The wife's tale

Lori Lansens

Book - 2010

On the eve of their Silver Anniversary, Mary Gooch is waiting for her husband Jimmy to come home. As night turns to day, it becomes frighteningly clear to Mary that he is gone. Through the years, disappointment and worry have brought Mary's life to a standstill, and she has let her universe shrink to the well-worn path from the bedroom to the refrigerator. But her husband's disappearance startles her out of her inertia, and she begins a desperate search.

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Subjects
Published
New York : Little, Brown and Co 2010.
Language
English
Main Author
Lori Lansens (-)
Edition
1st U.S. ed
Item Description
"A novel."
Originally published in Canada by Knopf, 2009.
Physical Description
356 p. ; 25 cm
ISBN
9780316069311
Contents unavailable.
Review by New York Times Review

#+ |9780312605025 |9781429957694 ~ Jaime-Becerra's mastery of the short story sabotages his effort at a first novel. "This Time Tomorrow" takes a prolonged look at three characters: Gaeta, a divorced forklift operator at a dairy; Joyce, his girlfriend and a cashier for a local cable company; and Ana, his rebellious daughter, who wants to become a certified manicurist. Although the novel's three sections span six years, they are devoted to different understandings of the same few events in the early months of 1988, when Ana is terrorized by teenage boys, Gaeta injures his hand and stops saving for Joyce's engagement ring, and Joyce considers selling her vintage purse collection while abandoning her hope of ever escaping her tyrannical father's house. By 1994, Joyce is still reflecting on her failed romances (Gaeta among them), Gaeta regrets not being able to marry Joyce or protect Ana, and Ana finally acknowledges the resentment she felt over Joyce's presence in her father's life: "The more Ana thought about it, the more difficult it became to decide what would be worse - having to see them together, or having to be alone with Joyce. . . . She was being childish, but she was still a child." While Jaime-Becerra's first collection, "Every Night Is Ladies' Night," painstakingly captured similar everyday injustices and cruelties for working-class Mexican-Americans in Southern California, those stories were carefully measured depictions of many discrete lives. "This Time Tomorrow" draws its central characters with great sympathy, but they are only three pitiably fragile lives, and their starved narrative, while moving, hardly sustains the novel.

Copyright (c) The New York Times Company [April 11, 2010]
Review by Booklist Review

Lansens' third character-driven novel tracks the highs and lows in the life of Mary Gooch, who still has such a pretty face and a voluminous body. On the evening of Mary's twenty-fifth wedding anniversary, her husband, Jimmy, doesn't come home, initiating a domino-like series of actions that turn Mary's life around. Initially embarrassed by Jimmy's disappearance, and deciding that everyone knew about Jimmy Gooch leaving his fat wife to go on some middle-aged vision quest, she boards a plane for California, where his mother lives and where Mary is sure he will eventually turn up. There she is befriended by an odd mélange of characters who seem destined to help, including an Israeli taxi driver who takes her to his friend's plus-size boutique for a make-over, a single mom whose children adopt Mary as their favorite babysitter, and Jesus Garcia, her mother-in-law's pool cleaner who shares with Mary his own survival strategies. Lansens writes with acute insight into Mary's bingeing and depression, fully immersing readers in her protagonist's struggle to find a new and better self.--Donovan, Deborah Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Lansens's hopeful and gentle third novel (after The Girls), opens in the same fictitious Ontario county as its predecessors, but the heroine's journey takes her to a vastly different landscape, both literally and spiritually. In Leaford, Mary Gooch's life is strictly circumscribed-she's even worn a rut in the carpet between the bed and the kitchen, so often has the 302-pound woman made the trip. So when Mary's handsome husband disappears on the eve of their silver wedding anniversary, Mary wonders whether her size or her aversion to adventure chased him off. With few clues, Mary leaves her small town for one of the first times in her life, venturing first to Toronto and then to the suburbs of Los Angeles, where a series of encounters with strangers shakes her out of her lethargy. Mary's journey may be too carefully mapped out, but she's a wonderful character, and Lansens's handling of her eventual transformation into someone capable of compassion and acceptance is handled with a light but assured touch. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Mary Gooch is beyond shock when her husband leaves the night before their silver anniversary party. Jimmy Gooch has always loved her, but with each new trauma-two early miscarriages, her father's death, even the loss of her feral cat-Mary has felt less worthy of his affection and more hungry. Now weighing 302 pounds, Mary can't seem to move past her malaise. Finding $25,000 in their bank account, Mary flies, for the first time, from their small Canadian town to her mother-in-law's home in Southern California, determined to wait for her prodigal spouse. While there, she loses her appetite but discovers a measure of self-worth through the "kindness of strangers." VERDICT Lansens's (The Girls) portrait of a woman who hides behind the Kenmore as protection from life's heartache is earthy and primal in its pain. Yet Lansens doesn't resort to an overnight makeover to save Mary. Instead, our heroine uncovers a hidden strength she had all along. Those who loved The Girls will be pleased that Lansens is back. Highly recommended. [See Prepub Alert, LJ 10/15/09.]-Bette-Lee Fox, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Searching for the husband who disappeared on the eve of their 25th wedding anniversary, an obese woman changes her life. The mystery in Lansens's follow-up to The Girls (2006) is not why long-suffering Gooch left but what took him so long. Four-hundred-pound Mary has pushed him away for years, distrusting and refusing every gesture of affection. She has been under the sway of what she calls "the obeast" since childhood; she and Gooch fell in love as seniors in high school, after a parasitic infection caused a sudden weight loss. A gifted writer, Gooch gave up his college dreams to marry Mary when she became pregnant. But she miscarried before the wedding, her weight returned, and it increased even more once she learned she could not have children. For years Gooch has tried to interest Mary in the larger world, or in himself, but her only passion has been food. He goes missing after depositing $25,000 from a scratch-and-win lottery game into their joint checking account. Devastated, she is finally galvanized to leave their small Ontario hometown to look for him. Serendipitous events follow. Restaurant receipts lead her to Toronto, where she finds Gooch's long-lost sister, who says he's headed to see his estranged mother in Golden Hills, Calif. On the curb outside LAX, a kindly limo driver picks up Mary and arranges a salon makeover before dropping her at her mother-in-law's house. Gooch isn't there, but while waiting for him in California Mary befriends a divorcee with triplets and a hunky Mexican-American gardener. She warms to Gooch's prickly mother, whose revelations force Mary to reexamine her marriage. Meanwhile, she loses her appetite. By the time she accepts that Gooch may not return, she is svelte and eating only for the right reasons. Readers will still be hungry: While Mary's evolution is all too predictable, Lansens never adequately explains the more enigmatic, sympathetic Gooch. Redemption Lite. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

A Pretty Face Alone in the evenings, when the light had drained from the slate roof of her small rural home, and when her husband was working late, Mary Gooch would perform a striptease for the stars at the open bedroom window: shifting out of rumpled bottoms, slipping off blousy top, liberating breasts, peeling panties, her creamy flesh spilling forth until she was completely, exquisitely nude. In the darkness, she'd beg her lover the wind to ravish her until she needed to grasp the sill for support. Then, inhaling the night like a post-coital cigarette, Mary would turn to face the mirror, who'd been watching all along. The mirror held the image Mary Gooch knew as herself, a forty-three-year-old brunette standing five and a half feet tall, so gilded with fat that hardly a bone from her skeleton could insinuate itself in her reflection. No hint of clavicle, no suggestion of scapula, no jag in her jaw, no scallop in her knee, no crest of ilium, no crook of knuckle, not a phalange in the smallest of her fingers. And no cords of muscle, either, as if she were enrobed by a subcutaneous duvet. Mary remembered, when she was nine years old, stepping off the scale in Dr. Ruttle's office and hearing him whisper the word to her slight mother, Irma. It was an unfamiliar word, but one she understood in the context of the fairy-tale world. Obeast. There were witches and warlocks. So must there be ogres and obeasts. Little big Mary wasn't confused by the diagnosis. It made sense to her child's mind that her body had become an outward manifestation of the starving animal in her gut. Such a pretty face. That was what people always said. When she was a child they made the comment to her mother, with tsk ing pity or stern reproach, depending on their individual natures. As she grew, the pitying, reproving people made the comment directly to Mary. Such a pretty face. Implied was the disgrace of her voluminous body, the squander of her green eyes and bow lips, her aquiline nose and deep-cleft chin and her soft skin, like risen dough, with no worry lines to speak of, which was remarkable because, when she wasn't eating, that's what Mary Gooch did. She worried about what she would eat and what she would not eat. When and where she would or wouldn't. She worried because she had too much or not nearly enough. She worried about hypertension, type 2 diabetes, atherosclerosis, heart attack, stroke, osteoarthritis. The contempt of strangers. The mouths of babes. Sudden death. Protracted death. She worried all the more because all the worry made her sleepless, and in her dreamless hours hosted more worries, about her husband, Gooch, and the approach of their silver anniversary, about her menial job at Raymond Russell Drugstore and about her list, which she imagined not as Things to do but Things left undone . Weight is only numbers on a scale, she told herself, and her mirror just another point of view. Squinting at her naked reflection when the moon was waxing and the angle just right, Mary Gooch saw beauty in the poetry of her contours, in the expressive, expansive, edible flesh, and understood why an artist sketching nudes might find appealing the mountainous gut, and favour the pocked shore of sloping thigh, and enjoy the depth and shadow of pendulous breasts and multiple chins. A shape ample and sensuous, like the huge round vase handed down on the Brody side of the family, in which she arranged her ditch lilies in the spring. Or like the dunes of virgin snow on the hills beyond her home outside small-town Leaford. Mary wished to be a rebel against the tyranny of beauty but was instead a devotee, coveting its currency, devouring images in glossy magazines and broadcast TV, especially the kind that chronicled the lives of the rich and famous. She lingered over the body shots, outlining with her fingertips, like an appreciative lover, the rock-hard abdominals and concrete glutes, sinewy arms and pumped deltoids-so daring on a woman-coltish legs, wasp waist, swan's neck, lion's mane, cat's eyes. She accepted the supremacy of beauty, and could not deny complicity in the waste of her own. It was often an unbearable burden for Mary Gooch to carry both her significant weight and the responsibility for it, and she naturally sought to blame. The media was her target, just as it was another of her addictions. She would tear through the pages of her magazines, gratified by the celebrity cellulite, horrified by the gorgeous anorexics, noting the fall must-haves, sneering with the critics about fashion disasters, then realize she'd eaten a quart of premium ice cream, coerced by the advertisement beneath the picture of the TV cutie with poor taste in men. Mary knew it was all the media's fault, but finger pointing was too much exercise, and she couldn't sustain the blame for long. Especially since she was so often confronted by the stupid genius of just saying no. Jimmy Gooch, Mary's husband of nearly twenty-five years, read Time and Newsweek and Scientific American and The Atlantic and National Geographic . He watched CNN, even when America was not on red alert, and cable talk shows with clever panelists who laughed when nothing was funny. With Gooch working late most evenings, and busy playing golf on the weekends, Mary reckoned they were down to spending only a hand ful of waking hours a week together and wished to relieve the silence between them, but didn't share Gooch's passion for politics. The couple sometimes found common ground in musing on the vagaries of human nature. "Read the essay at the back," Gooch had said recently, tapping her on the head with the rolled-up magazine- a gesture she charged was aggressive, but he argued, playful. The article spoke of the ills of North American culture, the mistaking of acquisition for success, gluttony for fulfillment. Gooch clearly meant for Mary to draw a comparison to her gastronomical indulgence, and she did, but the piece was provocative in its own right, posing the question: Are people generally happier now, with instant access and quick fixes and thousands of channels and brands to choose from, than they were before the Industrial Revolution? Mary instantly decided no . In fact, she wondered if the opposite was true, that in the hardscrabble life of her pioneering ancestors, whose singularity of purpose was clear, there had been no time to ponder happiness. Chop wood. Carry water. It was impossible to imagine that the early Brodys, who'd cleared Leaford from the Burger King to the gas station, had ever endured a sleepless night. Having read enough magazines, and having spent hours lurking in the self-help section, Mary Gooch knew that she wasn't alone in her morbid obesity or her abstract malaise. Symptoms of despair were everywhere, and formulas for success within her grasp. A person could get a good night's sleep and wake refreshed, shed unwanted pounds without dieting, make dinners for six in twenty minutes or less, rekindle sexual passion, and achieve five personal goals by the end of the month. A person could. But in spite of the step-by-step instructions, Mary could not. The secret remained classified. She appeared to be missing some key ingredient, something simple and elusive, like honesty. Mary had been raised without religion but instinctively drew a separation between her spirit and body. Her spirit had no gravitational pull. Her body weighed three hundred and two of earth's pounds-the two pounds significant because she'd once vowed that she'd kill herself if she got up beyond three hundred. Another promise broken. Further recrimination. The truth of what drove her hunger was as present and mysterious as anyone's God. Certainly grief fed the beast, and with her encroaching middle age came more and greater opportunities for it. Every passage, but particularly the corporeal kind, further embellished Mary Gooch. Thirty pounds for her mother, accumulated over many months, years ago, although Irma was not actually deceased. The babies, so long ago, had added fifteen and twenty pounds respectively. Then it was the ten when her father died in the spring. And another ten with Mr. Barkley in the summer. She felt vaguely charitable assigning the poundage to her loved ones, in the same way that she was mildly comforted by calculating her load in UK stones, in the British style, rather than North American pounds. During her painful cycles of grief and gain, Mary thought it would be better to have any religion and lose it, than never to have one at all. She relied on dubious knowledge and remedial understanding to cobble together a system of beliefs that she was forever editing and amending, depending on the latest magazine article or persuasive celebrity endorsement. Except for the rule of three-an enduring belief, if unfounded by religious text. Terrible things happen in clusters of three. Death, serious accidents, financial ruin. One. Two. Three. What would end the trilogy after her father and Mr. Barkley, she wondered. Another death? Or just more deceptively endurable misfortune? Hauling her corpulence the few steps from her truck in the parking lot to the back door of Raymond Russell Drugstore, starved for breath, heart valves flushing and fluppering, Mary would think, It's me. I will end the trilogy. Here comes my fatal heart attack. Drowning in regret, she'd see everything clearly, the way reckless adults do, too late. But like all things, the feeling would pass, and she would click on another worry, each one dense and nuanced enough to sustain her interest, with intriguing links to distract her from the larger picture. The ticking of time. The machinations of denial. Mary Gooch did not so much pray to God as wish to God, of whom she was sporadically unsure. She wished to God for an end to all wars. And that her manager would catch his scrotum in the cash register at work. She wished for her mother's peaceful death. And that she had something nice to wear to her silver anniversary dinner party. And then there was the wish that preempted all other wishes, the one she wished hourly, eternally- that she could just lose the weight . This wish Mary would offer to her uncertain God in the smallest and most humble of voices. If I could just lose the weight, Gooch would love me again. Or sometimes it was, I could let Gooch love me again. The state of her body was inseparable from the state of her marriage, and the universe. If I could just lose the weight. For all her uncertainty about God, and in addition to the rule of three, Mary Gooch believed in miracles. Excerpted from The Wife's Tale by Lori Lansens All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.