The umbrella

Jan Brett, 1949-

Book - 2004

Carlos goes into the cloud forest to look for animals, but he manages to miss seeing them even though they have an adventure with his umbrella.

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Subjects
Genres
Picture books
Published
New York : G. P. Putnam's Sons 2004.
Language
English
Main Author
Jan Brett, 1949- (-)
Physical Description
unpaged : ill
ISBN
9780399242151
Contents unavailable.
Review by Booklist Review

PreS-Gr. 2. In Brett's newest picture book, inspired by a recent trip to the Monteverde cloud forest in Costa Rica, young Carlos sets out in search of exotic animals that live among the thick vines and tropical foliage. He takes along a green umbrella, which he sets down at the base of a tree before climbing up for a better view. While Carlos scans the sea of green, hoping to spot a few cloud-forest friends, a menagerie gathers inside his umbrella, right under his nose--a humorous reversal of the adage about not seeing the forest for the trees. Brett's characteristically lush paintings portray all the misty, mystical details of a rare tropical habitat and its unfamiliar critters, including a bawling baby tapir, a sleepy kinkajou, a hungry toucan, and a brilliantly plumaged quetzal. The basic Spanish phrases punctuating the dialogue, such as \xc1 Vete! (go away) and Buena suerte (good luck) , are easily understood through context, and lend authenticity to a story with a deeply rooted sense of place. --Terry Glover Copyright 2004 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Inspired by the Monteverde Cloud Forest in Costa Rica (according to the jacket flap), Brett's watercolor and gouache art grabs the spotlight in this tale of young Carlos, who carries an umbrella made of giant lush leaves into the forest. He sets it down in order to climb the branches of a fig tree, hoping to catch sight of certain creatures from a higher elevation. Ironically, in a cumulative plot reminiscent of The Mitten, the critters he aims to spy among them a toucan, kinkajou, tapir, monkey and jaguar accumulate inside his umbrella below. Brett depicts the main action in a wide horizontal scene on each spread, while leaf-shaped side panels reveal the boy scaling the tree, and preview the next animal to drop into the umbrella. Brett's vivid details the markings of the tapir's fur, the contrasting reds and greens of the quetzal's feathers bring the exotic creatures to life. After the monkey flings the umbrella into the river and climbs aboard, the jaguar jumps onto it and the other animals think, "Just don't eat us up!" A dramatic aerial view shows the group floating down river; what rocks the boat is a tiny hummingbird, which alights upon the umbrella handle. The creatures reach the riverbank just as the boy abandons his treetop perch, wondering where all the animals are. The author sprinkles this amiable, smoothly recounted tale with Spanish words. Yet more memorable than her narrative are Brett's paintings an eye-pleasing introduction to exquisite rainforest residents and vegetation. Ages 4-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

K-Gr 4-In Jan Brett's book about rain forests (Putnam, 2004), young Carlos heads out into the cloud forest with his green-leafed umbrella in search of tropical animals. While he is climbing a fig tree, his abandoned upside-down umbrella becomes home to a tree frog, then other animals settle in-a toucan, a jaguar, a tapir, and more. It is the monkey who sets the fully-occupied umbrella afloat. A hummingbird, looking for a rest, proves to be the final straw and capsizes this untraditional vessel. While Carlos never sees the animals he seeks, viewers will find them hiding in the pictures. Carlos takes his umbrella home where it again begins to attract occupants for a nice circular ending. The female narrator reads the story with expression, creating a different voice for each character. Brett's detailed illustrations are perfect for the close-up iconographic treatment they receive here. Original music lilts in the background. There is some Spanish dialogue mixed in, with English included when needed for clarity. The pacing is excellent, and there is enough humor here to make young viewers giggle. A nice literature tie-in with rain forest studies.--Teresa Bateman, Brigadoon Elementary School, Federal Way, WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

When Carlos can+t see the animals he+s seeking in the cloud forest, he puts down his homemade leaf umbrella, climbs a tree, and looks. While he+s gone, the rainforest animals, led by Spanish-speaking Froggy, climb into his umbrella one by one and have an adventure in his absence. Lush, verdant illustrations update Carlos+s progress and the umbrella's growing population. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Carlos makes an umbrella from shiny, green fronds to go into the cloud forest, hoping to see many animals. When the only sounds he hears are the drips from the tall trees, he climbs up a giant fig tree to see better, dropping his umbrella upside down on the ground. As the drips collect inside it, a series of animals tumbles in: Froggy, Toucan, Kinkajou, Baby Tapir, Quetzal, and--finally--Monkey, who tosses the umbrella into the river, where it starts to sink. Jaguar pounces on it as it floats by, but when Hummingbird lands on the handle, it's this tiny creature that makes everyone fall out--and the umbrella drifts back to shore. Up in the fig tree, Carlos wonders disappointedly where all the animals are. Insets of leaf shapes telescope the clever contrapuntal action of Carlos's climb and the next creature, while lush watercolor-and-gouache illustrations in vivid greens and bright colors create a diorama effect. The blurb cites the story as a complement to The Mitten (1989) and its snowy setting. Indeed, Brett surpasses herself in this handsomely designed and beautifully executed appreciation of so different a setting. (Picture book. 5-8) Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.