The arts of China

Michael Sullivan, 1916-

Book - 2008

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Subjects
Published
Berkeley : University of California Press c2008.
Language
English
Main Author
Michael Sullivan, 1916- (-)
Edition
5th ed., rev. and expanded
Item Description
"An Ahmanson Murphy fine arts book"--P. [4] of cover.
Prev. ed. published: 1999.
Physical Description
ix, 353 p. : ill. (chiefly col.), maps ; 26 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780520255692
9780520255685
  • Preface to the Fifth Edition ix
  • Chronological Table of Dynasties and Modern Republics x
  • Reign Periods of the Ming and Qing Dynasties xi
  • 1. Before the Dawn of History 1
  • 2. The Early Bronze Age: Shang andWestern Zhou 15
  • 3. Eastern Zhou and the Period of theWarring States 45
  • 4. The Qin and Han Dynasties 65
  • 5. The Three Kingdoms and the Six Dynasties 99
  • 6. The Sui and Tang Dynasties 131
  • 7. The Five Dynasties and the Song Dynasty 161
  • 8. The Yuan Dynasty 203
  • 9. The Ming Dynasty 223
  • 10. The Qing Dynasty 253
  • 11. The Twentieth Century and Beyond 283
  • Notes 315
  • Books for Reference and Further Reading 325
  • List of Maps and Illustrations 331
  • Index
Review by Choice Review

Since it was first published in 1967 as A Short History of Chinese Art, this classic has held the foremost place among Chinese art histories in English. This is primarily because all the editions, including this new one, reflect a superb choice of illustrative examples--each a hallmark of its kind. Sullivan has continued to organize his work dynastically, and argues in a new preface that the Chinese people see their art in this way, making it imperative that westerners understand the sweep of Chinese historical artistic expression chronologically as well. The new edition extends itself at both ends of the scale. With a newly understood history of the Bronze Age, based on archaeological discoveries, Sullivan recasts that section. Additionally he takes a closer look at contemporary artists. Each chapter brings new illustrations; and a much expanded examination of calligraphy, Buddhist art, and Chan art rounds out this new edition. Praise of this work, in its new and older forms, in itself represents a history of the greatest Chinese art historians; one should take their suggestions and visit or revisit this model of scholarship. Summing Up: Essential. Lower-level undergraduates through faculty/researchers; general readers. L. L. Lam-Easton California State University, Northridge

Copyright American Library Association, used with permission.