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811.6/Trethewey
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Subjects
Published
Boston : Houghton Mifflin 2007.
Language
English
Main Author
Natasha D. Trethewey, 1966- (-)
Edition
First Mariner Books edition
Physical Description
51 pages ; 22 cm
Bibliography
Includes bibliographical references (pages 47-49).
ISBN
9780618872657
  • Theories of Time and Space
  • I.
  • The Southern Crescent
  • Genus Narcissus
  • Graveyard Blues
  • What the Body Can Say
  • Photograph: Ice Storm, 1971
  • What is Evidence
  • Letter
  • After Your Death
  • Myth
  • At Dusk
  • II.
  • Pilgrimage
  • Scenes from a Documentary History of Mississippi
  • 1. King Cotton, 1907
  • 2. Glyph, Aberdeen 1913
  • 3. Flood
  • 4. You Are Late
  • Native Guard
  • Again, the Fields
  • III.
  • Pastoral
  • Miscegenation
  • My Mother Dreams Another Country
  • Southern History
  • Blond
  • Southern Gothic
  • Incident
  • Providence
  • Monument
  • Elegy for the Native Guards
  • South
  • Notes
  • Acknowledgments
Review by Booklist Review

Trethewey's exacting and resonant poetry is rooted in the shadow side of American history. In her first two collections, she empathically dramatizes the lives of women of color. Here she enters the arena of war and unveils a harrowing betrayal. In commanding, bayonet-sharp lyrics, Trethewey matches states of mind with states of nature and rigorously distills fact and feeling into loaded phrases and philosophical metaphors as she tells the terrible story of the Native Guard. Newly freed from slavery, the men were mustered in 1862 in Louisiana to become the first Union army regiment of black soldiers. But the courageous black troops who fell in combat were left unburied, and the black soldiers who continued fighting with valor and conviction were fired upon by their white comrades. Moving from grim historical events to personal history, Trethewey tells the story of a white man and a black woman who marry, even though their union is illegal in their home state of Mississippi. There a daughter is born, a poet in the making, profoundly attuned to the tragedies of racial strife. --Donna Seaman Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Trethewey (Domestic Work) draws on the life of her deceased mother and on the history of Mississippi, where the poet and her mother's family grew up, to limn a multiracial South and her own multiracial heritage. One poem tries to preserve her mother's memory ("certain the sounds I make/ are enough to call someone home"); the title poem's set of linked sonnets, where the last line of each one becomes the first line of the next, presents black Union soldiers who "keep/ white men as prisoners-rebel soldiers,/ would-be masters." A pantoun remembers the night Trethewey's family discovered a burning cross on her lawn; the concluding poem condenses the poet's mixed-and compelling-feelings about "Mississippi, state that made a crime// of me-mulatto, half-breed, native-/ in my native land, this place they'll bury me." (Mar.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Inaugural winner of the Cave Caen Poetry Prize, Trethewey uses her third collection to explore Southern history, focusing her steadfast prose on African Americans mustered into the Union Army. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.