Review by New York Times Review
Supposedly the product of a 19-year-old high school dropout, "Maya's Notebook" recalls Maya Vidal's charmed childhood in Berkeley with her Chilean grandmother and African-American step-grandfather. At 16, however, Maya starts using drugs, extorts money from pedophiles, escapes from rehab in Oregon and runs away to Las Vegas, where she becomes a heroin addict, works for a drug dealer and counterfeiter, falls into prostitution and ends up homeless, while being pursued by a corrupt cop who believes she has the counterfeiter's valuable plates. Fearing for Maya's life, her grandmother sends her into hiding with an elderly anthropologist friend who lives on an island off southern Chile. Since little besides bad weather happens there, Maya has plenty of time to describe the lives of the locals and investigate the abuses of the Pinochet era. Eventually, evil from North America comes to call, a literal cliffhanger occurs, and it takes a village to save Maya. Too stylish to have a journal's authenticity, Allende's novel is too slack to be artful. Its climax is predictable, some characters are pre-sweetened caricatures, and the Las Vegas sections seem ripped from cheesy TV. But the Chilean setting - the homes, customs and daily activities of the islanders - does give the book a certain anthropological interest. Like most writers' journals, "Maya's Notebook" is a gathering of disparate materials that might have been the basis of a sharp and shapely novel.
Copyright (c) The New York Times Company [June 30, 2019]
Review by Booklist Review
*Starred Review* Internationally revered for her truth-seeking historical fiction, Allende takes on the present with equal bewitchment and intensity. As Maya's grandmother, Nidia, sends her into protective custody on Chiloe, an island off Chile's southern coast, she hands her a notebook in which this imperiled and irascible 19-year-old records her wrenching story. Fair and tall, Maya does not resemble her Chilean side, neither her absentee pilot father nor tough-love Berkeley activist Nidia, but, rather, her Danish flight-attendant mother, who left her newborn with her in-laws. To further complicate matters, Maya's guiding light was her grandfather, Nidia's second husband, a wise and loving African American astronomer. It is his death that precipitates the voyage to the underworld of addiction, crime, and homelessness that nearly kills her. Maya alternates between recounting her past and reporting on her gradual acclimation to Chiloe, a microcosm of Chile's cultural and spiritual splendor and traumatic and tragic history. Every character is enthralling, including Manuel, the all-but-monastic anthropologist and political exile who takes Maya in; Freddy, the young junkie Maya meets in Las Vegas; and the good witches, who restore her sense of worth. This is a boldly plotted, sharply funny, and purposefully bone-shaking novel of sexual violence, political terror, collective shame, and dark family secrets, all transcended by courage and love. HIGH-DEMAND BACKSTORY: This explosive novel, supported by a national tour and a major media campaign, will bring in readers new to Allende as well as the fans who make her a best-selling literary star.--Seaman, Donna Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Allende (The House of the Spirits) moves away from her usual magical realist historical fiction into a contemporary setting, and the result is a chaotic hodgepodge. The story, told through 19-year-old Maya Vidal's journals, alternates between Maya's dismal past and uncertain present, which finds her in hiding on an isolated island off Chile's coast, where her grandmother, Nidia, has taken her. Maya's diary relates a journey into self-destruction that begins, after her beloved step-grandfather Popi's death, with dangerous forays into sex, drugs, and delinquency, but ends up in a darkly cartoonish crime caper, as she becomes involved with gangsters in Las Vegas. Maya describes her present surroundings, meanwhile, with a bland detachment that would be more believable coming from an anthropologist than a teenager. Allende's trademark passion for Chile is as strong as ever, and her clever writing lends buoyancy to the narrative's deadweight, but this novel is unlikely to entrance fans old or new. Agent: Carmen Balcells, Carmen Balcells Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
International best-selling novelist Allende (Ines of My Soul) delivers a no-holds-barred story of Maya Vidal, a troubled 19-year-old American living in exile on Chiloe, a remote island off the coast of Chile. Over the span of one year, Maya records in her notebooks how she arrived on the island and regained her life there. She was raised in Berkeley, CA, by unconventional grandparents, Chilean native Nini and Popo, an African American astronomy professor. When her beloved Popo died, Maya's world fell apart; a few wrong turns led her into drugs, shoplifting, and then, in Las Vegas, to an association with a despicable drug dealer named Brandon, whose hidden cache of counterfeit money she revealed. Soon, a corrupt cop, Brandon's killers, and the FBI were all after her. Nini sent her to the bottom of the world to stay with Manuel, an anthropologist writing a book on magic in Chiloe. Surrounded by the accepting Chilean villagers, Maya learns about herself, her heritage, and her connection to Chile's turbulent past. VERDICT Allende paints a vivid picture contrasting Maya's drug-clouded past and her recovery in Chiloe. Yet another accomplished work by a master storyteller that will enthrall and captivate. This is a must-read. [See Prepub Alert, 11/12/12.]-Donna -Bettencourt, Mesa Cty. P.L., Palisade, CO (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A 19-year-old Californian escapes her troubled past when her grandmother sends her to an isolated Chilean community in the latest confection of spiritual uplift, political instruction and lyrical melodrama from Allende (Island Beneath the Sea, 2010, etc.). In 2009, Berkley-born and -bred Maya arrives in Chilo, an isolated island community in southern Chile, to escape the drug dealers and law enforcement officials on her trail. Her eponymous notebook combines a record of Maya's not-so-gradual immersion into the Chilo community with her memories of an idyllic childhood and horrifically wayward adolescence. Because her Scandinavian mother deserted her in infancy and her father traveled constantly as a pilot, Maya was largely raised by her paternal grandparents, Nini and Popo. Popo, a gentle African-American astronomer, is actually Chilean-born Nini's second husband; she left Chile with her son after her first husband's arrest/torture/murder by Pinochet forces. While Maya has always loved fiery Nini, Popo was the steadying center of her girlhood. After his death, Maya dove headlong into a life of addiction and criminality, ending up on the streets of LA, where she became a drug runner and worse. But all that ugliness seems far away as she settles into Chilo, living with and assisting Nini's old friend Manuel, an anthropologist researching the mythology of the Chilotes. Maya, who is visited at times by visions of her Popo, builds a special relationship with Manuel--her curiosity about Manuel's relationship to Nini gives Allende an excuse to explore the dark history of 1970s Chile. Maya also coaches the local kids at soccer and falls in love with a backpacking psychiatrist from Seattle, a gentle romance that contrasts starkly with her memories of rape and violation. Despite her enthusiasm for her new life, Maya remains in danger: She knows secrets criminals might kill for if they can just find her. Allende is a master at plucking heartstrings, and Maya's family drama is hard to resist, but the sentimentality and a lack of subtlety concerning politics, Chilean and American, can grate.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
