Lives of the great gardeners

Stephen Anderton

Book - 2016

Throughout history great gardeners have risen from all walks of life. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book is divided into several sections. 'Gardens of Ideas' moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks' Scottish garden inspired by 21st-century cosmography. 'Gardens of Straight Lines' explores the lives of the great formalist gardeners, from Le Notre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. 'Gardens of Curves' begins with that great exponent of the English landscape garden, 'Capabi...lity' Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, 'Gardens of Plantsmanship' moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York's favourite Dutch designer, Piet Oudolf. With an outstanding text by the award-winning gardens writer Stephen Anderton, this book will appeal to garden lovers everywhere.

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Subjects
Published
London : Thames & Hudson Ltd 2016.
Language
English
Main Author
Stephen Anderton (author)
Physical Description
304 pages : illustrations (some colour) ; 26 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780500518564
  • Introduction
  • Gardens of Ideas
  • Wen Zhengming
  • Nature gently re-imagined
  • Hachijo Toshihito and Hachijo Toshitada
  • Precise control of plants and people
  • William Kent
  • Creator of the painterly picturesque
  • Henry Hoare
  • Stourhead and the Claudian idyll
  • Friedrich Franz of Anhalt-Dessau
  • Enlightenment ruler and passionate gardener
  • Thomas Jefferson
  • President and scientific plant pioneer
  • Ian Hamilton Finlay
  • Poet, artist and literary gardener
  • Sir Roy Strong
  • Allusion and autobiography at the Laskett
  • Charles Jencks
  • Interpreter in landforms of theories of the cosmos
  • Alexander Reford
  • Champion of the conceptual
  • Gardens of Straight Lines
  • André Le Notre
  • Arranger of exquisite geometric illusions
  • William Nesfield
  • The military approach to vistas and avenues
  • Sir Edwin Lutyens
  • 'By measure we must live'
  • Lawrence Johnston
  • Designing with vistas and enclosed spaces
  • Russell Page
  • Master of scale and composition
  • Nicole de Vésian
  • Topiary Mediterranean style
  • Penelope Hobhouse
  • Renaissance principles in a modern idiom
  • Christopher Bradley-Hole
  • Harmony through order and pure proportions
  • Fernando Caruncho
  • Light, water and the language of geometry
  • Gardens of Curves
  • Lancelot 'Capability' Brown
  • Ideal landscapes on a grand scale
  • Humphry Repton
  • Scenic alterations and pictorial inclinations
  • Frederick Law Olmsted
  • Designing for urban life and public enjoyment
  • Edna Walling
  • An Arts and Crafts gardener in Australia
  • Thomas Church
  • A modernist maker of gardens for people
  • Alan Bloom
  • Developer of island beds and popular plants
  • Roberto Burle Marx
  • Graphic forms and native flora in Brazil
  • John Brookes
  • The room outside
  • James Van Sweden
  • Modern, naturalistic gardens
  • Gardens of Plantsmanship
  • William Robinson
  • Father of naturalistic flower gardening
  • Claude Monet
  • Painting with plants
  • Gertrude Jekyll
  • Arranging colours in a harmonious whole
  • Vita Sackville-West
  • Formality of design and informality of planting
  • Mien Ruys
  • Experimenter with new materials and plants
  • Graham Stuart Thomas
  • Conserver of old plants and gardens
  • Lelia Caetani
  • A profusion of plants among the ruins
  • Rosemary Verey
  • International yet domestic grandeur
  • Christopher Lloyd
  • Adventurous and innovative gardener at Great Dixter
  • Beth Chatto
  • The right plant in the right place
  • Piet Oudolf
  • Pioneer of new perspectives in planting design
  • Steve Martino
  • Naturalistic planting in desert gardens
  • Further Reading
  • Sources of Illustrations
  • Index
Review by Choice Review

In this book, Anderton, one of England's best-known writers on gardens and gardening, documents and details the lives, careers, and contributions of 40 of the most famous international gardeners. The time span of the work's subjects extends from the 15th century to the present. The highlighted gardeners are grouped according to the general orientation of their work: "Gardens of Ideas," "Gardens of Straight Lines," "Gardens of Curves," and "Gardens of Plantsmanship." The revelation of these gardener's influences and how their achievements have had a contemporary impact is well documented in each section. Their motivation ranges from a desire for artistic expression, to the intent of reflecting a social or philosophical idea, to providing a place for demonstrating the use of particular species. A list of the four most significant events in the birth and death year of the chapter subject begins each chapter, making for a most interesting historical reference to the gardener's time of activity. Full of delightful details of the lives of the chosen 40 gardeners, this beautifully illustrated book is a most welcome addition to the gardener's library. Summing Up: Recommended. All readers. --Leroy G. Kavaljian, California State University, Sacramento

Copyright American Library Association, used with permission.
Review by Booklist Review

Brief biographies of the lives and creativity of 40 great gardeners are used to illustrate the history and philosophy of four principles on which gardens were and are developed. Each category (ideas, straight lines, curves, and plantsmanship) includes a series of 9-12 gardeners from the historical to the contemporary. Gardens of Ideas features the longest time line, starting with ancient Chinese gardens and continuing to the modern, conceptually inspired garden. Geometric gardens started to be developed when people began controlling nature in earnest. Gardens of Straight Lines also control people and lead from one place to another. In the modern context, gardeners started to use repeating parallel curves. Another hundred years after the straight-lined gardens came into fashion, more sweeping curves on the grand estates of Europe began their evolution to become the Gardens of Curves. The plant collectors of the nineteenth century needed Gardens of Plantsmanship to show off their finds. The contemporary equivalent is a naturalistic desert garden. The author's selection of gardeners includes the famous (Thomas Jefferson, Frederick Law Olmsted, Claude Monet) and less commonly recognized names (Wen Zhengming, André le Nôtre, William Robinson, Edna Walling). Each of these gardeners both led and represented the aesthetic of his or her generation. For added context, there is a small block of important historical events that happened in each gardener's lifetime. From this compilation of great gardeners, modern landscape architects and designers and home gardeners can learn some of the history and development of their art and craft.--Scarth, Linda Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Times of London gardening columnist Anderton (Discovering Welsh Gardens) pays homage to gardeners throughout history in this wonderfully illustrated book. The 40 biographies, which cover 500 years of gardening around the world, plow cleanly through the lives and work of each gardener. Anderton's subjects are varied; he covers Dutchmen and Scotsmen and Asians; sculptors and scholars; and Penelope Hobhouse, Gertrude Jekyll, and Beth Chatto. The gardeners are grouped into four inventive chapters: "Gardens of Ideas," "Gardens of Straight Lines," "Gardens of Curves," and "Gardens of Plantsmanship." This organization springs from the author's intelligent comprehension of the big garden picture. He includes contextual cross-references and, before each biography, lists events (often odd ones) from the gardeners' birth and death years. Anderton's style, erudite and whimsical, delightfully dominates: "Le Notre was no writer and, to our great loss, left little behind except a few plans. And, of course, Versailles." The nearly 250 illustrations balance Anderton's words in a sprightly and convivial marriage. (Nov.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved