Bones to ashes

Kathy Reichs

Book - 2007

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Review by New York Times Review

IN his first novel about Billy Boyle, James R. Benn labored a bit too strenuously to draw a picture of a young soldier-sleuth who epitomized everything decent and admirable about World War II America. Benn's hero is still wide-eyed and bushy-tailed in THE FIRST WAVE (Soho, $24), but his character has deepened, as have his thoughts. Now he earns respect for the good he does, rather than what he stands for. "War sure is educational," marvels this Irish cop from South Boston, who thought he was getting a cushy patronage job when Uncle Ike (a distant relative better known as the commander of United States forces in Europe) claimed the "rosy-cheeked youth" as his personal private investigator. Instead, the kid saw plenty of action on the European front and learned enough about undercover police work to pass what even his uncle had to admit was a tough initiation. "The First Wave" finds Boyle coming ashore in the 1942 Allied landing in French North Africa He's on a dangerous, if vague, mission to rally support from officers in the Vichy government forces in Algiers and to free a group of French resistance fighters, his English girlfriend among them. A better cop than secret agent, Boyle also gets wind of a smuggling ring that's depriving soldiers of the new miracle drug, penicillin, and during the course of his investigation discovers that even in the middle of a war a combat hospital offers no refuge from noncombat crimes like drug trafficking, high-stakes gambling, rape and murder. In granting Boyle a measure of maturity, Benn takes care not to put a muzzle on him. The brash kid from Southie is still open, direct and fearless in his manner (and in his wonderfully loose-jointed use of the English language) and in no danger of losing his cover as a "happy-go-lucky Yank." But even amid the excitement of the spirited wartime storytelling, Benn allows Boyle's experiences to change him in ways both subtle and dramatic. Becoming sensitized to the status of female officers - paid half the salary of men, unable to issue an order to the lowliest private and denied the dignity of a salute - is one of those subtle ways. Seeing himself from the perspective of a people whose country his own has invaded is a more striking leap for Boyle, as is his new willingness to judge foreigners by their own standards. In one painful moment of introspection, he even questions his family's rigid beliefs. Where he comes from, that's real bravery. The elderly Britons in Robert Goddard's slow-burning murder mystery NEVER GO BACK (Delta, paper, $12) haven't thought about their military service in half a century. Actually, "service" isn't precisely le mot juste, since the Royal Air Force disciplined 15 of these bad boys by sending them to Kilveen Castle, an R.A.F. outstation in Scotland, as part of Operation Tabula Rasa, an experiment to determine whether academic subjects could, under certain conditions, be drilled into brains as dull and lazy as theirs. The experiment was a failure, in that none of the flyboys manifested a sudden, unquenchable passion for learning. But when two of them re-enter Harry Barnett's life with news that a 50th reunion at Kilveen Castle has been booked and paid for, he goes off with them on the chance that his old pal Barry Chipchase might also show up. Reunions are always such fun in mystery stories, once the participants start getting themselves murdered, and Goddard is a master of the leisurely, deliberate build from wonder to doubt to suspicion, then on to fear and panic. Resisting the panic part, Harry and Barry put their heads together to find out what really happened to them at the castle, and while we wouldn't wish it on a lab rat, it makes perfect, horrible sense. Kathy Reichs denies nothing in the way of hightech lab facilities to Temperance Brennan, a forensic anthropologist whose hectic schedule has her rotating between demanding jobs in Charlotte, N.C., and Montreal. But just as the blunt and brilliant Tempe favors her own home-cooking methods for cleaning cadaver bones, in this scrupulously tended series Reichs relies on old-fashioned elements of romance as her storytelling hook. For all its gruesome plot details about predatory men who trick adolescent girls into sexual bondage and ruthlessly discard them when the girls wise up, BONES TO ASHES (Scribner, $25.95) is all heart. Even as it observes the procedures of cutting-edge forensic scienee, the story is filtered through Tempe-s childhood recollections of golden summers on Pawleys Island that ended when her best friend, Évangéline, returned north to "the belly of L'Acadie" and disappeared. A deft hand at balanting the emotional light w'tn tne dark, Reichs links the enchanting Évangéline and her Acadian heritage to the unsolved cases of dead and missing girls that have stumped the police for years. And even now, 10 books into the series, Tempe's strung-out affair with Detective-Lieutenant Andrew Ryan still hangs on the tensions that confound lovers in an atmosphere of violent death. Short stories can be little goodies you nibble on while trying to decide which novel to read next. Or as in the case of DEAD BOYS (Little, Brown, $21.99), a first collection by Richard Lange, they can be as filling as a banquet. All 12 of these are set in a gloomy and inhospitable, if not downright hostile, Los Angeles, and each is narrated by some loser guy - a salesman, a drifter, a house painter, a bank robber - yearning for something or someone either just beyond his reach or so unattainable he might as well simply lie down and die. The writing is so fine throughout that it's almost a crime to single out "Everything Beautiful Is Far Away" as a perfect specimen. A shockingly tender study of a stalker, the narrative gently probes the claustrophobic world of a newsstand clerk pining for a trashy girl who dumped him. "Everybody has the right to something nice," he says, explaining why he borrows a ladder and paints an ocean scene on the wall across the alley from the only window in his room. Unlike most of the stories, this one has a definitive ending. It's violent, it's truthful and it's devastating. James R. Benn Benn's soldier-sleuth acts as a personal investigator for his 'Uncle Ike' Dwight D. Eisenhower.

Copyright (c) The New York Times Company [October 27, 2009]

Chapter One Babies die. People vanish. People die. Babies vanish. I was hammered early by those truths. Sure, I had a kid's understanding that mortal life ends. At school, the nuns talked of heaven, purgatory, limbo, and hell. I knew my elders would "pass." That's how my family skirted the subject. People passed. Went to be with God. Rested in peace. So I accepted, in some ill-formed way, that earthly life was temporary. Nevertheless, the deaths of my father and baby brother slammed me hard. And Évangéline Landry's disappearance simply had no explanation. But I jump ahead. It happened like this. As a little girl, I lived on Chicago's South Side, in the less fashionable outer spiral of a neighborhood called Beverly. Developed as a country retreat for the city's elite following the Great Fire of 1871, the hood featured wide lawns and large elms, and Irish Catholic clans whose family trees had more branches than the elms. A bit down-at-the-heels then, Beverly would later be gentrified by boomers seeking greenery within proximity of the Loop. A farmhouse by birth, our home predated all its neighbors. Green-shuttered white frame, it had a wraparound porch, an old pump in back, and a garage that once housed horses and cows. My memories of that time and place are happy. In cold weather, neighborhood kids skated on a rink created with garden hoses on an empty lot. Daddy would steady me on my double blades, clean slush from my snowsuit when I took a header. In summer, we played kick ball, tag, or Red Rover in the street. My sister, Harry, and I trapped fireflies in jars with hole-punched lids. During the endless Midwestern winters, countless Brennan aunts and uncles gathered for cards in our eclectically shabby parlor. The routine never varied. After supper, Mama would take small tables from the hall closet, dust the tops, and unfold the legs. Harry would drape the white linen cloths, and I would center the decks, napkins, and peanut bowls. With the arrival of spring, card tables were abandoned for front porch rockers, and conversation replaced canasta and bridge. I didn't understand much of it. Warren Commission. Gulf of Tonkin. Khrushchev. Kosygin. I didn't care. The banding together of those bearing my own double helices assured me of well-being, like the rattle of coins in the Beverly Hillbillies bank on my bedroom dresser. The world was predictable, peopled with relatives, teachers, kids like me from households similar to mine. Life was St. Margaret's school, Brownie Scouts, Mass on Sunday, day camp in summer. Then Kevin died, and my six-year-old universe fragmented into shards of doubt and uncertainty. In my sense of world order, death took the old, great-aunts with gnarled blue veins and translucent skin. Not baby boys with fat red cheeks. I recall little of Kevin's illness. Less of his funeral. Harry fidgeting in the pew beside me. A spot on my black patent leather shoe. From what? It seemed important to know. I stared at the small gray splotch. Stared away from the reality unfolding around me. The family gathered, of course, voices hushed, faces wooden. Mama's side came from North Carolina. Neighbors. Parishioners. Men from Daddy's law firm. Strangers. They stroked my head. Mumbled of heaven and angels. The house overflowed with casseroles and bakery wrapped in tinfoil and plastic. Normally, I loved sandwiches with the crusts cut off. Not for the tuna or egg salad between the bread. For the sheer decadence of that frivolous waste. Not that day. Never since. Funny the things that affect you. Kevin's death changed more than my view of sandwiches. It altered the whole stage on which I'd lived my life. My mother's eyes, always kind and often mirthful, were perpetually wrong. Dark-circled and deep in their sockets. My child's brain was unable to translate her look, other than to sense sadness. Years later I saw a photo of a Kosovo woman, her husband and son lying in makeshift coffins. I felt a spark of recollection. Could I know her? Impossible. Then realization. I was recognizing the same defeat and hopelessness I'd seen in Mama's gaze. But it wasn't just Mama's appearance that changed. She and Daddy no longer shared a pre-supper cocktail, or lingered at the table talking over coffee. They no longer watched television when the dishes were cleared and Harry and I were in our PJs. They'd enjoyed the comedy shows, eyes meeting when Lucy or Gomer did something amusing. Daddy would take Mama's hand and they'd laugh. All laughter fled when leukemia conquered Kevin. My father also took flight. He didn't withdraw into quiet self-pity, as Mama eventually did. Michael Terrence Brennan, litigator, connoisseur, and irrepressible bon vivant, withdrew directly into a bottle of good Irish whiskey. Many bottles, actually. I didn't notice Daddy's absences at first. Like a pain that builds so gradually you're unable to pinpoint its origin, I realized one day that Daddy just wasn't around that much. Dinners without him grew more frequent. His arrival home grew later, until he seemed little more than a phantom presence in my life. Some nights I'd hear unsteady footfalls on the steps, a door banged too hard against a wall. A toilet flushed. Then silence. Or muffled voices from my parents' bedroom, the cadence conveying accusations and resentment. To this day, a phone ringing after midnight makes me shiver. Perhaps I am an alarmist. Or merely a realist. In my experience, late-night calls never bring good news. There's been an accident. An arrest. A fight. Mama's call came a long eighteen months after Kevin's death. Phones gave honest rings back then. Not polyphonic clips of "Grillz" or "Sukie in the Graveyard." I awoke at the first resonating peal. Heard a second. A fragment of a third. Then a soft sound, half scream, half moan, then the clunk of a receiver striking wood. Frightened, I pulled the covers up to my eyes. No one came to my bed. There was an accident, Mama said the next day. Daddy's car was forced off the road. She never spoke of the police report, the blood alcohol level of 0.27. I overheard those details on my own. Eavesdropping is instinctual at age seven. I remember Daddy's funeral even less than I remember Kevin's. A bronze coffin topped with a spray of white flowers. Endless eulogies. Muffled crying. Mama supported by two of the aunts. Psychotically green cemetery grass. Mama's relatives made the trek in even larger numbers this time. Daessees. Lees. Cousins whose names I didn't remember. More covert listening revealed threads of their plan. Mama must move back home with her children. The summer after Daddy died was one of the hottest in Illinois history, with temperatures holding in the nineties for weeks. Though weather forecasters talked of Lake Michigan's cooling effect, we were far from the water, blocked by too many buildings and too much cement. No lacustrine breezes for us. In Beverly, we plugged in fans, opened windows, and sweated. Harry and I slept on cots on the screened porch. Through June and into July, Grandma Lee maintained a "return to Dixie" phone campaign. Brennan relatives continued appearing at the house, but solo now, or in sets of two, men with sweat-looped armpits, women in cotton dresses limp on their bodies. Conversation was guarded, Mama nervous and always on the verge of tears. An aunt or uncle would pat her hand. Do what's best for you and the girls, Daisy. In some child's way I sensed a new restlessness in these familial calls. A growing impatience that grieving end and life resume. The visits had become vigils, uncomfortable but obligatory because Michael Terrence had been one of their own, and the matter of the widow and the children needed to be settled in proper fashion. Death also wrought change in my own social nexus. Kids I'd known all my life avoided me now. When chance brought us together they'd stare at their feet. Embarrassed? Confused? Fearful of contamination? Most found it easier to stay away. Mama hadn't enrolled us in day camp, so Harry and I spent the long, steamy days by ourselves. I read her stories. We played board games, choreographed puppet shows, or walked to the Woolworth's on Ninety-fifth Street for comics and vanilla Cokes. Throughout those weeks, a small pharmacy took shape on Mama's bedside table. When she was downstairs I'd examine the little vials with their ridged white caps and neatly typed labels. Shake them. Peer through the yellow and brown plastic. The tiny capsules caused something to flutter in my chest. Mama made her decision in mid-July. Or perhaps Grandma Lee made it for her. I listened as she told Daddy's brothers and sisters. They patted her hand. Perhaps it's best, they said, sounding, what? Relieved? What does a seven-year-old know of nuance? Gran arrived the same day a sign went up in our yard. In the kaleidoscope of my memory I see her exiting the taxi, an old woman, scarecrow thin, hands knobby and lizard dry. She was fifty-six that summer. Within a week we were packed into the Chrysler Newport that Daddy had purchased before Kevin's diagnosis. Gran drove. Mama rode shotgun. Harry and I were in back, a midline barrier of crayons and games demarcating territorial boundaries. Two days later we arrived at Gran's house in Charlotte. Harry and I were given the upstairs bedroom with the green-striped wallpaper. The closet smelled of mothballs and lavender. Harry and I watched Mama hang our dresses on rods. Winter dresses for parties and church. How long are we staying, Mama? We'll see. The hangers clicked softly. Will we go to school here? We'll see. At breakfast the next morning Gran asked if we'd like to spend the rest of the summer at the beach. Harry and I gazed at her over our Rice Krispies, shell-shocked by the thundering changes rolling over our lives. 'Course you would, she said. How do you know what I would or wouldn't like? I thought. You're not me. She was right, of course. Gran usually was. But that wasn't the point. Another decision had been made and I was powerless to change it. Two days after hitting Charlotte, our little party again settled itself in the Chrysler, Gran at the wheel. Mama slept, waking only when the whining of our tires announced we were crossing the causeway. Mama's head rose from the seat back. She didn't turn to us. Didn't smile and sing out, "Pawleys Island, here we come!" as she had in happier times. She merely slumped back. Gran patted Mama's hand, a carbon copy of the gesture employed by the Brennans. "We're going to be fine," she cooed, in a drawl identical to that of her daughter. "Trust me, Daisy darlin'. We're going to be fine." And fine I was, once I met Évangéline Landry. And for the next four years. Until Évangéline vanished. Copyright (c) 2007 by Temperance Brennan, L.P. Excerpted from Bones to Ashes by Kathy Reichs All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.