The story cure A book doctor's pain-free guide to finishing your novel or memoir

Dinty W. Moore, 1955-

Book - 2017

"Creative writing professor Dinty W. Moore prescribes remedies for the most common stumbling blocks novelists and memoirists encounter when embarking on their writing project"--

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Subjects
Published
California ; New York : Ten Speed Press [2017]
Language
English
Main Author
Dinty W. Moore, 1955- (author)
Edition
First edition
Item Description
Includes index.
Physical Description
181 pages : illustrations ; 21 cm
Bibliography
Includes bibliographical references (pages 163-170) and index.
ISBN
9780399578809
  • Introduction: Notes from a Book Doctor
  • Part I. Cures
  • 1. The Story Cure: Diagnosing Problems of the Heart
  • 2. Your First Breath: Where Story Begins
  • 3. Prescriptions for Healthy Prose: Character, Dialogue, and Setting
  • 4. The Lifeblood Test: Scene and Sensory Detail
  • 5. A Visit with the Throat and Eye Doctors Voice and Point of View
  • 6. The Strong Skeleton: Plot and Structure
  • Part II. Checkups
  • 7. Keeping Fit: Moving from First Draft to Fifteenth Draft
  • 8. An Apple a Day: Healthy Habits for Any Writer
  • 9. The Book Doctor's Final Illegible Scribbles
  • Notes
  • Acknowledgments
  • About the Author
  • Index
Review by Booklist Review

Professor and veteran writer Moore delivers a clear, compact writing guide that centers on the Invisible Magnetic River, that is, the intuitive, primal notion that supports and drives all good novels and memoirs. Compared to this river, this inner force that pulls readers along and gains power, terms like theme and meaning seem flat, pedantic, and deadening. The old criticism of writing guides that they can only offer technical and practical advice without teaching how to be artful and creative applies here too. But few guides are as tight, thorough, and engaging as this one. Moore sometimes spoon feeds, such as in a long yet basic explanation of the difference between limited and omniscient points of view. Some readers may think if you don't know the basics about point of view, you probably aren't ready for a guide on completing your unfinished book. Nonetheless, even the most blocked and defeatist writer will be lifted, at least a bit, by composed, optimistic, and high-energy Moore. In a field littered with gimmicky advice, this strong, lean title stands out.--Carr, Dane Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

In Good Naked, author Cole (creative writing, Dartmouth Coll.; Toxic Feedback: Helping Writers Survive and Thrive) shows readers how daring to share their "naked" writing-early drafts-can help them become aware of certain foibles and encourage them to continue. She disabuses common misconceptions of how one should think, act, and be as a writer, exchanging those myths for ideas that feed creativity and productivity. Essentially, one doesn't have to suffer to be a genuine artist. To use the Nike slogan, Just Do It. Moore (director, creative writing, Ohio Univ.) offers various ways to tackle self-inflicted problems. For the self-proclaimed "Book Doctor," it's all about the story: how well writers can craft a narrative that comes alive in the reader's mind. Both volumes steer readers through the roadblocks of self-doubt and inspire them to be themselves, albeit with a little tweaking. Cole focuses on process, embracing the day-to-dayness of writing and defusing mental obstacles that get in the way. Moore includes that advice as well but also poses pointed questions dealing with character, voice, and plot. -VERDICT These two volumes accomplish what they set out to achieve. Good Naked is more appropriate for newbies. The Story Cure is a better option for anyone who has been -writing for a while but feels stuck. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Introduction NOTES FROM A BOOK DOCTOR It has been my good fortune these past thirty years to not only be a writer, but to also teach writing, to students of all ages and all backgrounds, in a variety of settings. Some students come to me eager to complete their first short story or essay, while others arrive having already started on a first book. People often say that "everybody has a book in them." I can't tell you whether that is true or not--I haven't met everybody . But I can tell you that the folks I'm privileged to work with do have a book in them, and most are willing to work hard to get that book out into the world. My job is to help them. And I very much enjoy doing it. Before exploring the Story Cure and how it can lead a writer from start to finish in creating a successful book, let me say a few words about what is meant by the term Book Doctor. A common enough term in the writing world, Book Doctor is used to describe a person who will take a book manuscript--perhaps an early draft of a novel or memoir, perhaps draft sixteen--and diagnose why it is not yet working. "Not yet working" might mean the author herself is dissatisfied, sensing that the overall arc of the book isn't falling gracefully into place or the main character is not coming to life on the page. Alternatively, "not yet working" might mean the author has sent a finished draft out to dozens of literary agents or editors, a draft she thought was healthy and ready to go, but has received only polite but impersonal "No thank you" notes, and is now discouraged and wondering "What do they see wrong with my book that I don't see?" A Book Doctor is different from a copyeditor or proofreader. The task at hand is not to clean up sentences, adjust punctuation, or fix typographical errors. A Book Doctor looks at the patient as a whole--the plot, the main characters, the voice, the structure-- or, to continue the physician metaphor, the arms, the legs, the belly, and the heart. The Doctor's job is to diagnose exactly why the patient isn't thriving.  If you've been to a doctor, you can guess what comes next: doctors are full of advice, and they invariably send you out the door with a prescription or two. Sometimes the treatment is simple and quick; other times it can be radical: a transfusion, a transplant, or even an amputation.  A Book Doctor can also sometimes act the part of psychiatrist, helping authors tackle various self-inflicted problems.  Though writing should be a stimulating, rewarding endeavor, for too many it can lead to self-doubt and, worse yet, self-loathing. Writing well is difficult enough--drafting twenty or two hundred pages takes devotion, attention, and a healthy dose of stubbornness-- but it becomes excruciatingly tough when we let rampaging anxiety poison the experience.  This Book Doctor, however, believes that whatever is ailing a novel or memoir in progress is not about the writer, it is about the story: how well we understand it, how well we tell it, and how well we enable it to come alive in the reader's mind. That's the heart of the Story Cure.  And what is meant by the word "pain-free" in this book's subtitle?  Well, writing is painstaking, meaning the writer must take great care and pay close attention to every detail, every word. But it should not be painful. And if it is painful, it probably hurts most because the author is letting the negative voices of doubt overrun the exhilaration of creativity and discovery.  We'll address that as well.  This book is designed for writers at the beginning of their novel or memoir project, those somewhere in the middle, as well as those who have completed multiple drafts. The goal is to get you to the finish line, to make sure you complete your book and have something in your hands that you can feel proud of. Even if you are well along in your project, through a first or second draft, I recommend beginning at the beginning of this guide. Understanding how the "heart story" can strengthen all aspects of your novel or memoir will be helpful throughout each stage of drafting and revision. But no one ever reached the finish while sitting at the starting line trying on sneakers. So let's get started. Excerpted from The Story Cure: A Book Doctor's Pain-Free Guide to Finishing Your Novel or Memoir by Dinty W. Moore All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.