As if! The oral history of Clueless as told by Amy Heckerling, the cast, and the crew

Director Amy Heckerling's 1995 film Clueless was a touchstone movie for those who were young in the 1990s and now there is a book that describes the whole experience. Entertainment journalist Chaney presents a light, quick, detailed read describing many of the behind-the-scenes experiences of getting the movie off the ground, the selection of the cast and crew, the importance of using the correct teen language, the role fashion plays, and the making of the film. Clueless, one of the most accurate contemporary adaptations of Jane Austen's Emma, is a lovely coming-of-age comedy that follows the lives of Cher Horowitz and her friends in 1990s Los Angeles. It's fun to read about many of the high jinks that happened during filming and what the actors were thinking while performing critical scenes. Also interesting is the impact of the movie even today, 20 years later-on fashion, girl power, and language. VERDICT Recommended for readers who adore Austen adaptations, teen movies, and stories about the entertainment industry.-Sally Bryant, Pepperdine Univ. Lib., Malibu, CA © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The legacy of the 1995 movie described as "a Rodeo Drive version of Jane Austen's Emma." Pop-culture journalist Chaney, a former staff writer for the Washington Post, examines the enduring popularity of the teen comedy Clueless, written and directed by Amy Heckerling. The movie is an update of Austen's 1815 comedy of manners about a spoiled, self-assured matchmaker. Chaney's interview subjects, who include the film's producers, filmmakers, designers, actors, and artists, repeatedly "express[ed] feelings often bathed in warmth and nostalgia for a time that not only shaped their careers but, on many days, was just a joy." Many of the contributors coo over star Alicia Silverstone's adorable naturee.g., associate producer Twink Caplan: "she was so pure, Alicia, so sweet and just a joy, just really a joy, you know." The tell-all aspect of the book consists of saccharine and tedious accounts about how it was "a happy movie to watch anda largely happy movie to make as well" and how the set was "a harmonious, low-key environment." As composer David Kitay notes, "it was just this awesome haze of fun." Later, Chaney argues weakly for "The Impact of Clueless" since the movie's releasethough "the virgin who can't drive" remains timelessand she oversteps in her claim that it demonstrates how women in the early 21st century are disciples of protagonist Cher Horowitz. The author focuses more on the movie's influence on fashion and language than her subchapter titled "The Impact of Clueless on: Girl Power and Progressiveness" would suggest. Her position that Clueless was a culturally significant movie with an enduring legacy is more fitting for Heckerlingwho proved the Hollywood naysayers wrong about the film's marketability, eventually selling it to Scott Rudinand the resourceful and assertive women in media and academia who followed her. For Clueless obsessivesand perhaps Jane Austen fans. Copyright Kirkus Reviews, used with permission.