The life and times of the Thunderbolt Kid A memoir

Bill Bryson

Book - 2006

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Subjects
Published
New York : Broadway Books c2006.
Language
English
Main Author
Bill Bryson (-)
Item Description
Published in hardcover (with different pagination) by Doubleday in 2006.
Physical Description
x, 270 p. : ill
Bibliography
Includes bibliographical references.
ISBN
9780767919364
9780385608268
Contents unavailable.
Review by Booklist Review

Travel humorist Bryson took a decisive stand regarding his hometown almost 20 years ago when he published the story "Fat Girls in Des Moines" in Granta0 magazine. Now the author of A Walk in the Woods0 (1998) and I'm a Stranger Here Myself0 (1999) delves more deeply into his midwestern roots in a bittersweet, laugh-out-loud recollection of his growing-up years. "I can't imagine there has ever been a more gratifying time or place to be alive than America in the 1950s," Bryson notes, and his wry account gives as much attention to spiraling American prosperity and the escalating arms race as it does to the elusive strippers at the state fair and the popularity of comic-book superheroes (a group Bryson was certain he belonged to after discovering a mysterious wool jersey emblazoned with a thunderbolt in his basement). Throughout, Bryson pays homage to his father, "the best baseball writer of his generation," and his "wholesome, friendly, nurturing community," complete with movie palaces, cafeterias, and a castlelike elementary school (where his lax attendance led to his "missing more days than a boy with a fatal illness"). This affectionate portrait wistfully recalls the bygone days of Burns and Allen0 and downtown department stores but with a good-natured elbow poke to the ribs. --Laura Tillotson Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

For most of his adult life, Bryson has made his home in the U.K, yet he actually entered the world in 1951 as part of America's postwar baby boom and spent his formative years in Des Moines, Iowa. Bryson wistfully recounts a childhood of innocence and optimism, a magical point in time when a distinct sense of regional and community identity briefly-but blissfully-coexisted with fledgling technology and modern convenience. Narrating, Bryson skillfully wields his amorphous accent-somehow neither fully British nor Midwestern-to project a genial and entertaining tour guide of lost Americana. In portraying the boyish exploits of his "Thunderbolt Kid" superhero alter ego, he convincingly evokes both the unadulterated joys and everyday battles of childhood. As an added bonus, the final CD features an interview with Bryson in which he reflects on the process of writing his autobiography and discussing the broader social and cultural insights that he gleaned from the experience. Simultaneous release with the Broadway hardcover (Reviews, July 10). (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

A noted travel humorist and the author of several books on the English language, Bryson (A Short History of Nearly Everything) here offers a departure-a memoir about growing up in Des Moines in the 1950s. The title is taken from his childhood fantasy life where he existed as a superhero. Bryson effortlessly weaves together the national themes of the 1950s-civil defense drills and bland foods-with the Norman Rockwell world found in most small towns. Charming features long since gone include a downtown department store with a tea room (where children could select a toy from the toy chest), a cafeteria where you turned on a light for service, and a supermarket with a Kiddie Corral filled with comic books where children stayed while their mothers shopped. It's almost impossible to imagine anyone other than Bryson reading his words; his narration adds a special quality to the experience. Regardless of one's age, location, or gender, this book will fondly evoke memories of childhood. Alternately wildly entertaining and innocently nostalgic, this is a book not to be missed. Highly recommended for all public libraries.-Gloria Maxwell, Metropolitan Community Coll. Lib., Kansas City, MO (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

Adult/High School-The Thunderbolt Kid was "born" in the 1950s when six-year-old Bryson found a mysterious, scratchy green sweater with a satiny thunderbolt across the chest. The jersey bestowed magic powers on the wearer-X-ray vision and the power to zap teachers and babysitters and deflect unwanted kisses from old people. These are the memoirs of that Kid, whose earthly parents were not really half bad-a loving mother who didn't cook and was pathologically forgetful, but shared her love of movies with her youngest child, and a dad who was the "greatest baseball writer that ever lived" and took his son to dugouts and into clubhouses where he met such famous players as Stan Musial and Willie Mays. Simpler times are conveyed with exaggerated humor; the author recalls the middle of the last century in the middle of the country (Des Moines, IA), when cigarettes were good for you, waxy candies were considered delicious, and kids were taught to read with Dick and Jane. Students of the decade's popular culture will marvel at the insular innocence described, even as the world moved toward nuclear weapons and civil unrest. Bryson describes country fairs and fantastic ploys to maneuver into the tent to see the lady stripper, playing hookey, paper routes, church suppers, and more. His reminiscences will entertain a wide audience.-Jackie Gropman, Chantilly Regional Library, Fairfax County, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A charming, funny recounting of growing up in Des Moines during the sleepy 1950s. Bryson (A Short History of Nearly Everything, 2003, etc.) combines nostalgia, sharp wit and a dash of hyperbole to recreate his childhood in the rural Midwest. Using a homespun, idiosyncratic voice reminiscent of Jean Shepherd, he tells of a generally happy youth as the son of a loving but often absent sportswriter father and a dizzyingly absentminded mother, a "home furnishings" reporter at the Des Moines Register who once sent him to school wearing her own peddle-pushers. The journey includes visits to stately downtown Des Moines, where Younkers, the preeminent local department store, offered free gifts to patrons of its "elegant" Tea Room; the annual Iowa State Fair, where Bryson tried desperately to gain access to the notorious "strippers' tent"; and the bacchanalia of Saturday matinees at the local movie theater, where candy and popcorn flew through the darkened theater like confetti. We also meet some of Bryson's colorful comrades, like George Willoughby, an adept vending-machine thief who also placed bugs in his soup in order to get free ice-cream sundaes from the stricken restaurant manager; and the troubled Stephen Katz, a prodigious substance-abuser who organized the theft of an entire boxcar of Old Milwaukee beer. Eventually, progress caught up with Des Moines, and even young Bryson's imagined superpowers can't stop it. Holiday Inns and Travelodges replaced the town's stately Victorian homes, and the family-owned downtown stores, movie palaces and restaurants were undone by shopping malls and multiplexes. In that sense, the decline of downtown Des Moines mirrors that of hundreds of small and midsized towns across the country. But in Bryson's bittersweet memoir, he reminds readers of the joys many people forgot to even miss. A great, fun read, especially for Baby Boomers nostalgic for the good old days. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Burns Unit The only downside of my mother's working was that it put a little pressure on her with regard to running the home and particularly with regard to dinner, which frankly was not her strong suit anyway. My mother always ran late and was dangerously forgetful into the bargain. You soon learned to stand aside about ten to six every evening, for it was then that she would fly in the back door, throw something in the oven, and disappear into some other quarter of the house to embark on the thousand other household tasks that greeted her each evening. In consequence she nearly always forgot about dinner until a point slightly beyond way too late.  As a rule you knew it was time to eat when you could hear baked potatoes exploding in the oven. We didn't call it the kitchen in our house. We called it the Burns Unit.   "It's a bit burned," my mother would say apologetically at every meal, presenting you with a piece of meat that looked like something -- a much-loved pet perhaps -- salvaged from a tragic house fire. "But I think I scraped off most of the burned part," she would add, overlooking that this included every bit of it that had once been flesh.  Happily, all this suited my father.  His palate only responded to two tastes -- burnt and ice cream -- so everything suited him so long as it was sufficiently dark and not too startlingly flavorful.  Theirs truly was a marriage made in heaven for no one could burn food like my mother or eat it like my dad.  As part of her job, my mother bought stacks of housekeeping magazines -- House Beautiful, House and Garden, Better Homes and Gardens -- and I read these with a curious avidity, partly because they were always lying around and in our house all idle moments were spent reading something, and partly because they depicted lives so absorbingly at variance with our own. The housewives in my mother's magazines were so collected, so organized, so calmly on top of things, and their food was perfect -- their lives were perfect. They dressed up to take their food out of the oven!  There were no black circles on the ceiling above their stoves, no mutating goo climbing over the sides of their forgotten saucepans. Children didn't have to be ordered to stand back every time they opened their oven doors.  And their foods -- baked Alaska, lobster Newburg, chicken cacciatore -- why, these were dishes we didn't even dream of, much less encounter, in Iowa.   Like most people in Iowa in the 1950s, we were more cautious eaters in our house.* On the rare occasions when we were presented with food with which we were not comfortable or familiar -- on planes or trains or when invited to a meal cooked by someone who was not herself from Iowa -- we tended to tilt it up carefully with a knife and examine it from every angle as if it determining whether it might need to be defused.  Once on a trip to San Francisco my father was taken by friends to a Chinese restaurant and he described it to us afterwards in the somber tones of someone recounting a near-death experience.  "And they eat it with sticks, you know," he added knowledgeably. "Goodness!" said my mother. "I would rather have gas gangrene than go through that again," my father added grimly. In our house we didn't eat: • pasta, rice, cream cheese, sour cream, garlic, mayonnaise, onions, corned beef, pastrami, salami, or foreign food of any type, except French toast; • bread that wasn't white and at least 65 percent air; • spices other than salt, pepper and maple syrup;  • fish that was any shape other than rectangular and not coated in bright orange breadcrumbs, and then only on Fridays and only when my mother remembered it was Friday, which in fact was not often; • seafood of any type but especially seafood that looked like large insects;  • soups not blessed by Campbell's and only a very few of those; • anything with dubious regional names like "pone," or "gumbo" or foods that had at any time been an esteemed staple of slaves or peasants. All other foods of all types -- curries, enchiladas, tofu, bagels, sushi, couscous, yogurt, kale, rocket, Parma ham, any cheese that was not a vivid bright yellow and shiny enough to see your reflection in -- had either not yet been invented or was yet unknown to us. We really were radiantly unsophisticated. I remember being surprised to learn at quite an advanced age that a shrimp cocktail was not, as I had always imagined, a pre-dinner alcoholic drink with a shrimp in it.  All our meals consisted of leftovers. My mother had a seemingly inexhaustible supply of foods that had already been to the table, sometimes many times.  Apart from a few perishable dairy products, everything in the fridge was older than I was, sometimes by many years. (Her oldest food possession of all, it more or less goes without saying, was a fruitcake that was kept in a metal tin and dated from the colonial period.)  I can only assume that my mother did all of her cooking in the 1940s so that she could spend the rest of her life surprising herself with what she could find under cover at the back of the fridge.  I never knew her to reject a food.  The rule of thumb seemed to be that if you opened the lid and the stuff inside didn't make you actually recoil and take at least one staggered step backwards, it was deemed OK to eat. Both of my parents had grown up in the Great Depression and neither of them ever threw anything away if they could possibly avoid it.  My mother routinely washed and dried paper plates, and smoothed out for reuse spare aluminum foil. If you left a pea on your plate, it became part of future meal. All our sugar came in little packets spirited out of restaurants in deep coat pockets, as did our jams, jellies, crackers (oyster and saltine), tartar sauces, some of our ketchup and butter, all of our napkins, and a very occasional ashtray; anything that came with a restaurant table really. One of the happiest moments in my parents' life was when maple syrup started to be served in small disposable packets and they could add those to the household hoard. *In fact like most other people in America. It is perhaps worth noting that the leading American food writer of the age, Duncan Hines, author of the hugely successful Adventures in Eating , declared with pride that he never ate food with French names if he could possibly help it. Hines's other boast was that he did not venture out of America until he was seventy years old, when he made a trip to Europe. He disliked nearly everything he found there, especially the food. Excerpted from The Life and Times of the Thunderbolt Kid: A Memoir by Bill Bryson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.