Review by Booklist Review
Juan García Esquivel created out-of-this-world sounds, and Wood (formerly VanHecke) and Tonatiuh capture the fascinating story of Esquivel's musical talent in this picture-book biography. Esquivel was a young boy in Tampico, Mexico, when he discovered his love for music. He taught himself to play the piano, and before he knew it he was conducting orchestras and composing music. Esquivel is revered for his innovative sounds that were said to transport listeners to other worlds. His music was so popular that his fans donned him Esquivel! with an exclamation point! Wood's story provides insight to the making of a magnificent musician and incorporates enough sound effects (wheedy-whee!, blap!, bowm-bowm!) to make Esquivel proud. Energetic collage illustrations complement the text by allowing readers to see Esquivel's sounds and his love for music. Sibert Award winner Tonatiuh (Funny Bones, 2015) draws in his well-known style inspired by the Mixtec codex, where characters are represented in profile. Back matter includes an author's note with supplementary information on Esquivel's life, an illustrator's note on the artwork, and additional resources.--Rodríguez, Sonia Alejandra Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Wood (Under the Freedom Tree) and Tonatiuh (Funny Bones) team up to recount the life of Juan García Esquivel (1918-2002), who grew up with music in Mexico, "where whirling mariachi bands let out joyful yells as they stamped and strummed," and made it his life's work as a bandleader and composer. Tonatiuh's Mexican-art-inspired collages translate smoothly to the 1950s and '60s, when Esquivel was at the height of his creative output, creating lounge music using newly developed stereo recording technology. Wood's straightforward narration moves readers briskly through the musician's life, and her descriptions of the sounds he developed ("like a crazy rocket ride zigzagging through outer space") should lead many of them to seek out recordings of his work. It's a welcome tribute to an underrated figure in 20th-century music. A Spanish-language edition is available simultaneously. Ages 6-9. Author's agent: Caryn Wiseman, Andrea Brown Literary. (Sept.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 2-6-Much as Juan García Esquivel (1918-2002) made a great contribution to music history, this title is an important addition to music biography collections. Beginning with Tampico, Mexico, the text and illustrations work together to showcase how a world filled with sound influenced and inspired a young Esquivel and continued to do so throughout his life. Esquivel is shown listening to "whirling" mariachi bands, modifying a player piano to suit his own compositions, experimenting with unusual instruments like the theremin, and conducting musicians in unique and unprecedented ways. The text explores how Esquivel's love of sound led to new ways of making music, most notably in his pioneering of stereo sound and lounge music. Tonatiuh's illustrations are lively and colorful-a perfect match for Esquivel's personality and work. Occasional blocks of text make this title best suited for upper elementary students. Back matter includes an author's note expanding on Esquivel's influence and an illustrator's note on how the art was created. VERDICT A beautiful addition to music biography collections for upper elementary students.-Shannan Hicks, J.S. Clark Elementary School Library, LA © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Growing up in Mexico, Juan Garcia Esquivel got an earful of mariachi, but he wanted to create his own sound. Self-taught and persistent, he was playing piano at a radio station at fourteen and leading an orchestra for a radio comedy show at seventeen. His sound was so infectious that word traveled to the United States; a record company invited him to New York, which led to international success. Esquivels rewardingly strange instrumentals and his innovations in stereo sound would come to define mid-twentieth-century lounge music. Theres not much personal information hereone must turn to the authors note to learn that Esquivel died in 2002but the story of his professional rise is told with pep and a keen awareness of how to best explain Esquivels skills to young readers (When the radio comedian needed music for a skit about, say, a stout man walking his tiny poodle down a busy city street, Juan had to imagine what that might sound like). Illustrator Tonatiuh (The Princess and the Warrior, rev. 9/16), once again working within the tradition of the fourteenth- and fifteenth-century Mixtec codex, takes a fittingly offbeat approach to portraying the very modern Esquivel, whose music, as Wood puts it, sounded like a crazy rocket ride zigzagging through outer space. Appended with source notes and lists of assorted resources. nell beram (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
