Review by Publisher's Weekly Review
In Bowen's engaging third Molly Murphy historical (after 2002's Death of Riley), Molly finds it's not easy to be a female detective with a brogue as thick as ham in 1901 New York. Late one night, two brutish cops haul her off to the slammer because they think she's a prostitute; they don't believe her claim that she was staking out the house across the street. She makes things worse on herself by refusing to mention her friendship with police captain Daniel Sullivan, who could have her released in a jiffy. Instead, she spends a different sort of night in a cell full of whores. Having taken over the detective agency of her recently deceased mentor, Paddy Riley, Molly pursues a couple of cases that form the guts of the story. In one instance, she goes undercover in a sweatshop to ferret out possible industrial espionage; in the other, she looks for an English gentleman's runaway daughter, who is, in turn, searching for her husband. All the threads come neatly together in a fire at a dress-making shop. The question left dangling is a romantic one: will Molly settle for a good friendship with labor leader Jacob Singer, or will she fall back into the arms of her police captain? Only Bowen's next Molly Murphy mystery will tell. (Dec. 8) FYI: The first in the series, Murphy's Law (2001), won an Agatha for Best Novel. Bowen is also the author of the Constable Evans series. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Following the death of her employer, Molly Murphy (Murphy's Law; Death of Riley) continues her investigation business in 1901 New York City. She hates tracking down errant spouses, however, and vows to change her focus: she lands an undercover job looking for a thief of fashion ideas and searches for a Dublin heiress who decamped to America with her unsuitable boyfriend. Meanwhile, Molly's intrepid life among Greenwich Village artists, Tammany Hall flunkies, and various street denizens and her attachment to the family she accompanied to America provide ample historical cement for a lively period re-creation. Highly recommended. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Pioneering private eye Molly Murphy's third adventure allows both her and her author to take wing amid the seediest settings. Despite the death of her boss, Paddy Riley (Death of Riley, 2002), Molly has remained in New York in 1901, trying to keep Riley's tiny detective agency afloat. Another worry is the plight of the two children she had shepherded on the ocean voyage from Ireland and for whom she still feels responsible. Molly's first solo case brings her to the Canal Street garment factory of Mostel and Klein, where someone is stealing the sketches for Mostel's latest designs and making sure that the Lowenstein factory, Mostel's major competition, is first to get them into stores. Finding the thief requires Molly to learn the sewing trade and makes her aware of the cruel sweatshop conditions that prevail. Her second job is heralded by a letter from a Major Favisham in Ireland. His daughter Katherine has sailed off to New York with no-good estate worker Michael Kelly, and the Major desperately wants her found. As matters proceed, Molly's two assignments begin to intermingle, with near-tragic results. In compensation, there's a new admirer who just might overcome Molly's attraction to police captain Daniel Sullivan. Molly grows ever more engaging against a vibrant background of New York's dark side at the turn of the century. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.