Review by Booklist Review
Readers who think the legend of Dracula has become a trite staple of schlock fiction will find this atmospheric page-turner by first-time author Kostova a bloodthirsty delight. A teenage American girl, living in1972 Amsterdam, comes across an ancient book in the library of her widower father, a former historian and now a diplomat. The book, blank save for an illustration of a dragon and the word Drakulya, contains a cache of faded letters all addressed to My dear and unfortunate reader. Thus begins a search for the truth behind the myth of Dracula, a search that crosses continents as well as generations. Told through narratives, flashbacks, and letters, the plot unfolds at a rapid pace but never gives away too many clues at once. The cast of colorful characters even includes a creepy librarian who takes on the Renfield role of crazed vampire groupie. Both literary and scary, this one is guaranteed to keep one reading into the wee hours--preferably sitting in a brightly lit room and wearing a garlic necklace. Highly recommended for all collections and just in time to enthrall the summer-vacation crowd. --Michael Gannon Copyright 2005 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
It would take a lot to kill a runaway bestseller like Kostova's debut. Though the audiobook doesn't quite drive a stake through its heart, neither does it do it any favors. With six actors (including Martin Jarvis, Jim Ward, Rosalyn Landor and Robin Atkin Downe) playing twice as many roles, the audio would benefit from a listing of the cast and characters rather than the unhelpful "in order of appearance" credit on the box. Listeners learn about a centuries-long vampire hunt from a historian, Paul (Boutsikaris), as he slowly tells the saga of his covert research to his teenage daughter (Whalley, whose lush whispery voice and conspiratorial attitude is most convincing). Paul's tale is supposed to be a secret, painfully pried from him by his daughter for whose safety he fears, but Boutsikaris recites it in a nonchalant and impersonal way. Most disappointing, though, is the voice of Dracula himself. His accent and delivery is exactly the stereotypical vampire voice used by everyone from Bela Lugosi to Sesame Street's the Count. The eerie swelling string music is a nice touch. Simultaneous release with the Little, Brown hardcover (Reviews, Apr. 11). (July) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Did Bram Stoker base his character Count Dracula on the historical Vlad Dracul, the cruel 15th-century prince of Wallachia? Some believe this despite scanty evidence, but in Kostova's first novel there is no doubt. In the early 20th century, Paul, a young graduate student, learns from his advisor, Professor Rossi, that Prince Dracula is still alive as one of the undead. When the professor disappears one terrifying night, Paul goes in search of his mentor, whom he knows to be in Dracula's clutches. His search takes him to secret archives and libraries of ancient monasteries throughout Eastern Europe; he is joined by his daughter, his wife, and friends, all historians and scholars themselves. (There's even an evil, undead librarian!) The writing is excellent, and the pace is brisk, although it sags a bit in the middle. There is plenty of suspense so that readers will want to find out what happens next. Ten years in the writing, this debut is recommended for readers who enjoy arcane literary puzzles ? la Dan Brown's The Da Vinci Code and Ian Caldwell's The Rule of Four. [See Prepub Alert, LJ 2/15/05.]-Patricia Altner, Information Seekers, Columbia, MD (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review
Adult/High School-A motherless 16-year-old girl stumbles upon a mysterious book and papers dating back to her father's student days at Oxford. She asks him to explain her find but he disappears before she can learn everything. Reading the salutation of the letters, "My dear and unfortunate successor," the unnamed heroine uncovers an academic quest that begins with her father's mentor's first research into the history of Vlad Tepes (Dracula) and reaches a kind of conclusion many years later. Kostova's debut book unfolds across Europe, through three main narrators, and back and forth in time, as the story of two families' connections to and search for the true Vlad the Impaler is unveiled. The historian of the title could refer to any of the novel's central characters or even to Vlad Tepes himself. While teens may gain a feeling for Cold War Europe and some respect for the Internet-less scholars of 40 years ago, Historian is an eerie thriller, an atmospheric mystery, and an appealing romance. Teen fascination with vampires has been keen since Bram Stoker popularized the legend of Dracula, right up through Buffy. This complex, convoluted, and well-written novel will appeal to teens who love a story on a grand scale that is as engrossing as it is entertaining.-Jane Halsall, McHenry Public Library District, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An intricately plotted first novel, ten years in the making, lavishly reworks the Dracula legend. Kostova's unnamed narrator, a brainy schoolgirl whose education has benefited from European travels required by her father Paul's pacifist foundation, kick-starts the narrative when she happens upon an old book that features a striking woodcut illustration. The image of a huge dragon and the word "Drakulya" thus stimulate her excited questions, her father's initially evasive responses and his gradual disclosures of intersecting scholarly researches into a centuries-old enigma: the unknown location of the tomb bloodthirsty warlord Vlad Tepes (whose atrocities inspired Bram Stoker's ur-vampire) is buried in, though perhaps not resting in peace. We learn, piecemeal, about Paul's mentor Bartolomeo Rossi's fascination with the Dracula story (and its little understood relation to the history of the Ottoman Empire), Rossi's unexplained disappearance and the alarming fact that people interested in obscure manuscripts keep turning up dead (if not undead). The story settles into a hypnotic dual rhythm as the narrator seeks her father (who seems to be hunting for Rossi) throughout Istanbul and the Balkans, accompanied by Helen, a young scholar pursuing her own agenda--while testimony from both Paul's letters to his narrator-daughter and Rossi's to him reveal Vlad Tepes's unearthly ambivalence. The notorious barbarian's excesses coexisted with his "predilection not only for the best of the academic world . . . but also for librarians [and] archivists," and the universal fear and loathing he evoked are complicated by information "that monks traveled with Dracula's remains, and that he was probably buried in a monastery." All is explained in a smashing climax and an ironic epilogue, which suggests that a pact between forces of good and evil has kept the ancient evil alive and well to this day. Anne Rice, beware. There's a new Queen of the Night in town, and she's taking no prisoners. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
