Review by Booklist Review
Mother o' mercy, is this the end of Buk, nearly nine years after his death? Well, no, for his new publisher^-Black Sparrow Press proprietor John Martin having retired and closed that long-lived, successful, and important small literary house^-promises four best-of collections, their contents handpicked by Buk himself. But yes, apparently, it is the end in terms of all-new collections. And a fine valedictory this is, one of the most purely enjoyable entries in the Bukowski canon. The poems in it are all as autobiographical as their not-Bukowski "I" referent, Buk's perpetual stand-in--drinkin', screwin', horse-playin', typin' Henry Chinaski--allows. As usual, they are chock-full of gripes, curses, petty rebellions, cocked snooks, long-suffering mutterings, Pyrrhic victories, and the other expressions of malcontent that were Buk's stock-in-trade for some 40 years. Perhaps he was a rhetorician, a ranter, more than a real poet, but for sure he was a humorist, one of the greatest in American literature, in prose as well as verse. If you aren't amused by him, what good are you? ^-Ray Olson
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
When HarperCollins and Ecco Press acquired part of the Black Sparrow imprint early this year, one big prize was the sprawling, long-popular oeuvre of Charles Bukowski (Barfly; Ham on Rye; Love Is a Dog from Hell). Sifting Through the Madness for the Word, the Line, the Way: New Poems, Bukowski's 10th posthumous volume (with several more planned), collects yet more verse about the troubled, garrulous poet's traveling, gambling, thinking, aging, working, not working, romancing, drinking, self-mythologizing and even eating ("I opened a can of roastbeef hash/ and some pickled beets") as he fought through his blue-collar, beer-hall L.A. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Yet another collection of unpublished poems by the prolific Bukowski (who died in 1994), this is the first volume to appear since the demise of his longtime publisher, Black Sparrow Press. Yet it feels more like a transitional collection than a posthumous one. Readers are introduced to a gentler, mellower "Hank" (his longtime narrator), who admits that "you can't know how good it feels driving in for a wash-/ and wax with nothing to do but light a cigarette and/ wait in the sun with no overdue rent, no troubles to speak of." His bar stool has been replaced by a Jacuzzi, and he mingles with the rich and famous, sitting in the clubhouse at the racetrack. Of course, as he admits in another poem, "old habits often die/ as slowly/ as do/ old men." So we still find the whores, the drunks, and the memories of nights on bar stools and in cheap hotel rooms. This volume is essential for Bukowski fans and an excellent introduction for new readers.-Rochelle Ratner, formerly with "Soho Weekly News," New York (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.