The jazz age American style in the 1920s

Sarah Coffin

Book - 2017

An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor. Capturing the dynamic pulse of the era's jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European emigres to the United States, as well as American enthusiasm for traveling to Europe's cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spi...rit of the times. "The Jazz Age" showcases developments in design, art, architecture, and technology during the '20s and early '30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity.

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Subjects
Genres
Exhibition catalogs
Published
Cleveland, OH : The Cleveland Museum of Art [2017]
Language
English
Main Author
Sarah Coffin (author)
Other Authors
Stephen (Stephen G.) Harrison (author), Emily Marshall Orr
Item Description
Catalog of an exhibition held at Cooper Hewitt, Smithsonian Design Museum, New York, April 7 - August 20, 2017 and Cleveland Museum of Art, September 30, 2017 - January 14, 2018.
Physical Description
xix, 379 pages : color illustrations, portraits ; 26 cm
Bibliography
Includes bibliographical references (pages 375-378).
ISBN
9780300224054
9781935294566
Place of Publication
United States -- Ohio -- Cleveland.
  • Across the ocean / Sarah D. Coffin and Stephen Harrison
  • American spirit : the rhythm of change / Stephen Harrison
  • The American woman as fashion muse / Emily M. Orr
  • The machine age : balancing art and industry / Emily M. Orr
  • Melting-pot modern : a new beat for the new world / Sarah D. Coffin
  • A thousand hands : the art of department store display / Emily M. Orr
  • Modern notes of energetic America : 1920s textiles / Emily M. Orr.
Review by Choice Review

This exhibition catalogue traces the development of modernism within the context of historicism--that is, formal quotation of design elements from a diverse set of cultures such as "Asian lacquers, the interior of the recently discovered tomb of King Tutankhamun (1922), Mayan temples, and the stunning colors used by the Ballets Russes." This would not be a problem had this book not lumped these interests together as "primal forces of exoticism." In addition, though it turns mainly on Paris's 1925 Exposition international des arts décoratifs et industriels modernes, the exhibition, and thus the catalogue, seems to employ the term "Jazz Age" as a way to connect what is essentially an interest in Art Deco stylings and consumption, on the parts of wealthy French and Americans, to the larger social issues of their respective cultures during the first quarter of the 20th century. The illustrations in the catalogue are beautiful, but there is only so much to be said about the objects included, so the text suffers from some redundancies. Summing Up: Recommended. With reservations. Lower-division undergraduates through faculty and professionals; general readers. --Kirsten Pai Buick, University of New Mexico

Copyright American Library Association, used with permission.
Review by Library Journal Review

The 1920s Jazz Age, an era of great social and artistic change in America, also heralded a new design sensibility that was applied to all manner of built, manufactured, and crafted goods, from hulking skyscrapers to intricate jewelry. As the freedom and exuberance of jazz music flowed from the United States to Europe, modernism in design flowed back to the States. This jazz metaphor and international exchange provide the premise of a new exhibition at the Cooper Hewitt, the Smithsonian's design museum, of which this book is the catalog. As such, it presents a collection of topical essays instead of a single continuous narrative. Coauthors Harrison (Cleveland Museum of Art), Sarah D. -Coffin, and Emily Orr (Cooper Hewitt) delve into the surprising diversity of style in the era, which art deco dominates. Extensively illustrated by contemporary and period photographs, the wide-ranging text mostly covers American consumption of the pinnacles of design in the era, primarily luxury goods ranging from fine art to automobiles, designer clothing, and interior décor. VERDICT A specialized work that distills broad cultural influences and social context into representative objects of beauty and delight.-Megan Farrell, Central Michigan Univ. Libs., Mount Pleasant © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.