The renegades

T. Jefferson Parker

Large print - 2009

Sheriff's deputy Charlie Hood is transferred to the supposedly quiet desert community of Antelope Valley, only the quietness is shattered one night during a routine call: someone guns down his partner, Terry Laws, in their patrol car. Hood is out to find the killer Wild West style.

Saved in:

1st Floor Show me where

LARGE PRINT/FICTION/Parker, T. Jefferson
1 / 1 copies available
Location Call Number   Status
1st Floor LARGE PRINT/FICTION/Parker, T. Jefferson Checked In
Subjects
Published
Detroit : Thorndike Press 2009.
Language
English
Main Author
T. Jefferson Parker (-)
Edition
Large print ed
Physical Description
507 p. (large print) ; 23 cm
ISBN
9781410412744
Contents unavailable.
Review by Booklist Review

*Starred Review* Parker's superb new thriller continues the tale of Charlie Hood, the Los Angeles sheriff's deputy who fell hard for beautiful gangster Allison Murrieta in L.A. Outlaws (2008). Deputy Hood now patrols the Antelope Valley, a desert region north of Los Angeles where still nights and stark beauty provide a refuge from his past (though he still hasn't come to terms with Murrieta's death). But Hood's new beat has a breed of heinous criminals all its own. When his partner, Terry Laws, known by fellow officers as Mr. Wonderful, is gunned down in the passenger seat of their patrol car, Hood once again finds himself among the dark-hearted and the damned. It turns out that Laws wasn't such a model cop after all. He and a former partner were involved in a lucrative operation running drugs south of the border. Then Laws found a conscience a little too late. Two-time Edgar winner Parker vividly evokes the spirit of the Wild West, where bad guys prosper and good guys seek vengeance at a price. He delivers steady suspense and a cast of damaged characters led by Hood, whose days crackle with moral conundrums and bone-deep regret. Approaching the novel's climax, Parker writes: a wiggle of fear came up Hood's back and crawled across his scalp. Readers will likely find themselves rattled and riveted too.--Block, Allison Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this crackling follow-up to L.A. Outlaws (2008), bestseller Parker brings the Wild West to Southern California. After helping to bring down a corrupt lawman in L.A., sheriff's deputy Charlie Hood has transferred to the desert community of Antelope Valley, where his hopes for a quieter life are shattered one night during a routine call: someone guns down his partner, Terry Laws, in their patrol car. Nicknamed "Mr. Wonderful," Terry is an unlikely target for a hit, so Charlie joins forces with Internal Affairs to track down the killer. But Terry's squeaky-clean veneer starts to crack the deeper Charlie digs into his personal life. There are large influxes of cash, and Terry's old partner, a reserve deputy, has connections to the Mexican drug trade. Parker creates a desert no-man's-land unique in its corruption, but no less dangerous than the roughest of South Central street corners, and Charlie Hood is the perfect reluctant hero to patrol it. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Terry Laws was, by all accounts, a superb law enforcement officer. But on the night he happened to be riding with fellow LA Sheriff Deputy Charlie Hood, he was gunned down execution-style. It looks like a straightforward case of a gangbanger getting even with Laws, but Hood is assigned to Internal Affairs and finds the tidiness of this line of thinking disturbing. He gradually teases out anomalies indicating that Laws might have been a corrupt cop following a skewed renegade style of justice. Hood's strong moral compass steers the plot through a bleak morass of drug-saturated culture, stretching from the dreary high-desert suburbs above Los Angeles all the way south to no-man's-land between California and Mexico. Allison Murrieta's spirit (L.A. Outlaws) still haunts him and is personified by her teenage son, Bradley, a smart young soul who hasn't figured out which side of the law he most admires. It's quite a showdown, done the Edgar Award-winning Parker way, in this engrossing tale of justice and redemption. Highly recommended for all popular collections. [See Prepub Alert, LJ 10/1/08.]-Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Further proof that nobody likes a cop who nails a cop. Deputy Charlie Hood, of the Los Angeles Sheriff's Department, is doing a stint with Internal Affairs and hating it. "I signed up to throw the bad guys in jail," he complains to a sympathetic ADA. When she points out to him that some bad guys wear uniforms, it's a truth that does little to dispel his sense that things are out of kilter: Cops should never have to chase cops. On the other hand, his investigation into the murder of Terry Laws, Mr. Wonderful to his fellow officers in the LASD, seems a case of an entirely different color: Cop killers should never be allowed to breathe free air. But the case darkens dishearteningly when the victim, a champion bodybuilder and estimable citizen, turns up on the payroll of a fat cat Mexican drug lord. The partner who survives Mr. Not-So-Wonderful, slick Coleman Draper, is catnip to the ladies, a part-time peace officer who's also a full-time stone killer. Draper doesn't enjoy killing, but his approach to problem-solving is thoroughly lethal. All at once, Charlie realizes, he's about to become Draper's No. 1 problem. The pace is leisurely and the plot a bit obvious, but Parker (L.A. Outlaws, 2008, etc.) at three-quarters effectiveness still beats most others at their best. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.