Review by New York Times Review
Yoshimoto's 13th work of fiction attests to the power of emotional intimacy to help even the most "ridiculously fragile people" overcome trauma and grief. Chihiro, a mural artist, loses her mother and finds consolation staring out the window of her Tokyo apartment Her neighbor, a lanky stranger named Nakajima, begins to wave at her. After a year of fond gazing and brief encounters, he starts spending the night. A withdrawn yet strangely candid genetics student, Nakajima helps Chihiro make peace with her upbringing in hierarchical small-town Japan, and she provides him relief from memories of his painful, mysterious past. He invites Chihiro to accompany him to a picturesque lake to confront two old friends, a "not normal" brother and sister. This gloomy but dignified pair possess paranormal abilities, and they provide insight into Nakajima's horrific childhood. Terse truisms occasionally bog down Yoshimoto's prose: "When there's a plus, there's always a minus. If there's a powerful light, the darkness that is its opposite will be just as strong." But much of the action unfolds through artful dialogue and a nimble fusion of romantic and existential reflection. The author is particularly astute about what it's like to be an artist in a world where people keep "their true opinions to themselves" while chasing "tiny profits."
Copyright (c) The New York Times Company [July 3, 2011]
Review by Booklist Review
Prizewinning Japanese author Yoshimoto (Hardboiled & Hardluck, 2005) tells a love story about two young people lost in a void after the deaths of their mothers. Chihiro is a muralist of some renown and unusual humility. Brilliant Nakajima is planning on a career in biotechnology. They each live alone in apartments with facing windows, and they begin their nervous courtship by acknowledging each other across the way in a gentle semaphore of regard. Chihiro's mother ran a nightclub, and her prominent businessman father bowed to his family's snobbish objections and failed to marry her. Chihiro senses that Nakajima suffered much worse trauma. As they tentatively come together, Chihiro begins painting a mural outside a school, and Nakajima brings her to visit a man and his oracle sister, who live beside a sacred lake. Yoshimoto is in peak form in this mesmerizing and suspenseful drama of the perils of brainwashing, from class bias to intrusive advertising to an infamous cult. Social conventions, memories and dreams, and the creative process are all explored with exquisite insight in Yoshimoto's beautifully mystical and hopeful novel.--Seaman, Donn. Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Yoshimoto (Kitchen) delves into an elusive romance between an artist and a student, each of whom bears scars from unusual upbringings, in this clever, off-beat novel. The 30-year-old narrator earns a modest living as a mural painter in Tokyo, supported by her businessman father whom she sees only occasionally since the death of her mother; her parents never married, as her mother was a Mama-san of a nightclub, her father the devoted customer, and his family dead-set against the match, seeding a deep sense of shame and inadequacy in the girl. Presently, she has befriended a curious young man, Nakajima, who begins to sleep over at her place, though chastely. A student in an advanced program of genetics, he hints at terrible secrets in his childhood, which are gradually revealed after the two visit Nakajima's very strange friends in the countryside, and it's revealed that Nakajima had been kidnapped as a boy by a cult and brainwashed. Unsettling as Nakajima's story is, the narrator has grown to cherish him and must decide if their uncommon connection-not passionate, but comforting and near-maternal-will bring lasting happiness. Yoshimoto's marvelously light touch is perfectly captured by Emmerich's pristine translation. (May) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Balanced with deft reminders of impermanence-from vivid dreams and outdoor art to once-a-year cherry blossoms and death-Yoshimoto's latest is a love story with a higher-than-usual satisfying-sigh factor. Chihiro, an artist, and Nakajima, a graduate student in genetics, finally meet after watching and waving to each other from their respective apartment windows across a Tokyo street. They're both unconventional and seemingly untethered souls; they've both lost their beloved mothers. They meander into a sweet, simple life together, although past secrets involving a mysterious brother and sister who live by an ethereal lake threaten to create an emotional divide. VERDICT Yoshimoto aficionados who have savored any of the dozen-plus novels she's written over the last three decades since she became a near-instant pop literary phenomenon with Kitchen will recognize her signature crisp, clipped style (thanks to exacting translator Emmerich's constancy) and revel in her latest cast of quirky characters. Newbies with a penchant for Haruki Murakami's mind-bending protagonists or Yoko Tawada's sparse precision will do well to begin their so-called Bananamania with this beguiling title.-Terry Hong, Smithsonian BookDragon, Washington, DC (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The simplicity of this elliptical novel's form and expression belies its emotional depth.There's almost an artistic sleight of hand in the latest from Yoshimoto (Hardboiled Hard Luck, 2005, etc.), a novel in which nothing much seems to happen yet everything changes. Its narrator is a young Japanese woman, a graphic artist and muralist, on the cusp of 30 but still a relative innocent. She finds herself at a turning point, mourning the recent death of her mother, a death that spurs the daughter to uproot herself from her hometown and pursue her career amid the depersonalized anonymity of Tokyo. She takes an apartment, which offers a view of another apartment where a young man her age lives. "I had a habit of standing at my window, looking out, and so did Nakajima, so we noticed each other, and before long we started exchanging nods," she explains in the matter-of-fact prose that marks the narrative style. Nods lead to more expansive forms of voiceless communication, which leads the two to meet, which leads to love. Or something. "It was so gorgeous it almost felt like sadness," she writes of her feeling for the man she discovers is a haunted, frail medical student. "Like the feeling you get when you realize that, in the grand scheme of things, your time here on this earth really isn't that long after all." As the two bond over their dead mothers, she intuits that there are levels to his life and history that she can barely fathom. She gets a glimpse deeper into his soul when they make a pilgrimage to the lake of the title, to visit friends of his, a very mysterious brother and sister, whom she later suspects might not exist at all. The narrator and her lover bond in a way that isn't necessarily sexual and not exactly spiritual, but more "as if we were clinging to each other, he and I, at the edge of a cliff."At one point the narrator feels like she is "inhabiting someone else's dream," which is the sort of effect the reader might experience as well.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
