Review by New York Times Review
"Was it possible to become a new person in a new place?" wonders one of the characters in "Oye What I'm Gonna Tell You," Milanés's second collection. That is the central question in this book about Cuban exiles and their Cuban-American children. The tension between generations is epitomized in "Poor and Unhappy," about an old Cuban woman named Ofelia who raised her children in New Jersey. Ofelia is now obsessed with the ripped-from-the-headlines plight of unaccompanied Central American children immigrating to the United States. She tries to persuade her childless daughter, Zoila, who is nearly 40 and has taken the American name Zoe, to sponsor one of the kids. But Zoila/Zoe dismisses the young immigrants as "illegals." She doesn't understand that without sponsorship, her immigrant parents would never have survived in el Norte. The imperative "Oye" ("listen" in Spanish) in the book's title demands attention, and these stories have an appealing colloquial voice, peppered with Spanglish. Milanés's depictions of Cuban-American culture are vibrant and often unfamiliar, as in "El Chino y la Rubia," about an emigrant from China to Cuba in 1950, who chooses to stay after the revolution even when his family leaves for America. But the situations she creates are never fully developed into satisfying stories. They remain anecdotal, containing incidents and sometimes punch lines, but ending when the real conflict begins. Milanés refers in one story to "la tragedia of exile," but her stories don't plunge to tragic depths. They rest breezily on the surface. elliott holt is the author of a novel, "You Are One of Them." Her fiction has appeared in the 2011 Pushcart Prize anthology and elsewhere.
Copyright (c) The New York Times Company [April 26, 2015]
Review by Booklist Review
This collection of stories by the author of Marielitos, Balseros and Other Exiles (2009) features Cubans who stayed in Cuba before and after the Revolution or who left the country but did not stop at Miami. Many of the stories will challenge readers' assumptions about those who stayed or left the island shaped like a crocodile, hopeful for a better life. In The Law of Progress, a fourth-generation Cuban brings her Haitian boyfriend home, creating a very interesting (not to say disastrous) Thanksgiving dinner. El Chino and La Rubia introduces Lei, who travels to join his uncle's family in Regla and marries a beautiful, blonde Cuban woman. A very modern story, Love and Punishment at the County Court's Office, is narrated by a woman who goes to pay a bill and finds much to look at and appreciate, such as an old man who's not quite as clueless as he would like people to believe and a beautiful baby whose calm touches her. Milanés' respect for Cuban history, experience, and culture will provide readers with an interesting and informative read.--Loughran, Ellen Copyright 2015 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review
Cuban-Americans grapple with the beauty, boundaries and nuances of their cultural heritage in this irregular, multifaceted new collection from Rodrguez Milans (Literature and Writing/Univ. of Central Florida; Marielitos, Balseros and Other Exiles, 2009, etc.).These characters' lives all intersect with Cubawhether they have immigrated to it, been exiled from it, never known it, or lived and died within its shores. And, given current events, there may be no better time in recent memory for this chorus of voices to resound. Here, tradition collides with modern ideals on and off the island, and all of them implore all of the others to listen to what they have to say. In the opening story, "Nias de Casa," girls are undone by the men around them, and one young woman develops a ferocious resolution to do right by their memories. (The theme of men and women being haunted by machismo's innocuous and terrifying iterations appears throughout.) An aging mother laments her grown children's choices and longs to give homesand second chancesto kids who have been stranded at the U.S.-Mexico border ("Poor and Unhappy"). A gay man tries to explain to his sister that his niece's boyfriend might be gay as well ("Who Knows Best"). A teenager leaves Florida to visit her summer fling in the frozen New Jersey winter ("Big Difference"). A tough-talking girl invites her Haitian boyfriend to Thanksgiving dinner with her family, with heartbreaking results ("The Law of Progress"). The characters are in turn trapped beneath the details of their identitiesCuban, American, male, female, straight, queer, old-fashioned, forward-thinking, religious or notand uplifted by them. The stories that don't work fall flat and seem uncertain of their own purpose. The stories that do work, however, are high-wire balancing acts, a blend of sorrow, wit and loveliness, and the kind of real that catches in a reader's throat. Uneven at times, but when it sparks, it catches fire. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
