The locals

Jonathan Dee

Book - 2017

"Mark Firth is a home builder in Howland, Massachusetts in the early 2000s who, after being swindled by a finanical advisor, feels opportunity passing him by. In the paranoid days after 9/11, a New York money manager, Philip Hadi, moves his family to Howland and hires Mark to turn his his house into a "secure location." When Howland's first selectman passes away suddenly, Hadi runs for office, and begins subtly transforming the town in his image. The collision of these two men and their very different worlds -- rural vs urban, middle class vs wealthy -- propels Jonathan Dee's new novel to a haunting conclusion. This is a novel that captures our fraught moment, but is timeless in its depiction of the American family&...quot;--

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Published
New York : Random House [2017]
Language
English
Main Author
Jonathan Dee (author)
Edition
First edition
Physical Description
383 pages ; 25 cm
ISBN
9780812993226
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Review by New York Times Review

JONATHAN DEE'S LATEST NOVEL, "The Locals," begins with a bit of a head fake - a 33-page monologue in the voice of a two-bit scam artist wandering around midtown Manhattan in the days after the twin towers come down, as angry and profane as if he's just stepped off the set of a Martin Scorsese film. Unmoved by events downtown, this narrator rails against a bus driver, the clerks at the Morningside Heights post office and the idiots (himself included) who have unknowingly handed over their life savings to a far more successful con man. The section is ominously named "Chapter 0," and readers will be forgiven for thinking they are embarking on a DeLillo-esque novel about 9/lla la "Falling Man." In fact, "The Locals" turns out to take place in the anxious, foreboding years after 9/11 and before the Great Recession, and to revolve around the tensions between townies and weekenders in the fictional Berkshires town of Howland, Mass. The flawed hero is not the grifter of the opening chapter but one Mark Firth, a good-looking, occasionally wise but gullible building contractor from Howland who has lost his own mini-fortune to the same fraudulent financial adviser. Mark is a perfect mark, and after the lowlife grifter meets him in the empty offices of the lawyer handling their class action suit, he makes off with Mark's credit card and family photos and disappears from the book forever. Dee then moves the action - along with now twice-burned Mark - back up the Taconic State Parkway to Howland, a quaintseeming town just down the road from Great Barrington. Thanks in part to a famous chef who has opened a fancy restaurant on the site of a shuttered Benihana, with a 16-course tasting menu featuring Tamworth pigs and orazio fennel, Howland is experiencing a surge in popularity among wealthy New Yorkers and Bostonians. But behind the charming facade, life for the locals isn't as quaint as it looks. Dee uses a roving, limited omniscience to give voice to a wide array of Howland's residents. Cop, nurse, teacher, carpenter, postmaster, organic farmer "selling fivedollar tomatoes to weekenders who knew the value neither of a tomato nor of five dollars" - they're all here, sometimes in quick snapshots, other times in more depth. Together they provide a panoramic view of a local population reinforcing the idea that most people, no matter where they live or what their socioeconomic status, are selfish and semi-delusional if generally well meaning. Dee astutely captures how claustrophobia and the comforts of home can coexist. "It was a small town," he writes, "and everybody was constantly in everybody's business despite a deep Yankee presumption of self-sufficiency." Then a stranger comes to town: Philip Hadi, a Manhattan hedge fund titan who, freaked out by 9/11, has moved his wife and family to Howland year round. Dee paints a persuasive portrait of an affectless technocrat, neither friendly nor unfriendly, neither left wing nor right wing, who does an adequate job of imitating the locals yet continues to wear bespoke white dress shirts beneath his Patagonia fleeces. As it turns out, Hadi doesn't simply want to live in Howland. The town is facing financial troubles, in part because its only historic mansion (where Mark's wife works) has finally achieved landmark status and fallen off the tax rolls. Now, playing the role of beneficent billionaire like a small-town Michael Bloomberg, Hadi wants to "help." After the first selectman dies of a heart attack, Hadi takes over the job sans salary and, in order to avoid raising taxes on its citizens, begins privately supporting both Howland's storefronts and its infrastructure. To Mark, hired to install security equipment in his home, Hadi is "a guy who had everything and from whom nothing could be taken away" - and who can therefore do no wrong. In fact, Hadi's own success as a businessman inspires Mark to begin buying up foreclosed properties and turning himself into a landlord and developer. (We all know how that's going to end, circa 2008.) In his portrait of an urban sophisticate who relocates to the country, Dee can sometimes resemble a discursive, more cynical Richard Russo. But the book is ultimately less concerned with Hadi himself than with his influence on the unhappy, rivalrous and dysfunctional Firth family. In addition to Mark, whose repeated financial risks antagonize his wife, there is his brother, Gerry, a resentful libertarian who has dumped his bride at the altar and is currently sleeping with the married receptionist at the Century 21 office where he works as a real estate agent; and their sister Candace, a rebellious science teacher whose seventh-grade class awkwardly includes the bratty daughter of her married ex-lover. (A fourth Firth sibling has checked out of the sibling melodrama and moved to Colorado.) Aging parents who sleep on dirty sheets in nearby Pittsfield complete the unpretty picture. Mom is showing steady signs of Alzheimer's, Dad can't deal and neither can their sons. If to Mark, Hadi represents the lure of financial independence, to Gerry he is a fledgling autocrat. Using the pseudonym PC Barnum, Gerry begins writing an antitax, anti-political correctness blog that contains echoes of both Bernie Sanders and the Tea Party, in which he warns that Hadi is slowly but surely amassing power and threatening the freedom of Howland's citizens. He would seem to have a point when Hadi announces that "frankly democracy doesn't really work anymore" and, later, that "consensus really isn't all it's cracked up to be." Reading these passages, I couldn't help wondering whether Dee had finished writing "The Locals" in the Obama era or the early Trump one. Certainly, there are echoes of the 2016 election insofar as the majority of Howland's townspeople seem unquestioningly to equate Hadi's fortune with virtue. There is also the book's focus on the rural white working class, who appear simultaneously to loathe and to admire the cosmopolitan elites who pass through their town and their lives. As the tension builds, protests are planned. Yet for all that the book gestures at a kind of political allegory, it shies away from the capital-S Scene it seems to promise and tapers away into anticlimax. Even more confoundingly, Dee concludes the novel in much the way he begins it, with an episode that feels unconnected from the main action. Still, "The Locals" is a quietly engrossing narrative that dishes out its food for thought in sly, quotable lines - as when Gerry, trying to "bring his own life in line with his political principles," determines to be humbler: "The distinction between humility and self-loathing was, in practice, a slippery one." Or, my favorite: "Tough times brought out the bad side of people, it seemed, and this internet was like some giant bathroom wall where you could just scrawl whatever hate you liked." Clearly, Dee has been paying attention. ? 'It was a small town, and everybody was constantly in everybody's business.' LUCINDA ROSENFELD is the author, most recently, of the novel "Class."

Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review

*Starred Review* Good old social novels are hard to come by these days, great ones harder still. Leave it to Dee to fill the void with a book that's not only great but so frighteningly timely that the reader will be forced to wonder how he managed to compose it before the last election cycle. In Famous (1995) and The Privileges (2010), Dee assessed the considerable perils of contemporary, middle-class American life. He returns to this pursuit here, but this time around, his canvas seems much larger, the size of a small Massachusetts town, to be precise. Howland, a sleepy, fictional burg in the Berkshires, faces many of the same seismic changes that jostled the rest of the country after September 11, 2001. Its residents, particularly those in the orbit of hunky general contractor Mark Firth, tell the story (in third-person omniscient, natch) of a nation ripped apart by mysterious global economic forces and partisan media. With a feather-light touch, Dee shows the effects of these calamities on their thoroughly unremarkable lives in what seems like real time. They drink; they gossip; they alienate one another; they suffer, then drink some more. Even their most picayune antics render our current predicament, writ small which is, perhaps, the best way to digest this mess.--Williamson, Eugenia Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Small-town America in the aftermath of 9/11 is the setting for Dee's engrossing new novel. His blue-collar characters, each of them pursuing the American Dream, are vividly developed, and his insights into how they think about the government (ineffective and corrupt) and their rights as citizens (ignored, trampled) are timely. Mark Firth's family has lived in or near the fictional town of Howland in the Massachusetts Berkshires for generations. A hard worker in the construction trade, a devoted husband and father and a man of strong moral principles, he wants to parlay his earnings into stock market investments. As Mark's wife, Karen, perceives, however, Mark is gullible and guileless, and he is devastated when he loses his savings to a con man. When the next opportunity to get rich seems possible, Mark reluctantly enlists his brother, Gerry, a feckless real estate salesman, as his partner. Gerry, meanwhile, has been writing a blog that criticizes the town's new first selectman, a rich ex-Wall Street hedge fund manager who, postelection, is rapidly exerting his power as an authoritarian politician. A dozen or so more characters round out this picture of a community on the economic skids, whose citizens seethe with a sense of futility and resentment as old values and traditions fade. "I feel like the world is trying to get rid of me.... I feel threatened," one character says. Alcohol in excess and secret sexual trysts help ease the pain, but jobs are scarce and families drift apart. Dee, who wrote about a wealthy segment of society in The Privileges, handles the plot with admirable skill, finding empathy for his bewildered characters. He creates tension as a reckoning day arrives, and strikes the perfect ending note. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The residents of a small town in the Berkshires have their world overturned by a billionaire in their midst.This is a novel with political motives, so much so that it recalls The Fountainhead, except Dee (A Thousand Pardons, 2013, etc.) is a better writer than Ayn Rand by several orders of magnitude, and his point seems to be virtually the opposite of hers. The drama begins on Sept. 11, 2001, when Mark Firth, visiting New York from Howland, Massachusetts, unhappily learns that his meeting with a lawyer has been cancelled. This attorney is representing the plaintiffs in a class-action suit against a con-artist financial adviser who stole their moneyin Firth's case, his entire savings. He's not the only Howland resident who will be struggling in the coming months. Though relief over his safe return smooths things over for a while, Mark's wife is far from happy in either her marriage or her job, working as a teacher's aide at a private school so her daughter can get reduced tuition. His brother, Gerry, is fired from Century 21 for an indiscretion; their sister, Candace, is furious at both of them for not helping out with their decrepit parents, and her day job is not on solid ground either. The town is feeling the pinch as well, but the last thing strapped residents want is another tax hike. When their First Selectman unexpectedly dies, Philip Hadi steps into the breach. The Hadis used to be summer people, but in the wake of 9/11 they moved to the country full time, first installing a set of security cameras. Hadi's solution to Howland's troubles begins with cutting government to the bare essentials; according to him, past tax increases were only necessary to feed the bureaucracy itself. If there's a real need for something they can't affordwhy, he'll just pay for it. What happens to the citizens of Howland after that plays both as political allegory and kaleidoscopic character study. An absorbing panorama of small-town life and a study of democracy in miniature, with both the people and their polity facing real and particular contemporary pressures. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Ø They were saying that all appointments were canceled, indefinitely, that it was the end of everything, but why would they assume that? The subway was running again, for example, parts of it. So people must have been going places, meeting other people. So there were still meetings. So maybe my meeting was still on. I found the lawyer's card and tried to call his office, but cell service was fucked, still, after like a day. I didn't know what to do. I couldn't even ask Yuri for advice, because the phones. What if this meeting was still happening and I wasn't there? What if everybody showed but me? The lawyer had stressed over and over how important it was that I not miss it. Nobody'd told me it was canceled, technically, according to the letter of the law or whatever. So I put on my shoes. It didn't start for a few hours yet, but I had nothing to do, and there was fuck-­all on TV that day, that's for sure. Broadway was frozen, like a screenshot. Nobody on the street. It was cool at first, actually, having it all to yourself like that, like one of those end-­of-­the-­world movies. But then I saw an empty bus with its doors open just sitting in the middle of an intersection, and I started to feel a little creeped out, so I cut west into the park. Saw people there, at least, a few people out with their dogs, just standing there like drugged lunatics while the dogs chased each other around the grass. Then further on I could hear voices, loud voices. There's this playground in that part of Riverside, at the bottom of a steep hill, all fenced in. And that's where everybody was, it looked like the whole West Side in this little enclosed playground. It was packed, people were up against the fences, it was like a detention center for kids or something. Parents were in there too, on the fringes, talking to each other, while the kids just ran around screaming like usual. Well, not quite like usual: it was a Wednesday at eleven in the morning, but nobody had school. That's probably why they were having so much fun. Technically I am still not supposed to be in playgrounds, I think, but it was so packed I figured who'd even notice, and I squeezed my way in. I had the day off too. It didn't make a ton of sense to me, but I wasn't complaining. To make my meeting with the lawyer, I'd been deliberating between taking an unpaid personal day and calling in sick; the paid sick day was obviously the smart way to go, but one thing about me, I am actually a pretty bad liar. Even on the phone, Yuri tells me, my poker face sucks. I took up a position near some parents who were talking with their arms folded and with the look on their faces that everybody on TV had, which I would describe as sort of gray. "Someone in my building," this one dad was saying, "used to go out with someone who was a broker at Marsh and McClennan." It was so loud in there, like mayhem. The kids were going nuts. I think they were really into having all the adults lined up, watching them. "I was in the kitchen," this other mom says. She was super hot, actually, with a ponytail through the hole in the back of her baseball cap, and tights like for running, and this really toned milfy thing going on. Black hair. "Josh was home sick from school. He's watching Sesame Street, and I'm in the kitchen, and they break into Sesame Street with a live news feed, for God's sake. He starts yelling." "Jesus," I said, just to get her to look at me. "Right?" Her ponytail swung away from me in the sunlight. "It's just like, no sensitivity at all. I'm Julie, by the way. I feel like I've seen you here before. Are you Teresa's dad?" My mouth opened and kind of stayed open, and she started to frown a little bit, and so I turned and squeezed myself through the crowd until I was outside the gate again. I went back up the path toward West End and on to Broadway and kept going downtown. It was probably about noon, and I was hungry, but nothing was open. Why? Even though the day off helped me out I was actually somewhat torn about it. I knew we were all getting paid, and would get paid until the lab reopened. There's no way they'd use a national tragedy or state of emergency or whatever to dock our pay, I mean granted they're Columbia University, so they're assholes, but they're not insane. They care how things look. So fine, whatever, a paid holiday. "Safety concerns," they said, which made me laugh. You really think somebody somewhere wants to cross the world to blow up some random research lab? To bring down, what, the evil cosmetics empire? We get the PETA people, for sure, but that's a whole different order of magnitude. They mostly just carry signs, and they yell their little gay rhyming chants that are actually the funniest shit. If they were ever going to shut us down, that would have happened years ago, those clueless douchebags. Holding up their pictures of rabbits with no eyes or whatever. But now the whole city had lost its mind and that was that. Everyone thought someone they'd never met was suddenly coming for them, had been planning it for years. Pretty arrogant, if you think about it. Who gives a shit about you, really? Not that many people. What made me pissed about missing work was that work was where I saw Yuri. He'd started as a lab tech about a year after I did, but that wasn't how he made his real money. He always had clean credit card numbers for me. I don't know how he got them. All those fucking Russians know each other. Sometimes he charged me, if he felt like being a dick about it, and sometimes he just threw one my way for nothing, because he said I was funny. I needed at least one, the last one he gave me was getting flagged now when I tried to use it. I thought what with the whole patriotic air or whatever, this would be a good time to catch him in a non-­mercenary mood where he would lay one on me for free, but as long as the lab was closed I wouldn't see him, and the guy changed his cell number like every two weeks. The lawyer's address was all the way down on West Forty-­eighth Street. His name was Greg Towles. I was saying that second bit like "towels," which I wasn't sure was right, but every time he called me now he'd just say, "It's Greg." A few months ago he'd met me for lunch at a diner near the lab; he explained what a class action was, and asked me if I wanted to be a part of it. I said would I get my money back or did that mean I would have to split it with a bunch of other people. He said I'd get my money back and probably more besides. I said what's your fee, and he said zero, my fee comes out of the money you win, so I thought what's to lose, other than a day of work to go downtown and get, what do you call, deposed, and now thanks to this Tragic Time I wasn't even going to get docked for the day. All of a sudden the little voicemail chime goes off on my phone in my pants pocket--­I must have walked into some zone that had service restored--­and I stopped on the Broadway median to see if maybe it was Yuri, or Mr. Towels, but no, it was from my mother, hysterical as usual. Freaking out right along with everybody else. She should have known better--­she's lived in Bayside her whole life, for God's sake, you'd think she could remember on her own that Manhattan is a big place. I'd sent her an email to let her know I was fine but she never checks her fucking email, it's too complicated, you might as well ask her to tune up her car. She couldn't put it together herself that I lived all the way up on 131st Street, miles from everything, and so obviously nothing had fallen on me and I wasn't dead. It was true that when the wind was right, like it had been last night, even up on 131st you actually got that burning smell, to the point where I'd had to get up and close my window. It was almost worth telling my mother that story just so she'd maybe have a stroke from it and be paralyzed and not able to dial her fucking phone anymore. I was deleting the message, looking down, and walked smack into some huge dude on the sidewalk outside La Caridad. Completely my fault, I just bounced right off him. And those were the weirdest moments to me, actually, the scary moments, because no one was acting fucking normal anymore, everyone was all like, are you okay? All the time. Over nothing. Are you all right? So where normally this guy--­who was wearing a tank top, who had a neck tattoo, who looked like he would maybe welcome the opportunity to get into a little beef with a rude stranger--­might have at least made an aggressive remark to test me out, instead he just puts his hand on my shoulder, really gently, and he says, like he was the one who'd been looking at his phone while crossing the street, "Sorry, bro, you okay?" I did not like it, man. I did not like the way people were acting. This was New York. People were always looking for an excuse to go off on you. They were hoping for it. Now it was like being in this cult. It creeped the shit out of me. But I didn't dare do anything but smile back at this guy, because he was pretty ripped, and it's like they say, be careful what you wish for. Beautiful out, one of the ten best days of the year, like the weathermen say. But it was a ghost town. In the windows of the locked stores, and especially on the upper floors where the apartments were, you were just starting to see that thing of where people put up flags, or else just taped pictures of flags to the inside of their window, some of them just cut out of the newspaper, some of them just black and white. The lobby of the building on West Forty-­eighth was humongous. Ceilings like four stories high. Completely empty, except for a few security guards, and two of them were right on me. They actually ran, or at least the young one did. The fat one tried. To be fair I didn't look like someone who was in that building on legit business. Especially after walking eighty-­some blocks. I understood their reaction, is what I'm saying. They positioned themselves right in front of me. "What's your name, sir?" the first one said. The younger and faster and more dickish one. What's my name? What the hell kind of useless question was that? Did he think maybe he'd recognize it? "Who," said the older guy, "are you here to see?" They both wore these matching maroon jackets, like suit jackets. It looked pretty gay. I told them I was here to see Greg Towles. He's a lawyer, I said. "What firm?" How the fuck should I know? I just thought it was a big building and this guy Towles had an office in it. It was probably on the guy's card, but if I reached into my pocket right now one of these jumpy no-­necks would just shoot me dead. The older guy had sweat on his face. Everybody was on edge. The other guards were looking at us. Maybe the old guy was the young guy's father, and he'd gotten him the job, I thought for a moment, but no way, if it weren't for the Team Gay jackets they didn't even look like they were from the same country. "Rice and Powers?" the dad asked me. That sort of rang a bell. I nodded. "They're closed today," he said. "In fact everybody's closed. There's not an office open for business in the whole building." Then why did you bother asking me where I was going, I felt like saying, but instead I just asked if I could call upstairs to make sure. "No," he said. "What, do you have a package for him or something?" I held out my empty hands. I was getting irritated now. "Try again tomorrow," he said, and gestured with his fat hand toward the door. So then the same long fucking walk back home. I went through Central Park this time, just for something different. In at the south end, out at the north. Fucking empty. On a day like that. Everybody was all frightened, but really that was just a way of trying to make the whole thing more about themselves, which it wasn't. Either you were actually there when it happened or it was something you watched on TV, period. But whenever something major happens it's like everybody wants to insist on their little piece of the suffering. People had no idea what was coming next, that's true I guess--­when something as fucked up as that happens, something you weren't even imagining, it wakes up your imagination pretty good--­but still, they were just overdoing it, I'm sorry. Get over yourselves. You weren't there, it didn't happen to you. Plus you know anything built that high is going to come down sooner or later, one way or another. Excerpted from The Locals by Jonathan Dee All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.