Away with words An irreverent tour through the world of pun competitions

Joe Berkowitz, 1980-

Book - 2017

"Fast Company reporter Joe Berkowitz investigates the bizarre and hilarious world of pun competitions from the Punderdome 3000 in Brooklyn to the World competition in Austin." -- from page [4] cover.

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Subjects
Genres
Humor
Humor Form Essays
Published
New York : Harper Perennial [2017]
Language
English
Main Author
Joe Berkowitz, 1980- (author)
Edition
First edition
Physical Description
272 pages ; 21 cm
ISBN
9780062495600
  • Warm-Up
  • A Brief Glossary of Puns
  • Introduction
  • First Round
  • 1. If There's a Pun in the First Act
  • 2. Welcome to the Punderdome
  • 3. The Place beyond the Puns
  • 4. Spitting the Lotto Ticket
  • Second Round
  • 5. The Punning Linguists
  • 6. Games and Shows
  • 7. All the Puns that are Fit to Print
  • Semifinals
  • 8. @ The Joke of Midnight
  • 9. The Cauliflower's Cumin from Inside the House
  • 10. The Graffiti Castle
  • Finals
  • 11. Mutually Assured Pun Destruction
  • 12. Runniest of Show
  • 13. Punslingers
  • Conclusion
  • Acknowledgments
Review by New York Times Review

The humble pun is among the least exalted forms of comedy. Puns are also linguistically fascinating demonstrations of the rich intersection of language and extralinguistic knowledge, and, for some people, irresistible expressions of the synapses that keep firing past the point of mere communication, eloquence or decorum. As Berkowitz admits early on in his amusing pageturner, "Away with Words," puns for many people are comedy kryptonite, and yet a small circuit of events for punning in public places has grown into something like a competitive sport, complete with local traditions and national stars. Berkowitz dives into this world while serving as a witty tour guide for the rest of us. He brings us to competitions in Brooklyn and Austin, events that are a cross between a pub trivia night, an improv open rehearsal and an adult spelling bee. This is a world of pun podcasts, New York Post headlines and competitors in cargo shorts who use names like Punder Enlightening and The Pundance Kid - a world where the worst is often the best and punners never apologize. There's a groaner on nearly every page, but Berkowitz's light touch belies his exploration of deep and probing ideas: "Puns are ephemeral, impermanent, temporary visitors." They are also transactional, connecting the person who hears a pun with the person who makes it, since both must understand the cross of sounds and meanings. Explication or exegesis destroys the timing as well as the joyful simplicity of the mechanism of punning.

Copyright (c) The New York Times Company [August 27, 2017]
Review by Booklist Review

Berkowitz begins this nonfiction adventure through the sludge of semantics with a disclaimer: he figures readers will get annoyed with his book. He expects them to groan with frustration. He predicts his book will fly angrily across a few living rooms. The book is, after all, a penetrating exposé of American pun competitions. Despite Berkowitz's ominous warning, Away with Words is an enjoyable read. Taking a Mary Roach approach to investigating the world of wordplay, he attends the major pun conferences, befriends the pun superstars, and even visits the writers' rooms of TV's punniest shows Bob's Burgers and @midnight. The book calls for a close read; solving the phonetic tricks without hearing them aloud takes time. Overall, it's time well spent. Readers will leave having enjoyed a hearty belly laugh over Berkowitz's natural skepticism of the sport and also with a pocketful of fresh puns to whip out around the water cooler.--Eathorne, Courtney Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

This funny little book results from -Berkowitz's (editor & staff writer, Fast Company) yearlong dive into the subculture of pun competitions. First he attends, documents, and finally performs himself in the monthly Punderdome pun competition in Brooklyn, then moves on to explore similar doings around the country, including the annual O. Henry Pun-Off World Championships in Austin, TX. Berkowitz first attended Punderdome at the invitation of a friend and was overwhelmed by the unimaginable scene of 500 people screaming and cheering because someone made a pun. As the author begins to participate himself, he takes readers behind the scenes and introduces us to the punsters, not only their punning performances but describing their offstage lives as well. He attends a humor research conference and details his disappointing, unfunny conversations with the world's foremost pun expert and visits the sets of popular TV shows such as Bob's Burgers and Veep, whose -producers rely on puns. Of most fun is Berkowitz sharing in detail his own nerve-wracking performance at the World Championships, as well those of his competitors. -VERDICT Recommended for passionate readers of books about words and wordplay.- Paul A. D'Alessandro, Brunswick, ME © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A merry look at competitive wordplay.Punning may not seem a viable path to winning any kind of championship, but Fast Company editor and reporter Berkowitz (co-author: You Blew It!: An Awkward Look at the Many Ways in Which You've Already Ruined Your Life, 2015) discovered a new world of competition when he first attended Punderdome, where punsters with monikers like Punky Brewster, Forest Wittyker, Words Nightmare, and Black Punther gather to outwit one another. That experience led him to the O. Henry Pun-Off World Championships, "the Olympics of pun competitions," held in Austin, Texas, and many other such events throughout the country. English, Berkowitz learned, "is uncontestably the best language to pun in" because it has the largest vocabulary, with many words drawn from hundreds of other languages. Only English allows for a pun like, "Paris is a site for soirees." The author defines four kinds of puns: homophonic, with words that sound the same but have different meanings; homographic, with words "spelled the same but sound[ing] different"; homonymic, with words spelled and sounding the same; and portmanteau, with words that combine two other words to mean something different. The book is filled with examples of puns, many of which do not seem funny on the page; some, as Berkowitz readily admits, are simply bad. A great pun, he writes, "is its own reword. A mediocre pun, though, is just awkword." The author chronicles his interviews with a host of punsters, investigates the history of punning across cultures, and discusses his experience at the North East Texas Humor Research Conference, "among Earth's least funny places." Linguists and other experts hardly enlighten him about what makes a good punster, but he does learn from contestants that practice is important. He also reproduces a digital exchange on the topic of weather, which elicits such remarks as, "spoken like a raining pun champion" and "I'm losing my cloudt." Lighthearted and occasionally witty. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.