Review by Booklist Review
As in Oliver and His Alligator (2013), Oliver has a decision to make: remain in his solitary dream or take a chance by sharing his rich imaginings. When Oliver finds an egg, he separates from others on the playground. His focus is intent: in spread after spread, he appears alone in an expanding mint-green daydream. From the egg hatches an amorphous white dinosaur with orange spots, which balloons ever larger. They have adventures, just the two of them. They are about to float away when a call, Oliver! brings the boy back. A girl wants to know why he is sitting on a rock. Things come to a standstill. Will Oliver reveal his vision? If he does, will it be embraced or ridiculed? The pacing is perfect. Happily, once Oliver shares, his peers become involved in his story. Observant children will spot on the playground the simple shapes, colors, and patterns that influenced Oliver's imagination. Fanciful fun that young artistic introverts, in particular, will find reassuring.--McDermott, Jeanne Copyright 2014 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review
PreS-Gr 1-First introduced in Schmid's Oliver and His Alligator (Disney-Hyperion, 2013), Oliver appears to be the pensive, solitary sort. After finding a rock on the playground, he imagines that it is actually an egg containing a dinosaur that will grow up with him, share his cookies, and accompany him on a great many adventures. When his reverie is broken by a little girl who asks, "Why are you sitting on that rock?" Oliver abandons the egg idea and instead imagines adventures with his new captive audience of friends. The final spread shows his new friends sitting on rocks of their own, looking to Oliver for inspiration. Schmid's characteristic pastel pencil illustrations cleverly juxtapose the rock and the child's hopes for it on the same page or spread, and the art and simple story line capture the possibilities of imagination and the tender but often tenuous nature of playtime dynamics. The large, uncluttered pictures that stand out on ample white space make the book a good choice for group sharing.-Jenna Boles, Greene County Public Library, Beavercreek, OH (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion."When Oliver found his egg" on the playground, mint-green backgrounds signifying Oliver's flight into fancy slowly grow larger until they take up entire spreads; Oliver's creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate's yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid's scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. "But when Oliver found his rock // Oliver imagined many adventures // with all his friends!" This last is on a double gatefold that opens to show the children enjoying the creature's slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.Still, this young boy's imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn't. (Picture book. 3-5) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
