Review by Booklist Review
This picture-book biography of Miriam Makeba shows how she used her voice, both spoken and in songs of protest, to raise awareness and help fight the system of apartheid in her native South Africa. Makeba spent her life in the effort of heightening understanding of and bringing an end to institutionalized segregation thrust upon African ethnic groups between 1948 and the early 1990s. Palmer's striking, boldly colored illustrations reveal both movement and mood while adeptly revealing the story of Makeba's life. The text is printed on wide strokes of alternating black and white paint, using the opposite color of ink on each. Some words brave, voice, anger, watch, beware are printed in red ink, which is more puzzling than impactful. Back matter includes an author's note, a selected bibliography, and a glossary. Notable freedom fighters Nelson Mandela and Martin Luther King Jr. are mentioned here, but this accessible biography will introduce children to a woman whose lifelong dedication to the abolishment of an unjust system made a difference.--Owen, Maryann Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
National Book Award-winner Erskine (Mockingbird) takes readers to the South Africa of her childhood as she follows the rise of singer/activist Miriam Makeba. The injustice of apartheid, omnipresent in Makeba's life, extends into the book's design: sections of text about the white "baases" in power appear in white boxes, while passages about Makeba and anti-apartheid movements are set in separate black boxes: "She sings to her people to be brave. 'Jolinkomo!' She sings of police raids. 'Khawuleza!' " In his first children's book, Palmer uses thick, forceful brushstrokes to create vibrant, abstracted portraits of Makeba and her South African home. This rousing account of how Makeba used her music to fight for equality concludes with a timeline and extensive author's note. Ages 6-10. Author's agent: Kendra Marcus, Bookstop Literary. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 2-5-Miriam Makeba was a South African singer who used her talent to challenge apartheid and to encourage South Africans to rail against injustice. Early in her career, Makeba decided to sing in Setswana, IsiXhosa, and IsiZulu precisely because the white ruling class did not speak those languages. A sense of rising tension is unmistakable throughout the text, and each of Makeba's hopeful successes is followed by further struggle, finally culminating in Nelson Mandela's release from prison and the slow end of apartheid in South Africa. Debut illustrator Palmer's painterly spreads shine in rich colors and bold brushstrokes, capturing the passion of Makeba mid-song. In other spreads, scenes of an armed white police officer demanding the transit pass of a black man who has stepped outside of his neighborhood boundary, and a lone child who has survived the massacre of school children at Soweto, all speak acutely to the landscape of apartheid that shaped Mama Africa's career. Erksine spent some of her childhood living in apartheid South Africa, and she shares her own experiences and connection to Makeba's music at length in the back matter. VERDICT A welcome addition to picture book biography collections.-Lauren Younger, New York Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
The effects of colonialism on the continent of Africa are pernicious and vile; in every country the consequences continue to be real and raw, among them those from apartheid, the institutional racism that was law in South Africa between 1948 and 1991. For Americans, the most familiar resistance hero is Nelson Mandela, but now Erskine (Mockingbird, rev. 3/10), in her debut picture book, uses a driving present-tense narrative to bring to the fore another hero, singer Miriam Makeba. Erskines prose style is expressionistic, with lyrical sentences that alight on significant events, such as Makebas flight from her homeland in disguise, her powerful testimony at the United Nations, the horrific Soweto killings, and Mandelas release from jail, ending with the singers triumphant return home after apartheid is ended. Potent quotes and song lyrics keep the intensity high, as does the clever use of words in a fierce red, often repeated to begin the subsequent page, lending the text a driving propulsion. Debut illustrator Palmer heightens the overall sense of urgency with vivid paintings pulsing with color, movement, and emotion. In her authors note, Erskine writes of being introduced to the music of Makeba during her childhood years in apartheid South Africa. In other back matter, the connection between the fight against apartheid and the American civil rights movement is emphasized by the inclusion of both in the substantive timeline, a selected bibliography, and further reading. monica edinger (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Buoyed by the work of Nelson Mandela and the music of Billie Holiday and Ella Fitzgerald, Miriam sang to make black South Africans free.Born in 1932 near Johannesburg, Miriam Makeba "sang as soon as she could talk." Growing up in apartheid-era South Africa, she rebelled against unjust laws restricting where blacks could go and what they could do, and she fought that racism with her songs, even singing subversively in languages the government officials could not understand. Eventually, Miriam illegally left South Africa to sing internationally and tell the world that blacks were dying because of apartheid. Throughout the book, white rectangular text boxes convey the discriminatory actions of the baases (white ruling class), while black-backgrounded text boxes present Makeba's words and efforts to fight racismmaking white negative and black positive. Palmer's densely illustrated, painterly scenes give readers a strong sense of the culture and beauty of South Africa. His images of people, however, often include just enough detail to reveal their emotions. The backmatter offers a single timeline of Makeba's life and the U.S. civil rights movement, a glossary, and copious research resources. Erskine, a white woman who, as a child, lived in South Africa during apartheid, includes photos of her young self working for social justice. An excellent perspective from which American readers can learn about apartheid and one of the pioneers who fought it through her art. (Picture book/biography. 6-10) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
