himself of the yarn, he stepped backwards. The wool clung to his tweeds. He bent down and snapped both strands. "Beware of entanglements with women, sonny," he advised Lambert. "The only way out is a clean break." And he strode on. Lambert picked up the knitting, which had miraculously stayed on the needles. "Sorry, ma'am," he said sheepishly, handing it to Miss Cabot. "Gee whiz, I guess there's not much you can do about a guy like that." "Oh dear, I'm afraid manners are not what they were," agreed Miss Cabot. Stooping again, Lambert retrieved the two loose ends of yarn. Since he obviously had not the least notion what to do with them, Daisy relieved him of them and proceeded at Miss Cabot's side, winding up the wool as they went. Lambert moved ahead to pick up the knitting bag and replace it on the table. Any disposition to linger was firmly quashed by Miss Genevieve Cabot. "Thank you, young man," she said with a nod of unmistakable dismissal, and as he turned away, a trifle disconsolate, she added, " Not an interesting person." Mr. Lambert's ears reddened. "Guillotined," thought Daisy, hoping she was not to meet the same fate. THE CASE OF THE MURDERED MUCKRAKER. Copyright (c) 2002 by Carola Dunn. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010. Excerpted from The Case of the Murdered Muckraker by Carola Dunn All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.