Mrs. Lincoln's dressmaker A novel

Jennifer Chiaverini

Large print - 2013

Presents a fictionalized account of the friendship between Mary Todd Lincoln and her dressmaker Elizabeth Keckley, a former slave.

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LARGE PRINT/FICTION/Chiaverini, Jennifer
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1st Floor LARGE PRINT/FICTION/Chiaverini, Jennifer Due Oct 9, 2024
Subjects
Genres
Historical fiction
Published
Waterville, Maine : Thorndike Press 2013, ©2013.
Language
English
Main Author
Jennifer Chiaverini (-)
Edition
Large print edition
Physical Description
635 pages (large print) ; 23 cm
Bibliography
Includes bibliographical references.
ISBN
9781594136603
9781410455420
Contents unavailable.
Review by Booklist Review

Chiaverini's latest is based on the true story of Elizabeth Keckley, who bought freedom from slavery for herself and her son and went on to become a well-known modiste in Washington. Keckley had a front-row seat to history: she dressed Washington's A-list, including Jefferson Davis' wife before they left D.C., and, most intimately, Mary Todd Lincoln. Mrs. Lincoln is mercurial, scheming, extravagant, and troubled, but Elizabeth stands by her as she is lambasted in the press. Long stretches of battle history and descriptions of Lincoln's political rivals lag, while more time spent on Elizabeth's work with newly freed slaves in D.C. would have been welcome. Still, Elizabeth Keckley is an admirable heroine successful, self-made, and utterly sympathetic. Readers of the Elm Creek Quilt series who have enjoyed Chiaverini's narrative jaunts into Civil War and Underground Railroad history will be interested in Mrs. Lincoln's Dressmaker and there is even a little bit of quilting in the story. This is also a good choice for readers of Christian historical fiction, as both Elizabeth's and Mr. Lincoln's faiths are important elements in shaping their characters.--Maguire, Susan Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Elizabeth "Lizzy" Keckley, a freed slave in Washington, D.C., right before the start of the Civil War, gains fame as a dressmaker for Northerners and Southerners alike, but when Lincoln is elected and the Southerners secede, she chooses to remain in Washington. She becomes the modiste for Mary Todd Lincoln and is privy to the innermost workings of the Lincoln White House, Mary Todd's reckless spending, President Lincoln's death, and his widow's subsequent penury. When Lizzy writes a memoir about her experiences, she's denigrated by the public (which derides it as "Kitchen and Bed-Chamber Literature") for betraying the Lincoln confidences even though she casts Mary Todd in a favorable light. Chiaverini's characterization of the relationship between Mary Todd and Lizzy, a real historical figure, is nuanced, revealing a friendship that is at times unstable and fraught with class distinctions but also warm and protective. Though not without its problems (characters are insulated from the worst of the war; Lizzy is curiously passive; the pacing can be slow), Chiaverini deviates from her usual focus on quilting (found in the Elm Creek Quilts series) to create a welcome historical. Agent: Maria Massie, Lippincott Massie McQuilkin. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Elizabeth Keckley, born a slave who later purchased her freedom, lived a life that was charmed in many ways. Her talents as a seamstress gained her entree into the dressing rooms of the wives of the political elite in Washington. By far her most famous and long-lasting association was with Mary Todd Lincoln, wife then widow of the 16th President. Chiaverini steps away from her popular "Elms Creek Quilt" series to explore this relationship in this absorbing stand-alone historical novel. Verdict Taking readers through times of war and peace as seen through the eyes of an extraordinary woman, the author brings Civil War Washington to vivid life through her meticulously researched authentic detail. Chiaverini's characters are compelling and accurate; the reader truly feels drawn into the intimate scenes at the White House. Historical fiction fans will enjoy this one, while Chiaverini's devoted readers may be adventurous enough to try something new. [See Prepub Alert, 8/16/12.]-Pam O'Sullivan, SUNY Coll. at Brockport Lib. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

From the intimate domestic circles of the political elite, a dressmaker witnesses the upheavals of 19th-century America. Chiaverini (The Giving Quilt, 2012, etc.) sets aside her Elm Creek Quilts series for this historical novel about Elizabeth Keckley. Drawing upon the rich milieu of Civil War America, as well as Keckley's own memoir (published in 1868 as Behind the Scenes), Chiaverini weaves the story of a woman who lived as both slave and freedwoman. Elizabeth learns her trade by making clothes for her fellow slaves, and once freed, she plies her needle so skillfully that the wives of Republicans and Democrats clamor for her designs. Varina, the second wife of Jefferson Davis, even seeks to take Elizabeth with her to Montgomery when the South secedes and her husband becomes president of the Confederacy. Despite her desire to journey with Varina, Elizabeth decides to stay in Washington, since traveling further South will erase most of her freedoms. Her decision leads to her new position as Mary Todd Lincoln's modiste. Elizabeth not only designs and sews Mary's clothes, but she also arranges her hair, helps her dress, cares for her children at times and becomes her confidante. As others nearly shun Mary for her extravagances during wartime, not to mention her mercurial personality, she relies more and more heavily upon Elizabeth. Their relationship affords an interesting perspective for viewing the cultural and social turmoil of the times, for no matter how much Elizabeth is respected for her skills and no matter how intimately Mary trusts her with her confidences, Elizabeth remains a former slave, and she must be reminded of her place. While the backdrop is strikingly vivid, Chiaverini's domestic tale dawdles too often in the details of dress fittings and quilt piecings, leaving Elizabeth's emotional terrain glimpsed but not traveled.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.