Treasure Hunt

John T. Lescroart

Book - 2010

When the body of Dominic Como, one of San Francisco's most high-profile activists--a charismatic man known as much for his expensive suits as his work on a half dozen nonprofit boards--is discovered, P.I. Mickey Dade and P.I. Wyatt Hunt investigate Como's business associate, Alicia Thorpe--young, gorgeous, and the sister of one of Mickey's friends.

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Subjects
Published
New York : Dutton 2010.
Language
English
Main Author
John T. Lescroart (-)
Item Description
"A novel."
Physical Description
357 p. ; 25 cm
ISBN
9780525951445
Contents unavailable.
Review by Booklist Review

Lescroart, the author of the New York Times best-selling series starring Dismas Hardy and Abe Glitsky, introduced new series lead Wyatt Hunt in 2005's Hunt Club. Hunt makes appearances in both The Suspect (2006) and A Plague of Secrets (2009), but he returns to center stage in this new thriller set amid San Francisco's thriving nonprofit world. When the body of Dominic Cuomo is found in a lagoon, the movers and shakers in local charity organizations are shocked. Cuomo had been doing good work for years, sat on the boards of six major charities, and was loved by many. Hunt and his associates decide to run interference for the police, setting up a hot-line number and a substantial reward for any tips leading to an arrest. They have plenty of work cut out for them when they are soon flooded with calls from psychics and crackpots. However, they find any number of suspects when they discover that the nonprofit world is rife with corruption and that beloved do-gooder Cuomo had a soft spot for the ladies. With in-depth characterizations of two loyal Hunt associates, siblings Hunt rescued from their heroin-addicted mother; a lovingly detailed San Francisco backdrop; and an intricately developed plot, Treasure Hunt is sure to satisfy Lescroart's legion of fans.--Wilkinson, Joanne Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Bestseller Lescroart's lackluster third Hunt Club thriller (after The Suspect) finds PI Wyatt Hunt near the end of his rope. Business has slowed to a trickle; Hunt's relationship with his old high school friend, homicide detective Devin Juhle, is on the rocks; his receptionist, Tamara Dade, has walked out; and Tamara's brother, Mickey, is his only remaining employee. When Mickey discovers the body of Dominic Como, San Francisco's most prominent civic activist, he proposes a way for Hunt's agency to get involved in the murder investigation and perhaps return to solvency. Como's extensive charities, like the Sunset Youth Project and its subsidiaries, operated with a budget of about $50 million-a sum large enough to put all sorts of murder motives into play. And just how jealous was Como's wife of her husband's young and pretty female driver? A labored gathering of suspects, police, and Hunt Club operatives allows Hunt to produce the killer in melodramatic fashion. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A month from throwing in the towel, Wyatt Hunt gets a chance to put his faltering private-investigation firm back on the map. Ever since The Hunt Club made headlines and trod on important San Francisco toes in its first big case (The Hunt Club, 2006), his name has been anathema in police circles, and spooked clients have stayed away too. But when Hunt tells aspiring chef Mickey Dade, his driver and sometime fieldworker, that he's going to have to let him go, Mickey makes a counter-offer. Fresh from discovering the body of wealthy activist/philanthropist Dominic Como, Mickey has heard that Hunt's old nemesis, Inspector Devin Juhle, is looking to pin the murder on Alicia Thorpe, a volunteer at Como's principal charity, Sunset Youth Project (SYP). Hunt could make the rounds of the organizations Como funded, Mickey suggests, get them to put up a substantial reward for information leading to a conviction and ride the attendant publicity back into the limelight. It's a pleasure to watch Huntat first diffident, then increasingly confidentpersuade the executive directors of Mission Coalition, Sanctuary House and SYP to pony up. In a particularly zesty turn of events, grieving widow Ellen Como adds a substantial sum to the reward even as she's promising to claim the whole pot if her announcement that her husband was carrying on with Alicia closes the case. Alas, it's all downhill from there. Despite a second murder, there's little excitement in Juhle's pursuit of Alicia; The Hunt Club's investigation mainly turns up the unsurprising news that there's a lot of civic corruption in the Bay Area; and the denouement, in which Hunt summons all the leading figures in the case to his office so that he can identify the killer by spotting discrepancies in the suspects' stories, will make you think you've wandered into an antique bookstore. Worth reading only for Lescroart's customary sharp-edged portrait of the myriad temptations San Francisco offers citizens with money and power. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Featured Excerpt in Penguin iPhone App Chapter One The day he found the body, Mickey Dade woke up under a tree on Mount Tamalpais. Sleeping outside a few nights a week had been going on as a regular thing with him for about four months now. He always kept a sleeping bag in his used Camaro's trunk anyway, and starting around mid-May, when the weather got nice everywhere but in San Francisco proper, he'd finish work and leave town in whatever direction struck his fancy. Even in the urbanized, over-crowded Bay Area, there were innumerable places a guy could simply pull over, park, and crash on the ground under cover of trees or bushes or in the hollow of a sand dune in one of the city or county or even national parks, at the beaches, off back roads, even in the quiet "neighborhood watch" suburbs. Monday the past week, while it was still light out he'd driven down to Woodside, an exclusive semi-rural enclave nestled into the foothills behind Palo Alto, and slept out under an old stone bridge over a dry creek bed. Two days later, he'd driven a couple of hundred feet down an unnamed, little-used dirt track cut into the woods behind Burlingame around Crystal Springs Reservoir. Last night, he'd gone north into Marin County, got halfway up Mount Tamalpais and pulled under an old low-hanging scrub oak in a forgotten and unpaved parking lot. He always woke up at first light, so this morning he was on the Golden Gate Bridge by the time the sun cleared the hills behind Oakland. He had his iPod coming through his speakers. It was mid-September and, as usual this time of year, the coastal fog was taking a break. The morning clarity under the cloudless sky was startling. Mickey could easily make out the tiny dots of the Farallons twenty some miles away over the deceptively still Pacific. He exited the bridge and soon found himself on Marina, cruising through the streets. The closely-set, well-maintained, beautiful low-rise homes stirred some vestigial gene he must have picked up somewhere. Just driving through a neighborhood of real honest-to-God stand-alone homes always filled him with something like contentment, although it wasn't quite that; it was more like hope that contentment and physical security was one of life's possibilities. This was something Mickey didn't have much personal experience with. He couldn't remember ever living in anything but an apartment house, although, his parents had apparently rented a small bungalow in the Sunset before their divorce. His sister Tamara said she vaguely remembered that house. But she was two years older than he was. Mickey had been only two when his mom had taken them from their father and moved out. But Mickey didn't get time to enjoy the Marina architecture this morning. A crowd was clogging the street up by the Palace of Fine Arts...; At this location, he thought somebody was probably shooting a movie--the Palace had been a setting in both Vertigo and The Rock , among a host of other films. People loved the old domed structure that had been constructed for the Panama-Pacific Exhibition back in 1915. With its classical columns and its reflecting lagoon, the spot conjured both urban elegance and a hint of mystery. So he pulled into the Yacht Club parking lot, where he knew you could always get a spot at this time of the morning. When Mickey got out of his car, he was surprised that the noises carrying from down by the Palace seemed distinctly ominous and angry. Someone was giving harsh orders on a bullhorn. He heard a full-throated chorus of discontent--maybe actors and extras emoting, but he didn't think so. Mostly, it sounded like a fight. * From the outskirts of the crowd, Mickey could make out at least three distinct groups, not including the vans from two of the local television stations. The police, at least twenty of them, six of them mounted on horseback, held a line near the shoreline of the lagoon. The non-equestrian cops were turned out in "hats and bats" -- full assault gear, helmets with tinted facemasks, batons out. A larger homogeneous and clearly hostile group of maybe fifty citizens milled around on the sloping banks of the lagoon as if waiting for instructions to charge the police line. In front of them, a tall bearded guy in camo gear was right up in the face of the lead cop with the bullhorn. Finally, down by the water's edge, a smaller group of perhaps twenty people in the uniforms of the city's Parks and Recreation department huddled fearfully by a small fleet of rowboats laden with what looked like netting of some kind. The camo guy started a chant, "Hell, no, don't let them go!" and in seconds the crowd was in full throat behind him, pressing forward toward the police line. The cops brought up their batons as the bullhorn exhorted the crowd to "Back away! Back away!" "Hell, no, don't let them go!" A white-haired man in a bathrobe and tennis shoes with his arms crossed and wearing a bemused expression stood on a lawn across the street. Mickey sidled up next to him. "What's going on?" he asked. The man shook his head. "Idiots." "Who?" "All of 'em." "But what's it about?" The man looked over, askance. "You don't know about the ducks? Where you been?" "What about the ducks?" "They're moving 'em, or trying to." He shook his head again. "Lunatics. Stupid idea, bad planning, insane timing. But what else do you expect nowadays, huh? You really don't know about this? Moving the ducks down to Foster City?" "Ahh." So that's what this was. Mickey had read all about it over the past few months, but hadn't realized that it was coming to a head so soon. Now the whole story came back to him. The city had approved a $22 million restoration for the Palace and its grounds, and part of that project included buttressing the remainder of the shoreline of the lagoon, most of which was already bounded by a low rock-and-concrete wall. But the rest of the shoreline, closest in toward the Palace itself, had become degraded over time--in the past year alone, a couple of kids had fallen in when the banks had collapsed under them. It wasn't so much dangerous as it opened the city to possible litigation issues, and so the supervisors had given the plan the green light, and put up $7.5 million to get the project started. The rest would, somehow, be funded by private benefactors. And lo, it had come to pass. But to do any of this work, first the lagoon had to be drained. Enter the ducks. And the San Francisco Palace Duck Coalition. And a former Berkeley tree sitter who, for the present campaign, had adopted the nom de guerre of Eric Canard. Mickey only now came to recognize the man in his camo gear. Usually he did photo ops in a full duck suit. The Palace ducks, of course, along with its swans, herons, seagulls and other birds, called the lagoon home. And if the lagoon were drained, Canard had argued to the Board of Supervisors, they would become homeless. Temporarily, but truly. And in a city that prided itself on being a haven to the homeless, this was simply unacceptable. So the supervisors, caving in -- to widespread derision in the media and on the street -- had set about finding a solution to the problem. In spite of the fact that San Francisco had several nice and completely serviceable ponds, those ponds had their own populations of ducks whose environments, Canard argued, would be compromised by the wholesale relocation of the Palace ducks to their own home waters. So, eventually, the decision was made to relocate the ducks to Foster City, a residential community with Venice-like canals, and few permanent resident ducks, twenty miles south down the Peninsula. This would have been a workable though of course still wildly foolish idea except for one thing: six months before, Foster City had encountered its own problem with its indigenous ground squirrel population. These animals were burrowing in the city's levees and destroying them, threatening homes with the very real possibility of imminent flooding. In response to this crisis, Foster City had decided to poison the levee-dwelling critters en masse. This slaughter passed largely unnoticed in Foster City itself, but did not escape the keen eye of Eric Canard. And when San Francisco announced its intention to remove its Palace ducks to Foster City, Canard had gone ballistic. Surely, if the ducks were sent to Foster City, the heartless bureaucrats there would not treasure and protect them. These people had shown their true colors around the plight of defenseless animals and would obviously treat the ducks as they had treated their own squirrels if given half a chance. And Canard was not going to let that happen. So he'd sued. And lost. And had threatened to sue again. Which gave the city a window in which to make its move. Across the street, the chant was wearing down, but Mickey could still hear a strong voice--undoubtedly Canard--yelling now at the lead cop. "So how'd this start today?" he asked. "I thought it was still in the courts." "No. The brains down at City Hall decided they'd just go ahead and round up the birds. The whole thing is nuts. And it's all moot anyway. They started draining the lake a couple of days ago before they were ready for the ducks--in secret, I might add, and that's never a good idea--so word got out to Canard and his people that something was happening down here, and the whack jobs started gathering before sunrise this morning. Uh oh." Off in the distance, the sound of sirens, police reinforcements on the way. Another news van pulled in, screeching to a stop. The way this thing was developing, Mickey thought the story had a good chance to go national. * But Mickey had to get home, cleaned up, and to work...; So he thanked the older man for his company, said good-bye and crossed the street about a half block north of the crowd. Turning right, still hugging the shoreline, he followed it around to where it veered away from the view of the crowd. Here the lower water level of the lagoon was much more obvious than it was up by the demonstration. The clumpy roots of the cattails shone black with the gunky bottom mud in the morning light. The low-hanging tree branches which normally kissed the water's surface now looked trimmed off a foot and a half or so above the waterline. An asphalt pathway came down to the water's edge off the parking lot, and Mickey took it as the shortcut back to where he'd parked. But he hadn't gone more than a couple of steps when one of the tree roots sticking up from the brackish water stopped him in his tracks. It was funny the way these things growing wild in nature could so closely resemble shapes you'd expect to find in other species, in animals, even in people. Those roots, emerging from the water, could easily, he thought, be the hand of a man. In fact, it seemed so near a resemblance that he forced himself to step off the pathway and look closer. He came right down now to the water's edge, where from this vantage he could dimly make out, six or eight inches under the water, an all-too-recognizable shape. As Mickey stared in dawning belief, suddenly the water seemed to move and a trail of bubbles rose out from underneath the submerged form, turning it over and raising what was now clearly a body until its head broke the water's surface and the dead man's eyeless face stared up at him, caught and silenced in mid-scream. Excerpted from Treasure Hunt by John Lescroart All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.