Border child A novel

Michel Stone, 1969-

Book - 2017

"For Héctor and Lilia, pursuit of the American Dream became every parent's worst fear: their infant daughter vanished in the midst of their border crossing from Mexico to the United States. With great empathy and a keen awareness of current events, Michel Stone delivers a novel of surpassing sensitivity and heart. Years ago, young lovers Héctor and Lilia dreamed of a brighter future for their family in the United States. Héctor left Mexico first, to secure work and housing, but when Lilia, desperate to be with Héctor, impetuously crossed the border with their infant daughter, Alejandra, mother and child were separated, and Alejandra was never returned to her parents. Now, four years later, the family finally has a chance for r...eunion, but the damage wreaked by their traumatic separation may well be irreparable. After that disastrous border crossing, Héctor and Lilia lived and worked in South Carolina for several years before a misunderstanding with immigration officials forced their return to their sleepy hometown of Oaxaca, in Southern Mexico. Their perspectives permanently altered, the pair has at last achieved relative equilibrium, with a toddler son and another baby on the way, when they receive an unexpected tip that might lead them to Alejandra. Working increasingly illegal jobs to earn money for his journey north, Héctor goes in search of answers about his long-absent daughter. Meanwhile, in Héctor's absence, a bedridden Lilia awaits the birth of their third child, but cannot keep herself from reliving the worst mistakes of her past. In luminous, compassionate prose, Michel Stone renders a landscape of shifted expectations, a marriage put to an unimaginable test, and the consequences of wanting more for the next generation "--

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Subjects
Published
New York : Nan A. Talese, Doubleday [2017]
Language
English
Main Author
Michel Stone, 1969- (author)
Edition
First edition
Physical Description
254 pages ; 22 cm
ISBN
9780385541640
Contents unavailable.
Review by Booklist Review

Stone continues the saga of the Mexican family she introduced in her poignant The Iguana Tree (2012) by portraying the harsh realities of the contemporary immigrant experience. Lilia and Hector have returned to their sleepy Mexican village, Puerto Isadore, after being deported from South Carolina, where Hector worked on a tree farm. It is nearly four years since they lost their infant daughter, Alejandra, at the Texas border. They now have a two-year-old son, and Lilia is seven months pregnant, but they have never given up hope of finding Alejandra alive. When they receive a tip that might lead to information about her whereabouts, Hector follows the trail to Acapulco, where he unwittingly becomes involved in dangerous and illegal activities while trying to earn enough money to continue his search. Back in Puerto Isadore, Lilia experiences problems with her pregnancy and fears she may lose this baby as well as Alejandra. Stone perceptively conveys the obstacles faced by this strong couple, who have given up on their American dream and want only to keep their family together.--Donovan, Deborah Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Life in the tiny Mexican village of Puerto Isadore has always been difficult, but ever since Hector and Lilia returned from crossing the border into the U.S., their hardships have increased. After the disappearance of their baby, Alejandra, whom Lilia was separated from while traveling north three years earlier, the town itself-as well as their own futures-looks bleak. When Hector happens upon Emanuel, the only person who can connect them to the human smuggler they used for their crossing, they begin to hope-either for a happy reunion with their daughter or the closure they need. Hector travels to Acapulco to hopefully find the coyote who can explain what happened to Alejandra. Lilia, who is now expecting their third child, stays in Puerto Isadore with their two-year-old son. As Hector, desperate to earn the money to search for Alejandra, works dangerous jobs for questionable characters, Lilia struggles not only with her guilt but also with a difficult pregnancy. Chapters of alternating narratives allow Lilia and Hector's voices to come through. Although their story depends too heavily on stereotypes of people and circumstances from both sides of the border, it is a poignant portrayal of the struggles and choices faced by those in difficult conditions. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

The sequel to Stone's acclaimed 2013 novel, The Iguana Tree, does not disappoint. The author picks up with the story of young couple Lilia and Héctor a few years after their infant daughter Alejandra vanished when the family attempted to cross the border from Mexico to the United States. They're back in the small seaside town of Puerto Isadore; Lilia now has had a son, Fernando, and is pregnant with another child. They receive a tip about their daughter, and with the help of a local priest, they contact an orphanage where Alejandra may be. Héctor works dangerous and illegal jobs to earn money to travel to Matamoros, a very poor city on the Gulf of Mexico and the border with Texas. What he finds is a heartbreaking dilemma that challenges the selflessness of parenthood. VERDICT Stone is a great storyteller, and readers will enjoy learning about lesser-known Mexican cities. There is never a dull moment in this lyrical, engrossing novel, which is great for fans of Latin American or any fiction that deals with immigrants. Particularly important reading in our current political climate. [See Prepub Alert, 10/10/16.]-Kate Gray, Boston P.L., MA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Losing a childwhether to death, kidnapping, war, or other calamitiesis widely recognized as one of life's most traumatic experiences.It's a reality that Lilia and her husband, Hctor, know well. The story begins in the Mexican state of Oaxaca, in a remote village with few opportunities for economic or social advancement. Even as a child, Hctor wanted more, and this, along with a ferocious interest in seeing the world, motivated him as a young father to leave his family and undertake a harrowing journey to the United States as an undocumented immigrant. Jobs were plentiful, and soon after arriving he settled in South Carolina, where he found both a place to live and employment that paid a living wage. But Lilia missed Hctor and hated the fact that they were separated. This led her to contact a coyote and, with her infant daughter, Alejandra, in tow, begin the treacherous process of joining him. All goes smoothly until the coyote informs Lilia that she cannot cross la lneathe borderwith the baby. He instructs her to turn the child over to an experienced trafficker and assures her that they will be reunited several days later. Suffice it to say that this doesn't happen, and, as you'd expect, the impact is devastating. Is Alejandra alive or dead? How could she simply vanish? As the novel progresses, readers bear witness to the strain that develops between Lilia and Hctor and experience the stomach-churning agony of the couple's multifaceted attempts to find out what happened to their daughter. As the mystery unfolds, the tension builds, and so do the risks taken. A gripping and politically savvy look at the human impact of current immigration policy and an honest examination of the perils facing desperate immigrants as they travel north. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1     Lilia     Lilia wished the direction of the evening breeze would shift as she diced the small octopus, dropping the chunks into the briny broth already steaming on the fire. But the wind kept its course, and the funk of her village's incinerated waste continued to waft across the courtyard. She plucked a sprig of mint from the cracked clay pot beside the kitchen door and stripped its leaves from the stem then popped them into her mouth. She chewed the herb into a slick pulp, hoping it would lessen her nausea.   Fernando sat in the dirt nearby, rolling a small truck between his bare feet. When he shrieked with laughter Lilia looked up from her work at the fire.   "What do you see, my boy?"   The child pointed at a white hen and her butter-yellow chicks pecking at the dust just beyond Fernando's new rubber ball, abandoned for now beneath the shade tree.   Lilia had not experienced any morning sickness with Fernando. Her pregnancy had gone so smoothly she'd worried something was wrong with the baby until she saw him, counted his fingers and toes, and heard him wail. His head had been bare, unlike the thickly matted scalp of Alejandra at her birth. Lilia's pregnancy with Fernando had been so different from her first that she should have suspected the child to be a boy, but no. That simple conclusion had escaped her, and instead she'd assumed the child inside her womb to be deformed, and she had not fully felt excitement or love until she'd held him and he'd suckled at her breast. Only then did her tears and prayers of gratitude emerge from somewhere unexpected and deep within her.   But this third pregnancy felt similar to her first, with daily morning vomiting, and the constant taste of bile lingering in her throat. Perhaps this baby, like Lilia's first, would be a girl child. Little Alejandra would be almost four now. Is almost four now. She is almost four, Lilia told herself. Is, not would be.   Lilia prayed daily for Alejandra's well-being and happiness. And on the days she felt her hope waning, at those dark times, she prayed to God to punish her for allowing her faith and optimism to slip. These occasional, doubtful thoughts she did not share with Héctor; she'd learned long ago she must shoulder enough strength for the both of them. Lilia ached to believe that Héctor trusted her again as fully as he ever had, that he understood the depth to which her being had been shaken with the loss of their daughter and the horrible, undeniable guilt that permeated Lilia to her marrow for her part in that loss. She longed to tell him that oftentimes as she passed the village cemetery at the top of the hill she felt it watching her closely, as if she should be there with the dead instead of walking among the living.   For months after Lilia's border crossing and the disappearance of Alejandra, Héctor sneered at the sight of his wife. He tried to hide his contempt by turning away, busying himself in some pointless activity, but she felt his scorn as sure as a slap to her cheek. Even if his countenance had not betrayed his deep disappointment in Lilia, his inability to touch her all but screamed what Lilia interpreted as disgust, perhaps even loathing. They had been the most loving, most affectionate couple in all of Mexico until that unforgettable, life-altering day at the border, when she'd arrived unexpectedly and without their child. Ah, but enough of these thoughts.   She spit the wad of mint into a gnarled hibiscus, its spent orange blossoms littering the ground around it.   Her grandmother had planted the shrub in honor of Lilia's birth, and even now, years after the old woman's passing, when Lilia looked at its large, trumpetlike flowers she thought of her grandmother Crucita, and how, at Christmastime, she would dry the blossoms to make delicious sugared candies for Lilia to suck.   "Papa!" Fernando said, waving to Héctor. "Papa home!"   Héctor, haggard and sun-darkened, brushed the boy's head with his grimy fingertips but did not scoop him up into a big hug as was his usual greeting for Fernando. He tossed a sack on the lone table in the courtyard. "Squash and onions," he said.   "José brought us an octopus this afternoon. I'm making a stew," Lilia said. "I'll roast the squash, too, if you'd like."   Héctor sat in one of the two chairs beside the weathered old table and unlaced his work boots. The breeze rattled the wind chime that hung inside the kitchen window, though Lilia didn't notice the sound until Héctor said, "Can we get rid of that thing?" He jutted his chin toward the jangling.   "You don't like it?" she said, sensing something other than the gentle clanking of the shells as the source of his irritation.   During their courtship and early marriage, prior to their time in el norte, Héctor wore his emotions like a banner; he'd been so easy to read. His imaginings and zest for life had drawn her to him when they were in school. Even when she'd been but fifteen years old and Héctor sixteen, they'd sit under the stars beside the bay speaking of their future, of the children they'd have, and of the life they imagined together. Lilia would have been content to live out her days in Puerto Isadore, but Héctor had held bigger aspirations and an imagination like no one else she'd ever met. He'd been silly and jovial as a schoolboy then, laughing and joking and dreaming what others might call impossible dreams. Lilia had believed in him and in his vision for their future.   "We'll go to el norte one day, Lilia," he'd said. "I'll go first and find work, and I'll save enough money to bring you to me."   She knew such days of innocence and pure delight would never return, yet she refused to give up on the notion of their happiness.   He lifted the other boot and began untying its laces. Without looking at her he said, "No, Lilia. I don't like the wind chime. I've never liked it."   She wiped her hands across her faded yellow apron before detaching the chime's string from the rusted hook above the open window.   She set the wind chime on the table beside the bag of squash and onions, then hoisted Fernando to her hip.   "That boy's too big to be a hip child," Héctor said, bringing a hand to his temple.   "What's wrong, Héctor?" She squeezed Fernando when he gripped her shoulder, eager to remain in his mother's arms.   Héctor slapped both hands on his thighs and sat up straight, inhaling a long, slow breath.   "Guess who I saw today, Lilia," he said, staring at her, his eyes dark, troubled.   She eased Fernando to the ground, afraid her legs would fail her under the added weight and the news coming toward her. A strange flickering played in her chest, and the ever-present bile thickened in her throat.   "Tell me."   "Emanuel," he said.   She slipped into the chair across from Héctor, her palms flat on the table between them. "Are you certain you saw him? Did you speak to him?"   Héctor brought his hands behind his head, interlocking his fingers and tilting his face toward the clouds mounding in the western sky. "I know who I saw," he said.   "Did you talk? What did he say, Héctor? Where did you see him? Oh, my God. Tell me everything."   "I don't have much to tell. No, we didn't speak. I saw him, but he didn't see me."   "Are you sure the person you saw was Emanuel? Where was he?"   "He was boarding the bus to Escondido. I know it was Emanuel. I've looked for that pendejo every day for years, Lilia. The man I saw was Emanuel."   "This is good news, Héctor. We'll find him!" She reached for him and took his hands in hers and brought them to her lips, tears brimming her eyes.   Héctor exhaled, and for the first time since his arrival from work, he seemed to relax, to soften, though the worry lines, long etched into his brow and temples, remained, a constant reminder to the world, to Lilia, of his grief.   "All the emotions, you know?" he said. "Just when I begin to put him and our past behind us . . ." He shook his head. "I hate him, but we need him."   Héctor stood and scooped Fernando into his arms. "Your stew smells good, Lilia."   She returned to the pot and stirred its contents with a long wooden spoon, her thoughts far away from the fire or this courtyard. She closed her eyes and inhaled sharply, her mind not on the briny scent of her cooking but lost in the memory of the lavender-scented head of her firstborn child. Excerpted from Border Child by Michel Stone All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.