An unkindness of magicians

Kat Howard

Book - 2017

"There is a dark secret that is hiding at the heart of New York City and diminishing the city's magicians' power in this fantasy thriller by acclaimed author Kat Howard. In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney--a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic. But Sydney doesn't want to help the system, she wants to destroy it. Sydney comes from the House of Shadows, which controls the magic with the help of sacrifices from magicians"--

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Subjects
Genres
Fantasy fiction
Thrillers (Fiction)
Suspense fiction
Published
London : Saga Press, an imprint of Simon & Schuster, Inc [2017]
Language
English
Main Author
Kat Howard (author)
Edition
First edition
Physical Description
354 pages ; 22 cm
ISBN
9781481451192
Contents unavailable.
Review by New York Times Review

war has plagued the kingdom of Belleger for so long that its soldiers have given up on peace. This war is all the more brutal thanks to magical weapons of mass destruction called Decimates, which incinerate soldiers by the dozen or inflict deadly pestilences in the middle of battle. Seeking the rumored Seventh Decimate - which can ostensibly quell the other six, and may turn the war's tide - the heir to the throne embarks on a grueling quest to reach a legendary sorcerers' library. There are no subtleties in seventh decimate (Berkley, $27), by the acclaimed fantasy veteran Stephen R. Donaldson. The Decimates decimate. Key characters have blatantly descriptive names like Abbator or Rummage or, for the leader of the exotic brown-skinned desert dwellers the prince encounters, Set. The library is a literal ivory tower full of scholarly magic-users. Yet amid all this blatant symbolism, it's difficult to discern a theme or focus. There is potential here for a meditation on how privation feeds bigotry. As Prince Bifalt travels, he repeatedly rails at nonBellegerins for doing what his people cannot, like learning multiple languages, or for wasting time with frivolities like dance and study. In many ways he is the stereotypical American abroad, confronted with his own insularity: "Faced with so much diversity, so much lying outside his experience, he felt an unexpected impulse to draw back. Instinctively, he wanted to retreat to his pallet and sleep until the world shrank to more comprehensible dimensions." There's no basis for Bifalt's resentment, though; none of these outsiders are responsible for his country's endless war. He, as prince, is more capable than anyone of ending the conflict. He is simply wrong, and blaming others for his wrongness. Since this is the start of a projected trilogy, however, maybe it's too soon to tell where Donaldson is going. Let's hope future volumes define the arc. In the covert Unseen World of Kat Howard's new novel, AN UNKINDNESS OF MAGICIANS (Saga, $25.99), readers Can find an intriguing microcosm of New York's wealthy elite, plus magic. The book's high society magicians belong to houses, like private clubs, whose open secret is that their power comes from exploitation. Each gives a living sacrifice to Shadows, a torture chamber that drains victims of magic and allows member houses to wield power without consequence. The draining is usually fatal, but one powerful survivor has recently emerged, determined to avenge her fellow victims and dismantle the corrupt system. Amid the crucible of a kind of magical Final Four, the formidable Sydney makes her move. A revenge tale, a charismatic outsider and a powerful metaphor for all the ways the unfortunate are made to serve the tables and fashions of the privileged - or maybe not. Howard never delves into the obvious parallels between her Unseen World and our own; mostly, the story gives Sydney a chance to show off how amazing she is. This is interesting, to a point, but it's also a bit glib and underdeveloped in terms of theme and world-building alike. For example: The novel's lone black character is utterly naive about the Unseen World's secrets, putting him in the unlikely position of needing to have power and privilege explained to him. Likewise, the elite of the Unseen World are oddly staid for New York society members. There are no boorish mob-connected real estate moguls here, no garish heiresses carefully arranging to be caught nude for Instagram. The magicians' most amazing magic is in avoiding interest from the paparazzi. Even in the context of fantasy, a modern novel addressing privilege and exploitation needs to go hard or go home. Sadly, Howard pulls her punches. The result is a New York that doesn't feel quite like New York, and a revolutionary whose quest for revenge feels toothless. However, readers who just want to see a powerful woman own a society of snooty magicians will love it. Andy Weir's first novel, "The Martian," told the story of the astronaut Mark Watney, stranded on Mars to fend for himself with grit, ingenuity and engineering know-how: Robinson Crusoe in space. Originally self-published, it was scooped up by a big house and eventually turned into a blockbuster movie starring Matt Damon. How to follow up that kind of success? Weir's second novel, Artemis (Crown, $27), takes place in the first city built on the moon, an industrial and tourist haven that gives the book its title. Weir plausibly depicts near-future colonization technology, and showcases the opportunists and laborers who eke out a living in this expensive, precarious habitat. It's like a whole city of Mark Watneys. The problem is that it's a whole city of Mark Watneys. Characters constantly crack wise, but this doesn't quite disguise their shallowness, or the leaden dialogue and repetitive narration. The protagonist is Jazz Bashara, a young Saudi woman, Muslim but secular, who's lived on the moon since she was 6. She talks and acts like a Middle American white man - with occasional stereotypical exceptions, as when she must pretend to be a prostitute. Then she talks and acts like a Middle American white man pretending to be a prostitute. Jazz is brilliant, as she constantly informs the reader, and as secondary characters inform her, and as her antagonists point out. Unfortunately she's also poor, so she has become a smuggler who pulls the odd illegal job for Artemis's elite. When a local business mogul hires her to sabotage a rival corporation, it's her chance to escape poverty. Alas, since the rival turns out to be a front for the Brazilian mafia, things don't go as planned. This is a heist narrative at heart - but it lacks the core elements of modern heist narratives: no team of charming specialists, no surprise plot twists. That may be fine for "hard" science fiction fans who prioritize idea over execution, or who simply crave well-researched technical speculation presented as fiction. Otherwise, this is a 300page film pitch that, like its predecessor, will probably be more appealing after it goes to Hollywood. Everything old is Neo in Axie Oh's latest science fiction epic for young adults, rebel Seoul (Tu Books, $19.95). Amid a global war, the world has reordered itself into militaristic city-states like Neo Beijing, Neo Tokyo and the American Neo States. But teenagers will still be teenagers, and high school will still be grim - no less so when the exams include giant robots and your teachers might kill you if you fail. Billed as a cross between Guillermo del Toro's movie "Pacific Rim" and Korean action dramas, the story is rather more the latter; unlike in "Pacific Rim," those giant robots (here called God Machines) are just the ironic backdrop to a quintessentially antiwar story. Lee Jaewon, a not-quite-orphan from the slums of Neo Seoul, has scammed his way into a prestigious high school, hoping for an easier life. Unfortunately, he also happens to be the best fighter at a school where generals routinely observe war simulations. Through a convoluted series of events, Jaewon is recruited for a project to produce genetically engineered super-soldiers. Of course they're teenage girls. Of course Jaewon is smitten with one, who can rip the arm off a God Machine without effort. Anyone who's watched enough ?-dramas will see where the story's going. This isn't necessarily bad, since the strength of a good ?-drama lies in its characterization. With a secret past as the son of a failed rebel, Jaewon must choose whether to accept society's corruption or follow in his father's footsteps. The conclusion is foregone, but it works thanks to Oh's eloquent writing, delivered in a stark, understated style that suits the dystopian tone. Any lesser prose and the story might have edged into satire. As it is? It's moody, explodey fun. ? N. K. jemisin won the Hugo Award for best novel in 2016, and again in 2017, for the first two parts of the Broken Earth trilogy, which concluded last month. Her column on Sciencefiction and fantasy appears six times ayear.

Copyright (c) The New York Times Company [November 12, 2017]
Review by Booklist Review

One woman's quest for revenge transforms New York City's hidden, magical community in Howard's second dark fantasy novel. In the Unseen World, power can be made and unmade during the Turning, when each House's champion magicians selected by blood or hired by contract duel for prominence. New Houses may be established, powerful ones may fall, and one House will become ruler. For Sydney, an unknown magician with matchless ability, contracting with a candidate house offers a chance to destroy the House of Shadows, the Unseen World's shameful open secret. However, others want to expand Shadows' parasitic influence or steal its ill-gotten power. Howard's vengeance-fueled urban fantasy is stylish, macabre, and spellbinding, if occasionally overwrought. The bureaucratic machinations behind the magic add an interesting layer to the violent competition. Sydney's overpowered magic is balanced by her sacrifices in exchange; her emotional and physical trauma keep her vulnerable, even while crushing her enemies. Howard rarely checks her story's forward momentum, preferring to whip through scenes that should have greater import, but it's a wild ride to the satisfying finish.--Hutley, Krista Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Howard's sophomore novel (after Roses and Rot) is zippy at the expense of character development. Sydney is a magician in an alternate modern-day New York who's hired to represent House Beauchamps in the Turning, a magical competition that determines the hierarchy of houses in the magical community called the Unseen World. Magic isn't an ability magicians have unlimited access to, but rather a resource that can be bottled and transferred from magician to magician. As a child, Sydney was a captive of the House of Shadows, who siphoned some of her magic to strengthen the abilities of other magicians, but she won her partial freedom after challenging the house. Now, with each magical duel she wins, her abilities grow and the reservoir of stolen magic shrinks. The houses in power plan to eliminate her if she survives the Turning. The plot is very rushed, and readers will find Sydney difficult to connect with; any obstacles or sources of tension are no match for her magic. The other characters treat events that should be devastating without prolonged concern, thus discouraging the reader from getting emotionally involved. When Howard slows down, both the characters and the Unseen World flourish in her gorgeous prose, but these moments are too few. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

During the tournament known as the Turning, the magically talented members of the Unseen World vie for rule of their community. The Unseen World is centered in New York, and powerful House Merlin has dominated for generations, based mostly on a spell it claims permits magicians to use magic at little cost to themselves. There is a cost, but the spell allows this flaw to be passed along to the House of Shadows, whose members come from sacrificed children given up by the powerful families. Sydney, a determined heroine fighting to end a despicable system that oppresses children in order to ease the lives of the elite, is one of only two magicians to ever leave the House of Shadows, and she has entered the Turning as a duelist for an upstart house. Her real goal is to bring down the Unseen World. VERDICT Howard, whose debut, Roses and Rot, had more than a touch of the gothic, returns strong with another fantasy with a dark center. The magical duels ratchet up the tension as readers can't be sure Sydney will even survive to achieve her revolution.-MM © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A dark tale of revenge and battle magic among New York City's secretive elite.Everyone in the Unseen World gets the message: another Turning has begun, which means all magical Houses must once again compete to become the head of New York's magical world. Old Houses, like House Prospero and House Merlin, the current ruler of the Unseen World, will try to get aheador stay on top. Grey, the disinherited son of House Prospero, expelled for "pushing boundaries" with his magic, will attempt to found his own new House, as will his friend Laurent, who's hired a champion to fight for himan outsider nobody knows. That outsider, Sydney, an unusually powerful magician, has big plans for this Turning. She aims to do nothing less than disrupt the fundamental ways the Unseen World works, exposing its secrets and punishing those responsible for the injustice at its heart. Meanwhile, Harper is desperately trying to get a glimpse inside the Unseen World and avenge her best friend's death. In a Turning, nothing is certain. Anyone could winanyone could die. Sydney is a fascinating character, and her drive for vengeance propels the plot forward. The sickness at the heart of this world is presented in stark and compelling terms, and the many magical battles keep the stakes high, although some of the big moments feel a little rushed. Strong characters and a captivating revenge plot make this a fun, absorbing read for those who like their magic, and their magicians, dark and twisty. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

An Unkindness of Magicians CHAPTER ONE The young woman cut through the crowded New York sidewalk like a knife. Tall in her red-soled stilettos, black clothing that clung to her like smoke, red-tipped black hair sharp and angular around her face. She looked like the kind of woman people would stop for, stare at, notice. None of them did. Stalking down Wall Street, the spire of Trinity Church rising before her, she slid among the suits and tourists like a secret, drawing no eyes, no shouted "hey, babys," not even the casual jar of a shoulder bumped in a crowd. She could have been a ghost. A shadow. The sun stark, the sky a harsh blue, cloudless and broken only by the glare of reflections. Late-summer heat stewed salt-sweat and heavy cologne together, mingling them with the sizzle rising from sidewalk food carts. The day bright, almost ordinary. The woman paused at a corner. Her slate-grey eyes flicked up toward some unmarked window in one of the buildings scraping the sky, as if to be sure someone was watching. Her lips, red as blood, quirked up at the corners, and Sydney stepped off the curb and into traffic. Neither the cars nor their drivers seemed aware of her presence. Sydney walked to the center of the intersection and raised her arms like a conductor about to begin a symphony. She stood, unmoving, for one breath. Two. Three. If there had been eyes somewhere above that rushing city that were able to watch, they would have seen her lips moving. And then. The cars around her, as one, lifted gracefully into the air. Sydney held them there, rust-stained taxis and sleek black sedans with tinted windows, courier vans and a tour bus blaring the opening number of the latest Broadway hit. Ten feet above the ground, floating through the intersection like some bizarre migration of birds. A smile stretched, bright and wild, across her face. If the people in the cars could have seen it, they might have called it exhilaration. They might have called it joy. The people in the cars didn't see her. No blaring horns, no cursing drivers. No awe--no reaction--from either the people in the now-flying vehicles, or from any of the passersby. Simply flight, where that shouldn't have been an option. Sydney directed the cars through the intersection--through the air--with words, with small precise gestures that bent her fingers and hands into severe origami, with no obvious effort. And then. Her hands paused. Held like a breath. Two. Three. She lowered her arms to her sides, and as she did, the cars returned to the street as gracefully as they had left it, the flow of traffic uninterrupted. Sydney walked out of the intersection and cut back into the crowd. No heads turned. No one gave her any notice. She had gone less than half a block when the text alert vibrated through her phone. The job is yours. *  *  * The message that began everything arrived in a variety of ways. Email. Text. Type-written formalities on plain, business-weight white. Handwritten letters in bordeaux ink, sealed with wax. Though no matter which medium carried it, in each instance, the words were the same: Fortune's Wheel has begun its Turning. When it ceases rotation, all will be made new. If somehow you were not a magician, not a member of the Unseen World, and you managed to acquire one of these messages, it would look like nothing. A fortune cookie's paper, a glitch in your email program. Uninteresting and easily discarded. Miranda Prospero was a magician, and she knew precisely what had just landed on her desk. A surprise, and not a good one. A precise and elegant woman in her late fifties, Miranda had the sort of face that had been too strong-featured for beauty until she had aged into it. Now, she wore her clothing and makeup like armor, as much of a shield and mask as anything she could have conjured. There to project an image, carefully chosen. The cool morning light washed over her office where she sat behind an elegantly curved antique rosewood desk. She touched her fingertips to the edge of the paper. She quartered the air above it with her hands, spoke words that smelled harsh and bitter in their echoes. The message looked authentic, and there was magic in place--magic that should be inviolate, locked carefully away from influence--that would prevent such a message from being sent in error. But it was early, very early, for a Turning to be happening again. Normally, there would be at least twenty years between one and the next. Only thirteen years this time, barely more than half a generation. Well. Thirteen years, five months, one week, and four days. Miranda knew the circumstances of the previous Turning well. They had, in many ways, made her. A flash of light, and a sigil floated in the air above the paper: the Rota Fortunae. Blindfolded Fortune, turning a wheel. What was written, then, was true. The beginning of fear, its tiny barbed threads, lodged themselves in her heart. There were reasons why a Turning might come again so soon. None of them were comfortable. She was prepared. She had been preparing for every day of those last slightly more than thirteen years. But she had hoped for more time in between. She had done everything she could to make sure that Prospero was a strong House. Well placed. Established and powerful enough that she would have no difficulty finding someone willing to represent it. She pressed her fingertips to her temples, then rested them on her desk. She knew by now what a Turning involved, the rules and the stakes--she had been through them before--but details were homes for devils, and no more so than here. And so she read: Any House may contract out their participation. Any such contracted champions will be deemed members of Houses with all attendant rights and responsibilities for the duration of their contract. Once contracted, a champion cannot be substituted. Any House that does not contract out its involvement accepts full consequences to its members, including death and disappearance, and forswears vengeance outside of the sanctioned challenges. The actions of a champion, contracted or otherwise, during the course of a duel are final. Any House that, by the activity of any member, Blood or Contract, exposes the Unseen World to mundane attention will be unmade. Any House that chooses not to participate will be unmade. Malicious interference in an active challenge may result in magic being stripped from the magician or the interfering House being unmade. Miranda's mouth twisted. All of that would be taken as seriously as it ever was, with the first major breach of one of the rules committed by the end of the first week, if not the end of the first duel, and then the first time someone shook off that breach with some variant of "Fortune's Wheel does turn" immediately following. The Unseen World liked its rules, but only when they were convenient. Any House whose champion, either Blood or Contracted, dies in the course of a duel will be exempt from the next required sacrifice to the House of Shadows. The House ranked highest at the end of the Turning will become the head of the Unseen World. And those last few clauses would be followed, convenient or not. Because underneath the pageantry and shine, those last few clauses were the purpose of the Turning. Everything was as she expected. All the usual terms. No surprises. Those would come during the Turning itself. They always did. Miranda refolded the letter, precise along its crease, and set it aside. House Prospero would maintain its tradition and contract out to a champion. There were always those willing to trade the risks inherent in a Turning for a large enough amount of money or the promise of membership in a House. She pulled her files, notes she'd kept on skilled younger sons and daughters, on talented cousins with no hope of inheriting a House on their own. She pushed aside the cold lump of fear that had settled itself in the center of her chest, and made her plans. *  *  * "Your mother," Laurent said, "is going to lose her Chanel-wearing shit when she finds out you're doing this." "As far as Miranda is concerned, I'm no longer her son, so I doubt she'll do anything other than make sure that whoever she hires as champion knows I'm one more obstacle to be neutralized in her quest for power." Grey poured whiskey, heavy with smoke and peat, for both of them, then set the bottle back on the bar cart. "Cheers." They sat at a long butcher-block table in Laurent's apartment. Glass and chrome, granite and pale wood, high enough to make the lights and noise of New York City a scene in a silent movie below them. Laurent was particularly skilled in magic related to luck and chance, and had parlayed that and a more mundane skill set into a very healthy investment portfolio. "Do you think so?" Laurent asked. "Even when she learns you're representing yourself? I mean, eventually the duels are mortal. I know you two aren't speaking, but do you really think she'd be cool with you winding up dead?" Five years ago, Laurent had bought his parents a retirement home in the Pacific Northwest, two hours north of Seattle. "Woods and water, that's what I want," his dad had always said. His mom added that she'd like some grandbabies to spoil: "And there's certainly enough room here for you to come visit." He'd told them he'd start with the woods and water, and putting the keys in their hands had been one of his happiest days. Opposite coasts and life happening meant he didn't see his parents more than once or twice a year, but they loved each other. He couldn't imagine either one of them coldly telling someone that all he was was an obstacle. "If she were to lower herself to speak to me in any way whatsoever about this, she would simply remind me that"--Grey's voice changed, becoming an exaggeration of Miranda's pitch and cadences--"I had an excellent and assured place as the heir to House Prospero, and the fact that I now do not came about solely through my own folly. I agreed that I would accept the consequences of my actions, and these are no more than continuing consequences." He smirked and took another drink. Laurent laughed. "Your mother is a real piece of work." "Believe me," Grey said. "I know." It had been just over three years since she had disinherited him. That particular procedure had been bloodless--swipes of pens on papers messengered from one office to the next. The rift had begun over a matter of magic. Grey felt comfortable pushing boundaries, looking for access to power in places that Miranda didn't. She was, at her heart, a traditionalist. She felt he had crossed a line, and so she had taken everything from him. They hadn't spoken since. "Oh, and speaking of your family," Laurent said. "Do we have to?" Grey pushed back in his chair. "I ran into your cousin Madison downtown the other day. She looked good. We grabbed coffee." "Oh, she looked that kind of good, did she?" Grey leered. "Not everything is about getting laid, you player." Laurent shook his head in mock disapproval. "Yeah, but most things are. So, how is she? I haven't seen her since she left school." "She said she had just made partner at some big law firm--Wellington & Ketchum, maybe?" "Good firm. Prospero uses it. Actually, that's probably why she's there. Almost all the Houses have people in place to deal with their mundane world interests. It's better when it's family. They understand how important magic is, and they don't complain about the secrecy." It wasn't one of the things that got talked about, but it happened. Every so often there were members of Houses who weren't strong enough magicians to maintain membership in the Unseen World, or who chose to renounce their magic. They were cast out, but only so far. The Unseen World might keep secrets from the mundane one, but it understood it was still part of it, and someone had to do the busywork. "She asked about the Turning, didn't seem surprised that you were in it," Laurent said. "I wouldn't have thought it was the kind of thing she would care about." Grey shrugged the thought away and finished his drink. "Have you found your champion?" "I think so." "You think?" Grey poured himself more whiskey and held out the bottle to Laurent, who shook his head. "Things start soon. You need to have someone in place. Unless you've changed your mind and decided to represent yourself. It's not like you don't have the talent and balls to do well." Laurent snorted. "Thanks. No, I still want to watch one of these before I try it, so a champion it is. But she hasn't signed the contract yet." "Do you honestly think that she won't? Maybe you should invite her up here, impress her with all you can offer." Grey gestured toward the window, the lights of city outside glittering like jewels spread out against velvet. "Ha ha. It's not that--I think she's happy with the terms I offered, but she's good enough to have her pick. More than good enough." Laurent passed a hand over the tight crop of his black hair. "Her spell was astounding--complex and delicate, and completely hidden from the mundanes. Even the ones caught up in it. I've never seen anyone do magic like that, and she just walked in and out of the spell like this was what she did every Tuesday." Grey's face tightened. "Where did you say she was from again?" "I didn't--she's unHoused." "An outsider with that kind of power? That ought to make things interesting," Grey said. "Give us all something to talk about other than how fast this Turning happened. I figured it would be another ten years, at least." "It's the only way either of us become Houses," Laurent answered. "Better that it happens now." "Agreed," Grey said. "I'm tired of waiting." He had been, with decreasing patience, every day of the last three years. It was long past time. "Besides." Laurent grinned. "An enormous magic fight? This is going to be fun." High above the city, they toasted each other, their potential, and the turn of Fortune's Wheel. *  *  * Not for the first time, Harper Douglas wished she had stronger magic. Wished she had any magic really, beyond the ability to light a candle with a word. Which actually took a lot more effort than using a match did, and gave her a splitting headache after. She had seen the woman with red and black hair, the one that no one else had seemed to notice. Had watched her walk down the sidewalk and into the street. Tracking her progress made Harper dizzy, then made her feel as if she might vomit, but she had kept the woman in view until she had stepped into the intersection, because she had known what that queasy dizziness meant. It meant she was close. Then Harper had felt the woman's magic, a dull-bronze electric-fence feeling in her mouth, but she hadn't been strong enough to see the spell. She'd tried to get closer, but the woman's power had hit her like a tidal wave. Overwhelmed, Harper had collapsed outside a bodega. She'd opened her eyes to the awareness that her left elbow had landed in something worryingly squishy. She tried to sit up. "You look very bad. Stay where you are." An elderly Russian woman was squatting down next to her. She fished around in a cloth bag, then handed Harper a plastic bottle of orange juice. "Drink this." "Did you see her?" Harper asked. She had been so close--her mouth still tasted like electricity. "See who? Someone did this to you?" The woman looked around sharply. "No, no. No one did this. I just thought I saw someone. Someone important." Her rescuer wouldn't have seen the woman though, not unless she was in the Unseen World, in which case she'd never tell Harper about the woman. "Did you hit your head? Is that why you see things? Do you need a doctor?" Eyes narrow, mouth pursed. "No, this is enough. Thank you," Harper said, in between gulps of the juice. She could feel her blood sugar perking back up, her hands growing steady. "Are you going to fall down again?" the older woman asked, in a tone that implied that Harper ought to make better choices than keeling over on a sidewalk. "No, ma'am. I feel much better. Here, let me get you some money for the juice." She swatted Harper's hand. "What kind of manners did you learn? You don't pay someone for kindness. You say thank you." "Thank you. Truly." Harper picked herself up off of the sidewalk, peeled the remains of someone's cream-filled doughnut off of her arm with a shudder, and walked in the direction she had last seen the magician, toward the great bronze doors of Trinity Church. Nothing. Not even a hint of magic remained, not that she had expected otherwise. If a magician didn't want to be seen by mundane eyes, they wouldn't be. And for all Harper had brute-forced her way into the tiniest bit of magic use, she was definitely mundane. She turned in a circle once more, looking carefully, just in case, then walked down the steps to Wall Street station, into the rattle and roar of the subway. Close. She had come close. If she could just get a little bit closer, then she'd be able to find her way into the Unseen World. Then she'd be able to keep her promise. *  *  * As Sydney crossed the threshold of her building, the veil of magic she had draped herself in sloughed off, and she was again visible to the world around her. "Any messages, Henry?" she asked the doorman. "Not today, miss." She smiled her thanks and took the elevator up to the seventh floor. Sydney lived in a mundane building on purpose--no one from the Unseen World would think to look for her there. The snobbery was as useful as it was predictable--she had set up a series of wards when she'd first moved in six months ago, and they'd never even been tested, much less crossed. She closed her door, locked it behind her, and stepped out of her shoes, rolling the aches from her arches. Pulled her phone from her pocket and texted her acceptance to Laurent. Done. Barefoot, Sydney walked to her kitchen island and poured a glass of dark red wine. She had set the wheels turning. Not Fortune's Wheel--she had little enough patience for the trappings of the Unseen World--but her own. She drank, savoring the curl of the liquid down her throat, enjoying the richness of it. Being able to indulge in pleasures, even ones as small as a glass of wine when she wanted, was still something new. Something she'd worked hard enough for that she still luxuriated in the indulgence of it. Working with Laurent would be good. She'd wanted a candidate House, hoped for an outsider. Someone unestablished, less likely to have accepted all of the Unseen World's dirty little secrets as gospel. Someone who might come to see things as she did, might even be an ally. She planned to drag all those dirty little secrets out of the shadows and into the light, and if necessary, the light would be cast by the flames she had lit as she burned the Unseen World to the ground. She raised her glass, toasting its destruction. Tremors racked her. The wine sloshed over the rim of the glass, spilling drops as red as blood. A dull knife of pain took up residence in her wrists and shoulders, and she felt herself hollow out, as if she were caught in the grip of a fever. Sweat beaded up on her skin. This was the price for today's magic. Sydney set her glass down and breathed into the shaking, the ache, the hollowness in her bones. She centered herself in it until she was steady, the pain not gone but acknowledged. She was used to acknowledging pain. It had become, over time and trial, rather a specialty of hers. She raised her glass again, held it steady, her hand unshaking. She drank. Excerpted from An Unkindness of Magicians by Kat Howard All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.