This year you write your novel

Walter Mosley

Book - 2007

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Subjects
Published
New York : Little, Brown and Company 2007.
Language
English
Main Author
Walter Mosley (-)
Edition
1st ed
Physical Description
111 p.
Bibliography
Includes index.
ISBN
9780316065412
  • Introduction
  • 1. The General Disciplines That Every Writer Needs
  • Writing Every Day
  • Learning How to Write Without Restraint
  • Avoidance, False Starts, and Dead-End Thinking
  • A Final Note About Process
  • 2. The Elements of Fiction
  • The Narrative Voice
  • First-Person Narrative
  • Third-Person Narrative
  • The Omniscient Narrator
  • Final Notes on Narrative Voice
  • Showing and Telling
  • Sensations
  • Emotions
  • The Pedestrian in Fiction
  • Metaphor and Simile
  • Final Note on Showing and Telling
  • Character and Character Development
  • A Final Note on Character Development
  • Story
  • Intuition Versus Structure
  • Engagement
  • Plot
  • Final Thoughts on Plot and Story
  • The Uses of Poetry in Fiction Writing
  • 3. Where to Begin
  • Congratulations
  • First Words
  • The Midlands of the Novel
  • Research
  • 4. Rewriting, or Editing
  • The First Draft
  • The Second Draft
  • The Many Drafts That Follow
  • The Elements of Rewriting
  • The Nexus of Character, Story, Theme, and Plot
  • The Devil and the Details
  • Repetition
  • Descriptions and Condensation
  • Dialogue
  • A Solitary Exercise
  • Music
  • When Am I Finished Rewriting?
  • 5. Miscellany
  • On Genre
  • A Note on Aesthetics
  • Writing Workshops
  • Literary Organizations, Agents, Publishers...and Getting Published
  • 6. In Summation
  • Index
Review by Booklist Review

It would be nice to report that the veteran novelist packs a lot of useful information into this slim writer's guide. Unfortunately, there is little here that isn't common sense (write every day), or tips most would-be writers will have already read in somebody else's book (the difference between merely telling the reader something and showing him). Mosley, author of the Easy Rawlins mysteries and several fine stand-alones, sets out to show us how we can write a novel in a year, but instead of insight into the mind of a master storyteller, we are given facile advice (don't stop writing for any reason ) and grade-school English lessons (the difference, for example, between metaphor and simile). While the book is gracefully written, it is almost entirely lacking in any concrete, fresh advice that isn't available in countless other places. One leaves the book wondering why Mosley wrote it if he didn't have anything new to say. A real disappointment, which is not to say that the Mosley name won't generate a certain amount of demand. Buy cautiously. --David Pitt Copyright 2007 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

With Mosley as instructor, how can your novel go wrong? (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

Adult/High School-Mosley offers motivation and instruction, wisely defining success in narrow terms: if writers-to-be follow his advice, they will be able to produce a first draft in only three months, and a competent novel in a year. At first that might seem like a tall order, but there is no mention of penning a masterpiece or best seller, just establishing a good, honest start on the long road to honing their craft. The author covers all the basics in a succinct and workmanlike fashion: narrative voice, character development, metaphor and simile, plot and story, editing, rewriting, research, and more. In addition to his many professional tips and practical advice, Mosley has one mantra: write every day-without fail, every day, no excuses. It doesn't have to be more than a few hours per day, but it does have to be every day. A guide to writing a novel may not be needed by many teens, but some will want precisely that, and this book will serve them well. Far more teens are likely to gain a precise view into the mystery of how novelists go about their work, and how they employ the many building blocks of fiction to produce a polished work of art.-Robert Saunderson, Berkeley Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.