Show and prove

Sofia Quintero

Book - 2015

"Friends Smiles and Nike spend the summer of 1983 in the South Bronx working a job at a summer camp, chasing girls, and breakdancing"--

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Subjects
Published
New York : Alfred A. Knopf [2015]
Language
English
Main Author
Sofia Quintero (-)
Edition
First edition
Physical Description
343 pages ; 22 cm
ISBN
9780375847073
Contents unavailable.
Review by Booklist Review

The strongly realized setting the South Bronx during the summer of 1983 is as much a character in Quintero's new novel as are her coprotagonists, Smiles and Nike. The point of view alternates between them from chapter to chapter as they recount their respective stories. Best friends, both are employed by a neighborhood day camp. Smiles is angry because the job of head counselor has gone to his erstwhile friend, Cookie, instead of him. Suspecting racial prejudice is the cause (he's black; Cookie is Puerto Rican), Smiles becomes increasingly interested in helping start an Islamic center in the neighborhood. As for the less serious Nike, he dreams of winning a major hip-hop dance competition, even as he is falling in love with the demure, secretive Sara, another employee of the camp. There is a great deal going on in this crowded coming-of-age novel perhaps too much, as each boy's story could have made a novel in itself. Nevertheless, the characters are well realized and grow through their experiences, while the setting provides insight into an interesting historical moment.--Cart, Michael Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

It's 1983, and best friends Nike and Smiles are working as camp counselors at a church in the South Bronx. This summer, there's friction, since Smiles transferred to a Manhattan private school, leaving Nike behind. As they approach senior year, Smiles realizes how his education has changed him, wrestling with what W.E.B. Du Bois called "double consciousness"-a foot in two worlds, an outsider in both. Nike's problems are less philosophical: neighborhood gangsters are after him, and he's in love with a girl who keeps him at arm's length, something the stylish break-dancer isn't used to. The boys take turns narrating in a Bronx patois ("I couldn't ruin my fly outfits with those fugly Sasquatch rentals with the fat orange wheels and matching toe stop," says Nike, who brings his own skates to a roller rink), and Quintero's (Efrain's Secret) novel brims with crises of the day: budget cuts brought on by Reaganomics, war in the Middle East, AIDS, and the crack epidemic. Readers who settle into its rhythms will find a compelling story about how impossibly hard it can be to simply grow up. Ages 12-up. (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 8 Up-Set in 1983 in the South Bronx, this coming-of-age tale by Afro-Latina Quintero presents the friendship between African American Smiles and Puerto Rican Nike against the backdrop of hip-hop, Reaganomics, and war in the Middle East. Quintero explores the racial tensions but also collaborations that flourish between the Latino and Black community with a deft hand. Teens will be fully immersed in the 80s setting. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

The summer of 1983 looks promising for Raymond Smiles King and Guillermo Nike Vega. Theyre both working as camp counselors at a summer enrichment program in their South Bronx neighborhood. Smiles is crushed when he loses out on a promotion to senior counselor; he then struggles to work with a camper who speaks only Spanish, sure that the assignment is a practical joke played by the new senior counselor, Cookie. Nike is concerned with getting new girl Sara to fall for him, and he thinks that winning a break-dancing competition is the ticket. As the summer goes on, neighborhood tensions build and secrets come to light, from budget concerns at camp to racial and religious conflicts among Puerto Ricans, West Indians, and Palestinians. Nike fights with his mother over her decision to live on welfare and not seek employment, meaning that his pay as a camp counselor is essential to the familys well-being. Smiles is drawn to neighborhood mentor Qusay, member of the Nation of Gods and Earths, a breakaway sect of the Nation of Islam. Told in alternating voices, the book features two vibrant, fully realized narrators with complex lives; a distinct, memorable supporting cast; and a complete immersion in the zeitgeist of the early eighties, from music to politics. sarah hannah gmez (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Academic ambition and hip-hop intersect in the South Bronx, where two friends spend a summer growing up and, unwillingly, apart.Quintero details the summer of 1983, when the teens work what appears to be their final summer together as camp counselors. Raymond "Smiles" King is a smart, ambitious black teenager who has recently lost his mom to sickle cell anemia, and Guillermo "Nike" Vega is a Nuyorican Casanova and break-dancer who attempts to woo beautiful Sara, a new, mysterious girl in their neighborhood. Break-dancing and hip-hop are barely keeping their friendship together; shootings, neighborhood thugs, girls, and separate schools are no help. Racial and religious tensions are high not just in the Bronx, but in the Middle East, where the Israeli-Palestinian conflict is killing thousands, and all the while, the fear of AIDS is ever growing. Writing in an alternating first-person narrative, Quintero masters the characters' colloquialisms and voicesSmiles is sensitive, self-aware, and Nike is hot-tempered, quick to challenge; both aspire to better lives. Quintero's ability to deliver musical references, knowledge of 1980s vernacular, and b-boy jargon rivals Nike's acrobatic, intricate footwork. Aside from a couple moments of misused Spanish, the Puerto Rican slang is in tune. The story is powerful and thought-provoking, an homage to a climactic hip-hop era, when friends are caught between aspirations and predetermined social disadvantages. A must-read for fans of Walter Dean Myers' All the Right Stuff and other lovers of proud urban realism. (Historical fiction. 12 up) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Saturday, June 25, 1983, 3:24 p.m. 539 East 139th Street Smiles The vintage postcard with the photograph of the Champs-Elysees is wedged between Pop's union newsletter and a bill from Bronx-Lebanon Hospital addressed to Mama. I flip it over and read it. Dear Ray, This is the view from my window. Impressed? Don't be. I'm bored out of my skull. I racked up some cool points though playing that tape you made me, since kids here hadn't heard of Run-D.M.C. yet. How's your summer going? Write me back at this address. Maybe I'll bring you back a French girlfriend, ha, ha, ha. Eric G. Eric said he would write me from Paris, but I never believed he would. Not after what I overheard him telling Sean Donovan when he lost that final debate to me. Maybe I should write him back, and perpetrate a fraud like everything is copacetic. Like Don Corleone in The Godfather said: Keep your friends close, but your enemies closer. I tuck the postcard into my back pocket and head out the building to Nike's to listen to Eddie Murphy's album again. On my stoop rocking his white kufi and flowing like Kool Moe Dee, Kevin--I mean, Qusay is politicking with Booby, Pooh, and some other homeboys while they follow along with carbon copies in their hands. Save a few wrinkles about his eyes, you'd think Q was an older brother even though he came up with Pop. The man's the epitome of Black don't crack. "What's up, y'all?" I say. I lower myself onto the step beside Pooh to put on my roller skates and sneak peeks at his sheet, glimpsing a word here and there. Knowledge. Wisdom. Freedom. Funny how it feels like home to sit here when it's been months since I hung out with these cats. I used to chill with them all the time, but then Nike moved to the neighborhood, I enrolled at Dawkins, and Mama died. Even if Booby and Pooh be frontin' to impress Junior, who's got beef with Nike, I miss hanging out with them on the stoop like this. Q says, "Peace, G." Everyone else welcomes me to the cipher with a nod. He offers me a carbon copy. Before I can tell him I can't stay long, my grandmother throws open the kitchen window of our fifth-floor apartment. "Raymond!" I swear Nana must've been a bat in a previous life and is gonna be a dolphin in the next. Qusay looks up and waves to her. "Good afternoon, Queen Beatrice." "That's Mrs. Hastings to you!" Then Nana looks back to me and busts out with the patois. "Raymond, tek weh yuh self." The homeboys laugh, and I can't blame them. "Nana." I shrug, playing the role. "No ting nah gwan!" But she has already slammed the window shut. "The Nana has spoken," says Boob. I laugh along with the homeboys. No static so long that's all he says about my grandmother. I say to Q, "Sorry 'bout that." "Ain't no thing but a chicken wing." Just like Nana with her patois, Qusay sometimes breaks out with slang to prove that despite his conversion to Islam, he's no stick-in-the-mud. "Now wait a minute. You might want to hold on to that wing." I'm not going to be outdone on my own stoop. "Seeing as Allah forbids you to dine on the swine and all." Qusay and the homeboys laugh. "That's a good one, G. You inherited your mother's good looks and your father's quick wit. Do me a favor and give Derrick my regards, will you?" "Will do, Q." Nana throws open the window again. "Raymond!" She flings her gold, black, and green coin purse through the window guard. "Go to see Father Davis now." The purse hits the pavement with a loud slap. With only one skate on, I hobble to pick it up. In the purse is a folded check made out to St. Aloysius. On the memo line it says "Ethiopian children." Nana done just concocted an errand to get me away from Q. The lecture she's going to give me when I come back from the church is already running through my head. That Qusay can tun duck off a nest, Nana'll say. When that man come roun', you see and blin', hear and deaf. Understand? She'll get over it, though. What Nana says about Five Percenters she used to say about b-boys. She swore Nike was a thug and that Rock Steady, the Dynamic Rockers, and all the b-boy crews were just gangs in disguise. I thought that was hilarious and made the mistake of telling Nike, underestimating how sensitive he still is about his so-called image. Was he POed! Then I started imitating a b-boy uprocking his way through a bodega robbery and sticking up people while rhyming, What people do for moneeey? Once I had him rolling on the floor, Nike forgot all about my grandmother's cockamamie theories. I had explained to Nana that Afrika Bambaataa was a former Black Spade who left the gang after making his own pilgrimage to Africa. "He's like a hip-hop Malcolm," I had said. "And now he throws jams to bring gangs together in peace. They battle now with their feet instead of their fists." Trying to build my case, I almost told her about the time that Nike and I went to a party at the Fever and some Five Percenters broke up a fight. Lucky I came to my senses. Nana stopped fussing for a while, but now she's anti-Nike again. I never should've told her about the crack he made about Dawkins, but just like Mama, my grandmother has a way of getting things out of me. At least Mama liked Nike. She understood that even though he's "status conscious"--one of her social-worker terms, I guess--he's no Savage Nomad. Qusay asks, "What's the word on the strike, G?" I shrug and plop onto the ground to put on my other skate. Nana and I follow the news on the negotiations between Pop's union and the MTA, but he won't talk about the possible transit strike. Last week the Con Ed workers went out on strike, and we're all waiting to see how that pans out. You'd think not talking about it is going to prevent it, but that tactic didn't save Mama. Qusay motions for me to retake my seat beside Pooh on the step. "Stay and build with us a little." "Thanks, Q. Some other time." I tie my sneakers together, hang them around my neck, and kick off. Before I hit the curb, however, I think, Why not ask? I turn and skate back toward the group. "Actually, I have a question. The men who killed Malcolm were down with the Nation of Islam, right?" With all eyes on me, I choose my next words carefully. "What would you say to those people who believe his killers were also Five Percenters?" I leave out that "those people" also believe Five Percenters are a street gang so no Qusay fanatics bum-rush my grandmother after bingo. If they try it, I'm going to have to fly their heads, and I'm too good-looking to die so young. "Were they?" "That's a bold question, Mr. King." Qusay motions toward the steps, directing me to have a seat. "Bold but fair." After sneaking a quick glance toward my kitchen window, I skate to the stoop. Qusay says, "Not only was the man who founded the Nation of Gods and Earths himself a pupil of Brother Malcolm, he was excommunicated from the NOI almost two years prior to the assassination." He's back to speaking like a rapper. "Clarence 13X greatly upset the NOI for teaching the people exactly what I'm sharing with the brothers today." "Word?" I've read everything I can find about Malcolm, but none of the libraries have anything on the Five Percenters. Teaching myself about Black activists from W.E.B. Du Bois to the Black Panther Party left me feeling like I was born too late until Q returned from Sing Sing and started having parliaments around the block. I have to learn more about the Five Percenters, and what little I've learned so far, I heard on the streets. You know that don't mean squat. "Furthermore, G, the Nation of Gods and Earths does not preach a doctrine of violence. To have a hand in the assassination of El-Hajj Malik El-Shabazz would be the height of hypocrisy. We can hardly call others to righteousness if we ourselves are not righteous." "Well, now you sound like Martin Luther King." I didn't mean to crack a joke, but the other guys laugh. I lower myself onto the stoop as Pooh scoots over so I can sit beside him, and just like that, the homeboys accept me into the cipher. No need to fake the funk to fit in, like with the rich white boys at Dawkins, only to find out that they front, too. "C'mon, Q. Make up your mind. The ballot or the bullet." Qusay laughs and gives me a handout for the lesson. Across the top it reads SUPREME MATHEMATICS. Down the sheet are the numbers one through nine, then a zero. Next to each number is a word followed by a definition. One is knowledge, two is wisdom, and so on. As I scan the page, Qusay says, "Along with the supreme alphabet, these numbers and the concepts they represent unlock the keys to the universe." How many times can Nike and I listen to the same comedy album? It won't kill him if I show up a little late. I flip the page over, looking for English translations of the Arabic letters. "Where's the alphabet?" "One lesson at a time, Brother Raymond," says Qusay, smiling. "Although these are urgent times, one must approach the one hundred and twenty lessons as one would a marathon, not a race. In order to gain knowledge of self, we must master each lesson, one at a time." Saturday, June 25, 1983, 4:07 p.m. 215 Saint Ann's Avenue Nike That rooftop scene in Five Deadly Venoms got me inspired, and I've been stifled in this hot apartment waiting on Smiles too long again. Junior and the Barbarians are probably dealing at the park anyways, so better to stay clear of there. I grab my boom box and linoleum and pray there isn't anybody shooting up on the roof of my building. As usual, Gloria's in the hallway running her mouth on the phone. "When will it end?" I say, imitating Ma Chow, the Scorpion. As I walk past her, I give her a soft kung fu kick to the back of her knee. "She goes on forever." My sister dips, her bony knees bumping the table. "Stop, Willie!" she whines. "Can't you see I'm on the phone?" "No crap, Dick Tracy. When aren't you?" Gloria shoves the receiver in my face. "Nessa wants to talk to you." Figures she'd be talking to my ex. I debate whether I should speak to her. I put down my radio and mat, then take the receiver. "Yo, when are you giving me back my buckle?" "That's all you have to say to me, Nike? Where's my buckle? You're so rude." "Why I'ma ask you where my buckle is when I know you got it? You best be taking care of it. Don't be cleaning it with no Brillo pad and scratching it all up or you gonna have to buy me a new one." Before I can add Call off your brother already, she yells, "Just put Gloria back on!" Instead I press the hook, hanging up on Vanessa, and dial Smiles's number. Wonder what excuse he's got this time for leaving me flat. While the phone rings, Gloria curses at me and punches me in the back. "Stop or I'll tell Ma you were acting up while I was on the phone with Smiley's nana. Geez, I'm only gonna be a minute." When Smiles's grandmother answers, I pretend to be some white boy from his bougie school. "Good afternoon. May I please speak to Raymond?" "Raymond is not here. I expect him soon. Would you like to leave a message?" She never be that nice to me, man. "No, thank you. Good day." I slam down the phone and grab my stuff. "It's all yours, acheface. Go to town." "What Ma told you about calling me names?" "I'm so scared." When I get to the roof, no one's there, thank God, so I set down my radio and mat and look over the edge. Sure enough, Ma's on the stoop playing dominoes with the rest of the bochincheras. Today's victim is Dee Dee, my ex-ex's mother. Word is she's a crackhead now, thanks to Junior. Ma's going on about how sorry she feels for Blue Eyes and her sister, Sandy, and Sandy's new baby. I almost yell, Like you Mother of the Year. I stretch while rewinding the mastermix I recorded from WBLS last Saturday night. Hip hop, be bop, don't stop. I flip the cassette over and over, practicing the new flare I learned on my last trip to the Roxy and building a routine around it. Time disappears, and night comes. Just when I finally master transitioning from the flare into a headstand, Jerry Del Valle races past me, hitting me with his telescope. I crumple to the linoleum. "Get lost, Professor!" I like having the roof to myself, and I'm not sharing it with a ten-year-old know-it-all. I'll snatch him and Donkey Kong his ass down the fire escape if I have to. But Jerry's soon followed by half the block, including Gloria and Vanessa. I get stupid nervous waiting for Junior and the Barbarians to bust through the door. Then I see that people in other buildings are rushing to their rooftops and fire escapes, pointing at the sky. Finally, I notice the moon. Tonight it looks like someone sliced the head off a quarter and it's bleeding. It reminds me of what Smiles told me about his mother's illness, and I kiss my crucifix in memory of Mrs. King. "Let me see, Jerry," says Vanessa. The Professor be crushin' on her, so he forks over his precious telescope. You'd think it was official NASA property instead of a plastic toy. Nobody around here who can afford the real thing would spend money on something like that anyways. Even the neighborhood nerd spends his money on fake Pumas with the panther on the logo looking more like a hedgehog and whatnot Vanessa peers through the lens. "Wow, imagine," she says. "Everybody all over the world is watching this right now." She's pretty when she contemplates like that. I move behind her as close as I can without touching her. She rolls her eyes but doesn't move away, because I still got it like that. But leave it to the Professor to rain on the parade by dropping science. Literally. "No, it's just going to be a partial eclipse," he huffs, all condescending. "And it can only be seen wherever it's night. If it's night over here, it can't be night in, like, Lebanon." Excerpted from Show and Prove by Sofia Quintero All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.