Bad guys

Linwood Barclay

Book - 2006

Zack Walker stumbles upon a homicide that may be linked to a gang. As worlds collide and boundaries between family and foes blur, he must be vigilant to outwit the evil at large. Original.

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MYSTERY/Barclay, Linwood
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Subjects
Genres
Thrillers (Fiction)
Humorous fiction
Domestic fiction
Fiction
Mystery fiction
Suspense fiction
Published
New York : Bantam Books 2006.
Language
English
Main Author
Linwood Barclay (-)
Edition
Bantam mass market ed
Item Description
Includes preview of author's Lone wolf.
Physical Description
416 pages ; 18 cm
ISBN
9780553587050
Contents unavailable.
Review by Booklist Review

After discovering that the suburbs aren't as safe as they're cracked up to be ( Bad Move, 2004), Zack Walker, his wife, and their teenage children move back to the city. Zack, still his overly anxious self, is working on a story for the local paper, the Metropolitan. He's observing P.I. Lawrence Jones, who has been hired to find the crooks who are smashing display windows with an SUV and robbing expensive men's clothing stores. The stakeout proves dangerous, with a wild car chase and shooting, and then Lawrence is badly injured in a home invasion. Zack continues to dig into the case despite Lawrence's warnings. Adding to Zack's anxiety is the fact his daughter, Angie, is being stalked by a young man, Trevor, and Zack begins to surreptitiously follow Trevor following Angie. Humor, realistic characters, a jaunty first-person narration, and fast pacing make for an enjoyable read. --Sue O'Brien Copyright 2005 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Reporter Zack Walker, worrier, bungler and reluctant hero, has moved from the suburbs back to the city (unnamed, but the generic metropolitan background suffices) with his wife, Sarah, son Paul and daughter Angie, in Canadian author Barclay's winning second comic caper (after 2004's Bad Move). The Walkers aren't really dysfunctional, but they're close enough to the edge as they cope with various pressures: 16-year-old Paul's flirtation with drinking; college freshman Angie's admirer, who may be a dangerous stalker; and the transportation convolutions necessary in a one-car, two-school, two-job family. Zack tries to solve this last problem while also working on a feature story that has him accompanying a PI on a stakeout for a smash-and-grab gang. He avoids hassling with a car dealer by going to a police auction, but the car he gets is no bargain. When his PI friend is attacked, Zack races to the rescue. And when some nasty folks target his family, Zack pulls out all the stops to try to remove the threat. This cleverly executed mystery includes both long-term setups and well hidden surprises. Agent, Helen Heller. (May 31) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Following his debut in Bad Move, newspaper writer Zach Walker continues to uncover the murderous edge of suburban life. Humorist Barclay lives near Toronto. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A hapless dad bumbles into trouble, dragging friends and relations with him. Zack Walker (Bad Move, 2004) has moved his family back to the city, taken a job at The Metropolitan, the daily where his wife is his editor, and begun accompanying a shamus named Lawrence on stakeouts to write a feature on the life of a private eye. Despite his wife's misgivings, Zack, tired of ferrying their teenager Angie around, decides they need to be a two-car family. Big mistake. The car he buys at an auction of confiscated cars belonged to drug impresario Lenny Indigo, and Barbie Bullock, his second-in-command, wants it back. On the home front, Angie's being stalked by lovelorn nerd Trevor, who electronically bugs her every move. Even as Zack imprudently decides to stalk Trevor, he's being stalked himself by a gargantuan SUV driven by some hyper-muscled goons. Lawrence winds up in the hospital nearly dead. A Metro photographer is murdered. Angie is kidnapped. And Trevor just keeps on stalking her. What's a poor dad to do? Naturally, Zack asks the wrong guy for help, causing even more mayhem, which is resolved only when a souvenir of his stalking escapade, a recapped bottle of Snapple, manages to save the day. Bright and funny, with a wry handling of the overprotective father and great panache in shaking up all the seemingly innocuous pieces and tying them together. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One "So, what are you asking me?" Harley said. "Are you asking me for drugs? If you want drugs, there are drugs. There's alprazolam--that's your Xanax generic--or lorazepam; you've got your diazepam and--" "Diaza-what?" "Diazepam. It's not a cooking spray. It's Valium. There's a huge list of antianxiety prescriptions out there, some better than others, some downright dangerous. We don't use phenobarbitals anymore, too addictive, sometimes fatal. There's various herbal remedies, if you're into that sort of thing. Or, I don't know whether you've considered something like this before, but you could just lighten the fuck up." Harley's not your average doctor. He's more of a friend, with a medical degree, and a successful practice, and an examining room, which I happened to be sitting in at this moment, somewhat under duress. Harley and I were buddies back in high school, then lost touch a bit while I went to college for an English degree and he went off to medical school. "Hey," I would say to him when we occasionally ran into one another, "just what kind of job do you expect to get with a medical degree?" Years later, he became my doctor. This appointment hadn't been my idea. It had been my wife Sarah's. And "idea" is probably the wrong word. "Ultimatum" would probably be a better one. "Go see Harley," she said, "or I'm going to call a divorce lawyer. Or smother you in your sleep." The threat about the divorce lawyer didn't worry me that much. Sarah has a low opinion of the legal profession, and would probably choose sticking with me over engaging the services of one of its members. But the smothering-me-in-my-sleep thing, that seemed within her range of capabilities. "The thing is," Harley continued, leaning up against the paper-covered examining bed, "there's a lot of shit to deal with in life, and sometimes that's just what you have to do. Deal with it. You're not the only one with a teenage daughter, you know. Mine's twenty-two now, seems to finally have her head on straight, but two years ago she was too busy boffing some out-there art student to study for her midterms. The guy did a show of sculptures made from raw meat. You had to go early." "I can't seem to help it," I said. "I worry. I worry all the time. It's the way I'm hardwired. Sometimes I've let it get the better of me." "I know," Harley said. "I watch the news." "And I've been trying to do better, honest to God, but this thing with Angie . . ." "How old is she now?" "Eighteen." Harley's eyes rolled, remembering. "And what did you do, exactly?" "She'd promised to be home by one in the morning. She was going out with some guy from where she worked for the summer, at the pool store. She sold chlorine and algaecide and tested water samples, and there was this guy who worked there, young kid, who went around the neighborhood maintaining people's pools for them." "Yeah." "So she started going out with Pool Boy." "This is what you called him. Pool Boy." "Not to his face, or to Angie. It was just a name I had for him, is all. Anyway, she was out with him one night, and I was already awake around midnight, and sometimes if I'm up that late, I'll stay up to make sure she gets home okay. I'll read. But if I read in bed, it keeps Sarah up, with the light on, so I went down to the living room, stretched out on the front couch right by the front door, so I'd be right there when Angie got home. Even if I nodded off, I'd hear her when she got in." "Go on." "Well, I guess I did doze off, and when I woke up, it was two-thirty in the morning, which meant Angie was way past curfew, way past when she said she'd be home. So I got up, went into the kitchen and called her cell, but couldn't get an answer." "So, knowing you, you did what you do best," Harley said. "You panicked." "I did not panic," I said. "I went out looking for her. I knew where Pool Boy lived--he lives with his parents--and what kind of car he drove, so I drove over there, and the whole house is dark, except for one light in the basement." "Not a good sign," Harley said, nodding slightly. "Yeah, well, I got out of my car, looked around his, then went up to the house." "You knocked on the door at, what, nearly three in the morning?" "No, I kind of didn't want to do that unless I knew for sure Angie was there, since I was probably going to be waking up Pool Boy's mom and dad, so I thought I'd just have a look in the basement window. I had to get down on my knees--they're these shallow windows, only come up about a foot from ground level." Harley sighed, closed his eyes. "There was a bit of a gap in the curtains, and I could see it was your basic rec room, wood paneling on the walls, old couch." "And who was on the couch, I'm afraid to ask," Harley said. "No one," I said. "Look, you need to understand, I don't want to violate Angie's privacy, I know what kids are up to today, but it's a safety thing, okay? I just needed to know that she was okay." "So you didn't see her in the window," Harley said. "Was Pool Boy there?" "Not inside," I said. "But when I got up from looking in the window, I noticed that he was standing next to me." "Awkward," said Harley. "And his dad was next to him. I guess the dad heard the car, his son was still up, they came out to investigate." "Was this before or after they called the cops?" "After. But by the time they arrived, we'd sorted it out. I mean, they realized who I was. Pool Boy said he'd dropped off Angie around twelve-thirty, and asked if I'd checked her bedroom before I'd come to his place." "Which you hadn't." "I was sure I'd hear her when she came in. But she says she tiptoed, didn't want to wake me." "How long ago was this?" "About a month. Before school started up again. Angie's still hardly speaking to me. And the thing is, now I think she's got some sort of stalker." Harley dropped into the other chair in the small examining room. He was looking pretty exhausted. I seem to have that effect on people at times. "A stalker." "Not the Pool Boy. I think they've broken up." "There's a surprise," Harley said. "Is this part of the new medicine?" I asked. "Crack wise while your patients open up to you?" "Of course not. Go ahead. I shall remain nonjudgmental." "She calls him a stalker, but you know how kids talk. Anyone who's interested in them they don't like is categorized a stalker. But he calls her a lot, shows up unexpectedly wherever she is. I'm just worried this guy may be some kind of a nutcase. But I'm kind of in a bad spot now, what with the Pool Boy incident being so fresh in everyone's mind, that anything I say or do looks like some kind of hysterical overreaction." "Just because a guy calls her a few times and shows up where your daughter hangs out doesn't make him a serial killer." "I know that. But I get, jeez, I get this knot in my chest, worrying about my family. It's not like we haven't had some problems in the past." "That was then. That was an isolated incident." Harley leaned forward a bit in his chair, like he wanted our conversation to be more intimate. "Zack," he said slowly, "I don't want to put you on anything unless you feel it's absolutely necessary. It's better to work out your problems without medications." "I totally agree," I said. "I'm not asking for a prescription. It's not like I'm a hypochondriac or something, although, if you did diagnose something, I'd have to conclude it was fatal." "Maybe you need to focus your attention on work, get your mind off what's happening at home. What you're going through isn't any different than what every other parent goes through. We all worry about our kids, but we have to let them live their own lives, you know." "Sure." "So, when you're writing, doing your work, doesn't that help get your mind off other things? Isn't that a good way to reduce your anxiety level?" I nodded. "For the most part." "So, what are you working on now? Another book?" "Well, I'm back with a paper now, The Metropolitan, doing features. You can't exactly make a living writing books." "I liked that one you did, about the guy goes back in time to kill the inventor of those hot-air hand dryers in men's rooms before he's born. That wasn't a bestseller?" "No," I said. Harley looked surprised. I continued, "I'm doing a feature right now on this private eye, and the last few nights, I've been with him on this, like, well, a stakeout I guess you'd call it, hoping to catch some gang that's been smashing into high-end men's shops, making off with hundreds of thousands of dollars' worth of stuff." "Sounds interesting," Harley said. "But I trust it's not the sort of thing where you're exposing yourself to any real risk. You've had enough of that." I smiled tiredly. "Don't worry. From now on, I just write about stuff, I don't get personally involved." "That's good," he said. "And what about the pharmaceutical option? You want a scrip for anything?" I shook my head. "Naw, unless there's anything else you can recommend." Harley got up, opened one of the stainless steel cabinets that held cotton balls and gauze and tongue depressors and bandages, rooted around in there and came out with a bottle of what appeared to be very expensive Scotch. He set it on the table next to him, found two small paper cups, and poured a couple of fingers' worth into each. "I find this works well," he said. Excerpted from Bad Guys by Linwood Barclay All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.