Concerto al-Quds Kūnshīrtū al-Quds

Adūnīs, 1930-

Book - 2017

"A cri de cœur or fully imagined poem on the myth and history of Jerusalem/Al-Quds from the author revered as the greatest living Arabic poet. At the age of eighty-six, Adonis, an Arabic poet with Syrian origins, a critic, an essayist, and a devoted secularist, has come out of retirement to pen an extended, innovative poem on Jerusalem/Al-Quds. It is a hymn to a troubled city embattled by the conflicting demands of Jews, Christians, and Muslims. Adonis's city, as a coveted land, ought to suggest the universal love of humanity; as a land of tragedy, a place of contending history and beliefs, and a locus of bitterness, conflict, hatred, rivalry, and blood. Wrapping multiple voices, historical references, and political viewpoints wi...thin his ecstatic lyricism, Adonis has created a provocative work of unique beauty and profound wisdom, beautifully rendered in English by award-winning poet Khaled Mattawa."--

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Subjects
Genres
Poetry
Published
New Haven : Yale University Press 2017.
Language
English
Arabic
Main Author
Adūnīs, 1930- (author, -)
Other Authors
Khaled Mattawa (translator)
Physical Description
85 pages ; 21 cm
Bibliography
Includes bibliographical references (pages 69-83).
ISBN
9780300197648
  • Part I. The meaning. Heavenly summary
  • A sky on Earth
  • A rope between a camel and a tank
  • A bridge to Job
  • Dissection
  • Afflictions
  • Tempted by nothing: a song
  • Tempted by everything: a song
  • Part II. Images.
Review by Publisher's Weekly Review

In this stunning volume about Jerusalem (al-Quds in Arabic), Syrian poet Adonis, who has been hailed as a founding voice in Arabic-language modernism, envisions the poem as a space for dialogue between traditions, nations, and historical milieux. Mattawa's careful English rendering preserves the integrity of Adonis's cosmopolitan influences, paying homage to the book's various inspirations. The voice of these poems bisects time and geography, revealing the convergences contained within each "flower," each "accusation," even the "nets that encircle" one's own steps. History is revealed as recursive, elliptical. "Time was busy filming the battle, turning it into a documentary," Adonis writes. The poems' documentarian approach records this battle-this collision of worldviews, aesthetics, and implicit assumptions about language, self, and reason. He invites readers to share the experience of encountering the other, see their selves as other, and recognize the transformations to which this awareness might give rise-re-imagining themselves, to carving space within the psyche for multiple ways of ordering the world, explaining its "dust," its "angels," and the missiles that "only target lovers homes." (Dec.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

"Up there, up above,/ Look at her dangling from the sky's throat" opens this astonishing collection from Adonis, who has significantly shaped modern Arabic poetry. He offers a portrait both mythic and historical of Al-Quds, the Arabic name for Jerusalem; frequent references to the Qur'an and the Bible, among other sources, are clarified by excellent footnoting. The first shimmering vision of the city ("The wind reads the roses./ Perfume writes them") is interrupted by parenthetical citations to violence ("Terrorism. Kidnapping. Unknown Identity..."); in a city defined by time, "history arrived, invited by ash." And the book ends, "And Hell, in which sky do you reside/ and from which heaven will you descend?" Thus does Adonis capture in gorgeously singular language an eternal city now riven. -VERDICT Highly recommended. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.