Review by New York Times Review
What to call a journalist who writes about place while avoiding the subjects of luxury hotels, remote restaurants and urbane oddities? Not a travel writer, surely. And not an adventurer. One could do worse than answer with "Rebecca Solnit." In these 29 essays, we travel from an overgrown Detroit to a waterlogged New Orleans to a Googleplexed Bay Area. We also go abroad: to Iceland, Mexico, Haiti, Japan. "I see disaster everywhere," she writes. "I also . . . see generosity and resistance everywhere." This is as good a description as any for what it feels like to be chaperoned by Solnit through the world's most rapidly altered and all but destroyed locations. But throughout, she does more than just show us what to see - she urges us to agonize along with her. "I worry about the withdrawal from public space and public life," she writes in regard to virtual communication. "Democracy was always a bodily experience, claimed and fought for and celebrated in actual places. You must be present to win." It is tempting to compare Solnit to that other native Californian with an X-ray vision for silent despair - Joan Didion - but Solnit's pathos, if sometimes less poetic, often feels more serious and more earned.
Copyright (c) The New York Times Company [December 21, 2014]
Review by Publisher's Weekly Review
Author and activist Solnit (The Faraway Nearby) synthesizes many different topics (urban gardening, ecology, activism, art, storytelling, culture, history, politics, democracy, etc.) into one mesmerizing volume of 29 previously published essays. These expansive essays range from the sheer beauty of an Arctic expedition to the "post-American landscape of Detroit," Iceland before and after the 2008 global financial meltdown, the Zapatista territory in Mexico, and Carnival in New Orleans. Solnit takes on the "hydrological madness" in the American West, the ongoing repercussions of the BP oil spill, the aftermath of Japan's 2011 earthquake and tsunami, the lack of face-to-face contact in the silicon age, the "violence" of climate change, Occupy Wall Street, and the Arab Spring, among other subjects. With discursive and poetic prose, she moves fluidly from the macramé and decorative kitsch of the 1970s to how that "terrible" and "generative" decade planted the seeds for reproductive rights, grassroots politics, and organic farming. No matter how far Solnit ventures, she returns to her home landscape-San Francisco, "once a great city of refuge for dissidents, queers, pacifists and experimentalists," now undergoing profound changes as a result of the tech boom-and she bemoans how Silicon Valley has made California the center rather than the edge. Though she sees disaster looming in many quarters, she also finds generosity and resistance everywhere, and these lyrical essays stress the importance of collective action and community. (Nov.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
In her latest collection of previously published essays, Solnit (Men Explain Things to Me, 2014, etc.) explores troubled and troubling spaces and places that illuminate her concerns about community and power. How, asks the author, do individuals express their sense of connection to one another when they respond to disasters, such as hurricanes Katrina and Rita, the BP oil spill, and the Tohoku earthquake and tsunami in Japan? How do communities come together for their common good? What social and political forces create a truly civil society? Solnit's travels have taken her around the world, including Kyoto and Fukushima, Iceland, Mexico, Detroit and New Orleans: "Wherever I went," she writes, "I remained preoccupied with democracy and justice and popular power, with how change can be wrought in the streets and by retelling the story, with the power of stories to get things wrong as well as rightand with the beauties of light, space, and solidarity." Traversing time as well as space, she reflects on the social activism of the 1960s and '70s that gave rise to communes, organic farms, and queer rights and feminist movements; sometimes chaotic and unfocused, this activism, she believes, sparked later progressive changes. Solnit is a fan of peaceful revolutions, which makes her impatient with the passivity that she observed in Iceland, where people seem intimidated in the face of severe environmental problems. Argentina, she notes, stands as a strong example of a politically engaged society uniting in protest in the face of economic disaster. Astounded by Icelandic acquiescence, Solnit urges her own contemporaries to take action on such issues as climate change, drought, urban blight, the tainting of soil by heavy metals, irresponsible oil drilling and the use of toxic dispersants. In her 2006 commencement talk at the University of California, Solnit implored new graduates to remake the universe by changing stories of the past and reinventing stories for the future; that advice informs these thoughtful, eloquent and often inspiring essays. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
