A natural history of ferns

Robbin Craig Moran, 1956-

Book - 2004

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Subjects
Published
Portland, OR : Timber Press 2004.
Language
English
Main Author
Robbin Craig Moran, 1956- (-)
Physical Description
301 pages : illustrations
Bibliography
Includes bibliographical references and index.
ISBN
9780881926675
  • Foreword
  • Preface
  • Acknowledgments
  • The Life Cycle of Ferns
  • 1.. In Search of the Fern Seed
  • 2.. Spore Shooting
  • 3.. Sporadic Results
  • 4.. The Asexual Revolution
  • 5.. Reproduction by Buds
  • 6.. Hybridization and Polyploidy
  • Classification of Ferns
  • 7.. The Falsely Famed Fern Allies
  • 8.. The Fern Fraternity
  • 9.. Genres of Genera
  • 10.. At the Movies
  • Fern Fossils
  • 11.. Giants of the Carboniferous
  • 12.. A Horsetail's Tale?
  • 13.. Hangers-on from the Mesozoic
  • 14.. The Fern Spike
  • 15.. How Old Are Ferns?
  • Adaptations by Ferns
  • 16.. The Potato Fern
  • 17.. How Ferns Become Trees
  • 18.. Iridescent Ferns and Their Shady Behavior
  • 19.. Leaf Scales and Water Uptake
  • 20.. Some Quirks of Quillworts
  • 21.. Bracken, the Poisoner
  • 22.. Spira Mirabilis
  • Fern Geography
  • 23.. Robinson Crusoe's Ferns
  • 24.. Sino-American Relations
  • 25.. Ferns of the Lost World
  • 26.. Ferns, Flashlights, and Tertiary Forests
  • 27.. Tropical Diversity
  • Ferns and People
  • 28.. Serpent's-Tongue Tea
  • 29.. The Molesting Salvinia
  • 30.. Little Nitrogen Factories
  • 31.. Nardoo
  • 32.. Pteridomania
  • 33.. The Vegetable Lamb of Tartary
  • Glossary
  • References
  • Index
  • Color plates
Review by Choice Review

Curator of ferns at the New York Botanical Garden, Moran offers 33 delightful essays that are organized into six general categories. Together they describe life cycles, classification, fossils, adaptations, geographic distribution, and the uses and roles of ferns in human society. Though each may be read independently, the essays are interconnected to form a rich mosaic of information on ferns and some of their presumed relatives. A joy to read, this book features science writing that goes beyond description, revealing patterns and mechanisms--the essence of natural history. In combination with the bibliography and index, the illuminating line drawings, photographs, 26 beautiful color plates, and a glossary greatly enhance the text. Anyone interested in plants will find this book informative and stimulating. See also Fern Grower's Manual, revised and expanded edition, by Barbara Joe Hoshizaki and Robbin C. Moran (CH, Oct'01). ^BSumming Up: Highly recommended. Libraries serving general readers, gardeners, and natural history enthusiasts at all levels. L. G. Kavaljian California State University, Sacramento

Copyright American Library Association, used with permission.
Review by Booklist Review

From the curator of ferns at the New York Botanical Garden comes a meticulously researched, soundly organized, and entertainingly written treatise on the biology of one of nature's loveliest--and often most misunderstood--plants. Ferns, for all their cool beauty and exotic allure, are anomalies of the plant world because of their distinctive form of reproduction, by spore rather than seed. Moran examines this and other essential processes in a scholarly manual that sets forth in a single volume the wealth of material usually accessible only through intricate research. As opposed to field guides focusing primarily on identification, this history explains the unique life cycle and explores the evolutionary adaptations that have occurred throughout the species' 340-million-year history. Exhibiting a storyteller's flair, Moran opens each chapter with an engaging vignette or anecdote to instantly engage the reader, thus elevating what could be a pedantic discourse into an enjoyable discussion. --Carol Haggas Copyright 2004 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

In Shakespeare's Henry IV, Falstaff, Prince Hal and Poins scheme to rob a rich merchant on his way to London in the dark hours of the early morning. Because they need help with the heist, one of Falstaff's henchmen tries to persuade another thief to join them. He says to the thief, "We steal as in a castle, cock-sure; we have the receipt of fern-seed, we walk invisible," to which the thief replies, "Nay, by my faith, I think you are more beholding to the night than to fern-seed for your walking invisible" (act 2, scene 1, lines 9598). What do the thieves mean by fern seed? Anyone who has taken a botany course knows that ferns do not have seeds; instead they disperse by tiny dust-like spores. Did people in Shakespeare's day believe that ferns had seeds? And what is this about walking invisible? In 1597 when Henry IV was written and first performed, the belief that ferns had seeds was common. To be sure, no one had ever seen a fern seed, but how could ferns or any plant, for that matter reproduce without such propagules. Therefore, the reasoning was that ferns must have seeds. "The views of those who believe all plants have seeds are founded on very reasonable conjectures," wrote Joseph Pitton de Tournefort, a celebrated French botanist, in 1694. But sometimes the conjectures went too far. The early herbalists, for example, claimed that fern seed had to be invisible because no one had ever seen it. Furthermore, they asserted that it conferred invisibility to the bearer, that if you held the fern seed, you walked invisible. They also specified that the seed could only be collected at midnight on St. John's Eve (Midsummer's Night Eve, June 23), the exact moment it fell from the plant, during the shortest night of the year. You could catch it by stacking twelve pewter plates beneath a fern leaf; the seed would fall through the first eleven plates and be stopped by the twelfth. If you came up empty-handed, it was because goblins and fairies, roaming freely that one night of the year, had snatched the seed as it fell, much as Puck, Oberon, and the other fairies caused mischief, some of it botanical, in Shakespeare's A Midsummer Night's Dream. Of course, not everyone believed all this about invisibility, but they did believe that ferns had seeds. The only problem was, what was the fern seed? Many early botanists suspected it was the dust liberated from the dark spots or lines (the sori) on the underside of the fern leaf. Other botanists thought that this dust was not seed but instead equivalent to pollen that impregnated a female organ somewhere on the plant. The first person to investigate fern dust scientifically was Marcello Malpighi, the Italian anatomist. In the late 1600s he focused his microscope on the curious dark spots or lines on the undersides of fern leaves. He observed that the spots or lines resolved into hundreds of tiny "globes" or "orbs" (the sporangia), each encircled by a thick, segmented band, the annulus. Inside the orbs Excerpted from A Natural History of Ferns by Robbin Craig Moran, Robbin C. Moran All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.