Deathless

Catherynne M. Valente, 1979-

Book - 2011

A full-length retelling of the Russian folktake featuring Marya Morevna and Koschei the Deathless is set in an alternate version of St. Petersburg in the first half of the 20th century and follows the transformation of a clever child of the revolution to the beautiful bride of a menacing overlord

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SCIENCE FICTION/Valente, Catherynne M.
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Subjects
Published
New York : Tor 2011.
Language
English
Main Author
Catherynne M. Valente, 1979- (-)
Edition
1st ed
Item Description
"A Tom Doherty Associates book."
Physical Description
352 p. ; 22 cm
ISBN
9780765326317
9780765326300
Contents unavailable.
Review by Publisher's Weekly Review

Twentieth-century Russian history provides a background for Valente's lush reimagining of folkloric villain Koschei the Deathless and his dalliance with Marya Morevna, a clever but troubled young woman. After Koschei sweeps Marya away from her family's home in St. Petersburg-Petrograd-Leningrad, Baba Yaga assigns her three tasks that will make her worthy of marrying Koschei. As she spends more time in Koschei's Country of Life, Marya starts to become too much like her unearthly lover, until naive Ivan Nikolayevich helps her regain her humanity (as well as the sympathy of the reader). Valente's lush language and imagery add to the magic and fundamentally Russian nature of the story, drawing pointed parallels between the Soviet Union's turmoil and the endless war between Koschei and his brother, Viy. Readers used to the Brothers Grimm and Charles Perrault will find this tale peculiar but enchanting. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Koschei the Deathless, the dark, magical, and powerful Tsar of Life, has fallen in love. Marya Morevna, a human girl and a daughter of the Russian Revolution, is his chosen bride, and one gray afternoon he steals her away to his land of Buyan. There their relationship blossoms, and through the years the dramas of the world-both Koschei's world and Marya's-are reflected in their arguments, their passions, and their love. With poetic language, a tempest of emotion, and the skill of a master storyteller, Valente (The Orphan's Tales; In the Night Garden; Palimpset) juxtaposes the stripped-down, starved reality of Soviet Russia with luxurious, magical worlds tucked away, out of human sight, before tying them together with the struggles universal to us all-life, death, love, war, hunger, prosperity, and loss. VERDICT This complex and invigorating reimagined piece of Russian folklore by an award-winning author will cast a spell on readers and not let go. For fans of Neil Gaiman, Gregory Maguire, and the like, this is essential.-Leigh Wright, Bridgewater, NJ (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Another intricate fantasy (The Habitation of the Blessed, 2010, etc.) from Valente, based on what feels like the entire panoply of Russian folktales.In Leningrad, during the early days of the Communist revolution, the house where Marya lives is shared by a dozen families. While gazing from the window, Marya Morevna sees a bird tumble from a tree and turn into a handsome young man; he approaches the house and asks to marry Marya's eldest sister, who accepts. In turn Marya's other elder sisters accept bird-husbands also, but when it's Marya's turn she is not watching and does not see the bird become a man. Her husband is Koschei, a wizard known as Bessmertny (the deathless) because his soul is hidden separate from his body on the island of Buyan, and as long as it remains there he cannot die. The witch Baba Yaga, Koschei's sister, says that the most important thing about a marriage is: who rules. Marya discovers a room occupied by beautiful girls, all named Yelena, all unaware of their surroundings and working like automatons. The Yelenas are Koschei's previous victims, whom he stole away, then enchanted. Eventually, each Yelena was seduced by a handsome solider named Ivan, whereupon Koschei discarded them. Baba Yaga offers Marya a way to avoid the same fate, by setting her three seemingly impossible tasks to accomplish. All this barely scratches the surface of what's going on here; scenes, people, myths and history intertwine. It's dazzling but intensely self-involved.Overwhelming and probably indecipherable to all but the most persistent, well-informed readers.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Three Husbands Come to Gorokhovaya Street   In a city by the sea which was once called St. Petersburg, then Petrograd, then Leningrad, then, much later, St. Petersburg again, there stood a long, thin house on a long, thin street. By a long, thin window, a child in a pale blue dress and pale green slippers waited for a bird to marry her. This would be cause for most girls to be very gently closed up in their rooms until they ceased to think such alarming things, but Marya Morevna had seen all three of her sisters' husbands from her window before they knocked at the great cherrywood door, and thus she was as certain of her own fate as she was certain of the color of the moon. The first came when Marya was only six, and her sister Olga was tall as she was fair, her golden hair clapped back like a hay-roll in autumn. It was a silvery damp day, and long, thin clouds rolled up onto their roof like neat cigarettes. Marya watched from the upper floor as birds gathered in the oak trees, sniping and snapping at the first and smallest drops of rain, which all winged creatures know are the sweetest, like tiny grapes bursting on the tongue. She laughed to see the rooks skirmish over the rain, and as she did, the flock turned as one to look at her, their eyes like needle points. One of them, a fat black fellow, leaned perilously forward on his green branch and, without taking his gaze from Marya's window, fell hard--thump, bash!--onto the streetside. But the little bird bounced up, and when he righted himself, he was a handsome young man in a handsome black uniform, his buttons flashing like raindrops, his nose large and cruelly curved. The young man knocked at the great cherrywood door, and Marya Morevna's mother blushed under his gaze. "I have come for the girl in the window," he said with a clipped, sweet voice. "I am Lieutenant Gratch of the Tsar's Personal Guard. I have many wonderful houses full of seed, many wonderful fields full of grain, and I have more dresses than she could wear, even if she changed her gown at morning, evening, and midnight each day of her life." "You must mean Olga," said Marya's mother, her hand fluttering to her throat. "She is the oldest and most beautiful of all my daughters." And so Olga, who had indeed sat at the first-floor window, which faced the garden full of fallen apples and not the street, was brought to the door. She was filled like a wineskin with the rich sight of her handsome young man in his handsome black uniform, and kissed him very chastely on the cheeks. They walked together down Gorokhovaya Street, and he bought for her a golden hat with long black feathers tucked into its brim. When they returned in the evening, Lieutenant Gratch looked up into the violet sky and sighed. "This is not the girl in the window. But I will love her as though she was, for I see now that that one is not meant for me." And so Olga went gracefully to the estates of Lieutenant Gratch, and wrote prettily worded letters home to her sisters, in which her verbs built castles and her datives sprung up like well-tended roses. The second husband came when Marya was nine, and her sister Tatiana was sly and ruddy as a fox, her sharp grey eyes clapping upon every fascinating thing. Marya Morevna sat at her window embroidering the hem of a christening dress for Olga's second son. It was spring, and the morning rain had left their long, thin street slick and sparkling, jeweled with wet pink petals. Marya watched from the upper floor as once more the birds gathered in the great oak tree, sniping and snapping for the soaked and wrinkled cherry blossoms, which every winged creature knows are the most savory of all blossoms, like spice cakes melting on the tongue. She laughed to see the plovers scuffle over the flowers, and as she did, the flock turned as one to look at her, their eyes like knifepoints. One of them, a little brown fellow, leaned perilously forward on his green branch and, without taking his gaze from Marya's window, fell hard--thump, bash!--onto the streetside. But the little bird bounced up, and when he righted himself, he was a handsome young man in a handsome brown uniform with a long white sash, his buttons flashing like sunshine, his mouth round and kind. The young man knocked at the great cherrywood door, and Marya Morevna's mother smiled under his gaze. "I am Lieutenant Zuyok of the White Guard," he said, for the face of the world had changed. "I have come for the girl in the window. I have many wonderful houses full of fruits, many wonderful fields full of worms, and I have more jewels than she could wear, even if she changed her rings at morning, evening, and midnight each day of her life." "You must mean Tatiana," said Marya's mother, pressing her hand to her breast. "She is the second oldest and second most beautiful of my daughters." And so Tatiana, who had indeed sat at the first-floor window, which faced the garden full of apple blossoms and not the street, came to the door. She was filled like a silk balloon with the flaming sight of her handsome young man in his handsome brown uniform, and kissed him, not very chastely at all, on the mouth. They walked together through Gorokhovaya Street, and he bought for her a white hat with long chestnut-colored feathers tucked into its brim. When they returned in the evening, Lieutenant Zuyok looked up into the turquoise sky and sighed. "This is not the girl in the window. But I will love her as though she was, for I see now that one is not meant for me." And so Tatiana went happily to the estates of Lieutenant Zuyok, and wrote sophisticated letters home to her sisters, in which her verbs danced in square patterns and her datives were laid out like tables set for feasting. The third husband came when Marya was twelve, and her sister Anna was slim and gentle as a fawn, her blush quicker than shadows passing. Marya Morevna sat at her window embroidering the collar of a party dress for Tatiana's first daughter. It was winter, and the snow on Gorokhovaya Street piled high and mounded, like long frozen barrows. Marya watched from the upper floor as once again the birds gathered in the great oak tree, sniping and snapping for the last autumn nuts, stolen from squirrels and hidden in bark-cracks, which every winged creature knows are the most bitter of all nuts, like old sorrows sitting heavy on the tongue. She laughed to see the shrikes scuffle over the acorns, and as she did, the flock turned as one to look at her, their eyes like bayonet points. One of them, a stately grey fellow with a red stripe at his cheek, leaned perilously forward on his green branch and, without taking his gaze from Marya's window, fell hard--thump, bash!--onto the streetside. But the little bird bounced up, and when he righted himself, he was a handsome young man in a handsome grey uniform with a long red sash, his buttons flashing like streetlamps, his eyes narrow with a wicked cleverness. The young man knocked at the great cherrywood door, and Marya Morevna's mother frowned under his gaze. "I am Lieutenant Zhulan of the Red Army," he said, for the face of the world had begun to struggle with itself, unable to decide on its features. "I have come for the girl in the window. I have many wonderful houses which I share equally among my fellows, many wonderful rivers full of fish which are shared equally among all those with nets, and I have more virtuous books than she could read, even if she read a different one at morning, evening, and midnight each day of her life." "You must mean Anna," said Marya's mother, her hand firmly at her hip. "She is the third oldest and third most beautiful of my daughters." And so Anna, who had indeed sat at the first-floor window, which faced the garden full of bare branches and not the street, was brought to the door. She was filled like a pail of water with the sweet sight of her handsome young man in his handsome grey uniform, and with a terrible shyness allowed him to kiss only her hand. They walked together through the newly named Kommissarskaya Street, and he bought for her a plain grey cap with a red star on the brim. When they returned in the evening, Lieutenant Zhulan looked up into the black sky and sighed. "This is not the girl in the window. But I will love her as though she was, for I see now that that one is not meant for me." And so Anna went dutifully to the estates of Lieutenant Zhulan, and wrote properly worded letters home to her sisters, in which her verbs were distributed fairly among the nouns, and her datives asked for no more than they required.   Copyright (c) 2011 by Catherynne M. Valente Excerpted from Deathless by Catherynne M. Valente All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.