Charles Bukowski Portions from a wine-stained notebook : uncollected stories and essays, 1944-1990

Charles Bukowski

Book - 2008

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Published
San Francisco, CA : City Lights c2008.
Language
English
Main Author
Charles Bukowski (-)
Other Authors
David Stephen Calonne, 1953- (-)
Physical Description
xxiv, 255 p. ; 23 cm
Bibliography
Includes bibliographical references.
ISBN
9780872864924
  • Acknowledgments
  • Introduction
  • Aftermath of a Lengthy Rejection Slip
  • Zo Tanks from Kasseldown
  • Hard Without Music
  • Jiace: Editors Write
  • Portions from a Wine-Stained Notebook
  • A Rambling Essay on Poetics and the Bleeding Life Written While Drinking a Six-Pack (Tall)
  • In Defense of a Certain Type of Poetry, a Certain Type of Life, a Certain Type of Blood-Filled Creature who Will Someday Die
  • Artaud Anthology
  • An Old Drunk Who Ran Out of Luck
  • Notes of a Dirty Old Man
  • Untitled Essay in A Tribute to Jim Lowell
  • Notes of a Dirty Old Man
  • The Night Nobody Believed I was Allen Ginsberg
  • Should we Burn Uncle Sam's Ass?
  • The Silver Christ of Santa Fe
  • Dirty Old Man Confesses
  • Reading and Breeding for Kenneth
  • The L.A. Scene
  • Notes on the Life of an Aged Poet
  • Upon the Mathematics of the Breath and the Way
  • Notes of a Dirty Old Man
  • Notes of a Dirty Old Man
  • Notes of a Dirty Old Man
  • Unpublished Foreword To William Wantling's 7 on Style
  • Jaggernaut
  • Picking the Horses
  • Workout
  • The Way it Happened
  • Just Passing Time
  • Distractions in the Literary Life
  • I Meet the Master
  • Charles Bukowski's Los Angeles for Li Po
  • Looking Back at a Big One
  • Another Portfolio
  • The Other
  • Basic Training
  • Sources
  • About the Author and Editor
Review by Library Journal Review

This volume is filled with 36 short selections of prose by the late Bukowski, who is especially known for his poetry (e.g., Bone Palace Ballet). Via short stories and nonfiction--introductions to the work of other writers, book reviews, and autobiographical accounts--the reader is taken on a roller-coaster ride through the waxing and waning lucidity and sometimes depravity of Bukowski's trademark topics (perhaps obsessions): sex, drinking, writing, and self-deprecating. Delving into social commentary, such as his observation that society is more interested in an artist's personal life than artistic creations, Bukowski also documents the most private moments of his life, seemingly giving society what it wants. Describing in painful detail the abuse he suffered as a child, his antisocial interactions with others, strange sexual encounters, and ongoing battles with alcoholism and depression, this author remains astoundingly unique. Some will declare him an artistic genius, while others will agree with Bukowski's own depictions of himself as a dirty old man. Recommended for larger public and academic libraries.--David L. Reynolds, Cleveland P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

More posthumous uncollected prose from the Dirty Old Man. Calonne (English/Eastern Michigan Univ.; William Saroyan: My Real Work Is Being, 1983, etc.), who previously edited a volume of Bukowski's interviews, digs up a few more fragments from the author's vast--and scattershot--oeuvre. As with many "uncollected" selections, the results are a mixed bag, but Bukowski's gruff directness and take-no-crap attitude shine through. Discussing his style in "Basic Training," he writes, "I hurled myself toward my personal god: SIMPLICITY. The tighter and smaller you got it the less chance there was of error and the lie. Genius could be the ability to say a profound thing in a simple way." Certainly, much of Bukowski's genius lay in his plainspoken, immediate, self-assured prose, but his constant attack on the literary establishment also earned him accolades--and scorn--from fellow writers and critics. He held special contempt for pretentious elitists, those, as Calonne eloquently notes in his illuminating introduction, "who tried to domesticate the sacred barbaric Muse: the disruptive, primal, archaic, violent, inchoate forces of the creative unconscious." In the more than 35 pieces that comprise the volume, Bukowski runs through all his favorite topics--drinking, fighting, women, horse-racing ("A track is some place you go so you won't stare at the walls and whack off, or swallow ant poison")--but he's at his most lucid and powerful when he explores the process of writing, both his own and others (Artaud, Hemingway, his hero John Fante). There's a neat deconstruction of Ezra Pound, excerpts from his "Notes of a Dirty Old Man" column and a peripatetic review of a Rolling Stones concert. Though a few of the selections are little more than ill-formed rants, probably originally scrawled across a bar napkin, there is plenty of the visceral, potent, even graphically sexual (tame readers beware of "Workout") material to satisfy fans. Not for novices, but a welcome addition to Bukowski's growing library. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.