Review by Booklist Review
Gr. 5^-8. It seems unlikely that the master of noir-tinged, surrealistic black humor would write a novel for young readers. And, yet, there has always been something delightfully juvenile about Hiaasen's imagination; beneath the bent cynicism lurks a distinctly 12-year-old cackle. In this thoroughly engaging tale of how middle-schooler Roy Eberhardt, new kid in Coconut Cove, learns to love South Florida, Hiaasen lets his inner kid run rampant, both the subversive side that loves to see grown-ups make fools of themselves and the righteously indignant side, appalled at the mess being made of our planet. When Roy teams up with some classic children's lit outsiders to save the home of some tiny burrowing owls, the stage is set for a confrontation between right-thinking kids and slow-witted, wrongheaded civic boosters. But Hiaasen never lets the formula get in his way; the story is full of offbeat humor, buffoonish yet charming supporting characters, and genuinely touching scenes of children enjoying the wildness of nature. He deserves a warm welcome into children's publishing. --Bill Ott
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
"With a Florida setting and pro-environment, anti-development message, Hiaasen returns to familiar turf for his first novel for young readers," wrote PW. "Several suspenseful scenes, along with dollops of humor, help make this quite a hoot indeed." Ages 10-up. (May) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
The endangered burrowing owl faces off against Mother Paula's All-American Pancake House in this 2003 Newbery Honor book. Add an appealing protagonist and Lowe's understated narration to the mix, and the themes of friendship, honesty, and child abuse are tempered with large doses of humor and a nice touch of mystery. Listeners will be rooting for Roy as he navigates being the new boy at Trace Middle School and finding friends in unexpected places. Lowe's inflections and pacing make for engaging listening as Roy and his friends fight against animal and child abuse. Pair this with Hiassen's other environmental mysteries: Flush, Scat, and Chomp (all Listening Library). (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
(Middle School) Hoot is quintessential Hiaasen-a mystery/adventure set in South Florida, peopled with original and wacky characters-with a G rating. Roy Eberhart, the new kid in town, hooks up with teenage runaway Mullet Fingers (so named because he can catch fish with his bare hands) and his sister Beatrice, a ""major soccer jock...with a major attitude."" The three discover that the proposed site for a Mother Paula's All-American Pancake House is also a nesting ground for small burrowing owls, a protected species, and they attempt to halt construction. Initiating a cover-up that reaches all the way to the mayor's office, Mother Paula's executives ignore the owls and try to speed up groundbreaking ceremonies before the public learns their secret. But Mullet Fingers sabotages their efforts: he removes survey stakes; puts alligators in the portable toilets; and releases a mess of cottonmouth snakes to scare away the guard dogs. The narrative carries a lot of frenzied commotion that only becomes more preposterous with each new character's entrance. There's Garrett, ""king of phony farts"" at middle school; Officer Delinko, not ""the sharp-est knife in the drawer""; and Kalo, the amiable rottweiler trainer (""That vun dere is Max. That vun, Klaus. That vun, Karl. And that big vun is Pookie Face""). Each individual has a story to tell, sometimes advancing the plot (Officer Delinko's ambitious investigation provides believable access to all characters) and sometimes imposing an earnestness at odds with the humor (Beatrice and Mullet Fingers endure a dismal home situation). Not consistently a hoot, but worthy of a holler, Hiaasen's first YA book succeeds as a humorous diversion. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The straight-arrow son of a maybe-federal agent (he's not quite sure) turns eco-terrorist in this first offering for kids from one of detective fiction's funniest novelists. Fans of Hiaasen's (Basket Case, 2001, etc.) novels for adults may wonder how well his profane and frequently kinky writing will adapt to a child's audience; the answer is, remarkably well. Roy Eberhardt has recently arrived in Florida; accustomed to being the new kid after several family moves, he is more of an observer than a participant. When he observes a bare-footed boy running through the subdivisions of Coconut Grove, however, he finds himself compelled to follow and, later, to ally himself with the strange boy called Mullet Fingers. Meanwhile, the dimwitted but appealingly dogged Officer Delinko finds himself compelled to crack the case of the mysterious vandals at the construction site of a new Mother Paula's All-American Pancake House-it couldn't have anything to do with those cute burrowing owls, could it? The plot doesn't overwhelm with surprises; even the densest readers will soon suss out the connections between Mullet Fingers, the owls, and Mother Paula's steadfast denial of the owls' existence. The fun lies in Hiaasen's trademark twisted characters, including Dana Matherson, the class bully who regularly beats up on Roy and whose unwitting help Roy wickedly enlists; Beatrice Leep, Mullet Fingers's fiercely loyal sister and co-conspirator; Curly, Mother Paula's hilariously inept foreman; and Roy's equally straight-arrow parents, who encourage him to do the right thing without exactly telling him how. Roy is rather surprisingly engaging, given his utter and somewhat unnatural wholesomeness; it's his kind of determined innocence that sees through the corruption and compromises of the adult world to understand what must be done to make things right. If the ending is somewhat predictable, it is also entirely satisfying-Hoot is, indeed, a hoot. (Fiction. 10-14)
Copyright (c) Kirkus Reviews, used with permission.