Writing tools 50 essential strategies for every writer

Roy Peter Clark

Book - 2006

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Subjects
Published
New York : Little, Brown, and Co 2006.
Language
English
Main Author
Roy Peter Clark (-)
Edition
First edition
Physical Description
ix, 260 pages ; 22 cm
Bibliography
Includes index.
ISBN
9780316014984
  • Introduction: A Nation of Writers
  • Part 1. Nuts and Bolts
  • 1. Begin sentences with subjects and verbs
  • 2. Order words for emphasis
  • 3. Activate your verbs
  • 4. Be passive-aggressive
  • 5. Watch those adverbs
  • 6. Take it easy on the -ings
  • 7. Fear not the long sentence
  • 8. Establish a pattern, then give it a twist
  • 9. Let punctuation control pace and space
  • 10. Cut big, then small
  • Part 2. Special Effects
  • 11. Prefer the simple over the technical
  • 12. Give key words their space
  • 13. Play with words, even in serious stories
  • 14. Get the name of the dog
  • 15. Pay attention to names
  • 16. Seek original images
  • 17. Riff on the creative language of others
  • 18. Set the pace with sentence length
  • 19. Vary the lengths of paragraphs
  • 20. Choose the number of elements with a purpose in mind
  • 21. Know when to back off and when to show off
  • 22. Climb up and down the ladder of abstraction
  • 23. Tune your voice
  • Part 3. Blueprints
  • 24. Work from a plan
  • 25. Learn the difference between reports and stories
  • 26. Use dialogue as a form of action
  • 27. Reveal traits of character
  • 28. Put odd and interesting things next to each other
  • 29. Foreshadow dramatic events and powerful conclusions
  • 30. To generate suspense, use internal cliffhangers
  • 31. Build your work around a key question
  • 32. Place gold coins along the path
  • 33. Repeat, repeat, and repeat
  • 34. Write from different cinematic angles
  • 35. Report and write for scenes
  • 36. Mix narrative modes
  • 37. In short works, don't waste a syllable
  • 38. Prefer archetypes to stereotypes
  • 39. Write toward an ending
  • Part 4. Useful Habits
  • 40. Draft a mission statement for your work
  • 41. Turn procrastination into rehearsal
  • 42. Do your homework well in advance
  • 43. Read for both form and content
  • 44. Save string
  • 45. Break long projects into parts
  • 46. Take an interest in all crafts that support your work
  • 47. Recruit your own support group
  • 48. Limit self-criticism in early drafts
  • 49. Learn from your critics
  • 50. Own the tools of your craft
  • Afterword
  • Acknowledgments
  • Writing Tools Quick List
  • Index
Review by Booklist Review

The author, vice president of the Poynter Institute School of Journalism, wants you to understand that a tool isn't the same thing as a rule. A tool is something designed to help you, not constrict you. The 50 tools discussed here take writers through the process of storytelling in prose, from the basic (construct a sentence with a subject and a verb) to the advanced (make your characters archetypes, not stereotypes). Many of Clark's rules are technical, having to do with such matters as punctuation and tense, but some of them are more thematically oriented (for example, discussions of the proper uses of foreshadowing and suspense). Use the tools when you like, the author says, and throw them away when it suits you. Just know what it is you're throwing away and why. This is a useful tool for writers at all levels of experience, and it's entertainingly written, with plenty of helpful examples. --David Pitt Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Covering the writing waterfront-from basics on verb tense to the value of forming a "support group"-Poynter Institute vice president Clark offers tips, tricks and techniques for anyone putting fingers to keyboard. The best assets in Clark's book are in the "workshop" sections that conclude each chapter and list strategies for incorporating the material covered in each lesson (minimize adverbs, use active verbs, read your work aloud). Though some suggestions are classroom campy ("Listen to song lyrics to hear how the language moves on the ladder of abstraction" and "With some friends, take a big piece of chart paper and with colored markers draw a diagram of your writing process"), Clark's blend of instruction and exercise will prove especially useful for teachers. One exercise, for instance, suggests reading the newspaper and marking the location of subjects and verbs. Another provides a close reading of a passage from The Postman Always Rings Twice to look at the ways word placement and sentence structure can add punch to prose. Clark doesn't intend his guide to be a replacement for classic style guides like Elements of Style, but as a companion volume, it does the trick. (Sept.) Copyright 2006 Reed Business Information.