Review by New York Times Review
THE PERFECT NANNY, by Leila Slimani. Translated by Sam Taylor. (Penguin, paper, $16.) Two children die at the hands of their nanny in this devastating novel, an unnerving cautionary tale that won France's prestigious Prix Goncourt and analyzes the intimate relationship between mothers and caregivers. KING ZENO, by Nathaniel Rich. (MCD/Farrar, Straus & Giroux, $28.) In Rich's riotous novel about New Orleans a hundred years ago, at the dawn of the Jazz Age, a great American city and a new genre of music take shape as the Spanish flu and a serial ax murderer both run rampant. THE YEARS, by Annie Ernaux. Translated by Alison L. Strayer. (Seven Stories, paper, $19.95.) In this autobiography, the French writer anchors her particular 20th-century memories within the daunting flux of 21st-century consumerism and media domination, turning her experiences into a kind of chorus reflecting on politics and lifestyle changes. DOGS AT THE PERIMETER, by Madeleine Thien. (Norton, paper, $15.95.) Narrated by a neurological researcher whose memories of her childhood in Cambodia under the Khmer Rouge start to leak into her present day, this novel is contrapuntal and elegiac in tone, with a white heat beneath. THE LAST GIRL: My Story of Captivity, and My Fight Against the Islamic State, by Nadia Murad with Jenna Krajeski. (Tim Duggan Books, $27.) Murad, a Yazidi woman, describes the torture and rapes she suffered at the hands of ISIS militants in Iraq before escaping to become a spokeswoman for endangered Yazidis. WINTER, by Ali Smith. (Pantheon, $25.95.) The second in Smith's cycle of seasonal novels depicts a contentious Christmas reunion between two long-estranged sisters. As in "Autumn" (one of the Book Review's 10 Best Books of 2017), a female artist figures prominently, and Smith again takes the nature of consciousness itself as a theme. GREEN, by Sam Graham-Felsen. (Random House, $27.) Set in a majority-minority middle school in 1990s Boston, this debut coming-of-age novel (by the chief blogger for Barack Obama's 2008 presidential campaign) tells the story of a white boy and a black boy who become friends - to a point. A STATE OF FREEDOM, by Neel Mukherjee. (Norton, $25.95.) Mukherjee's novel, a homage of sorts to V. S. Naipaul, presents five interconnected stories set in India and exploring the lives of the unmoored. BARKUS, by Patricia MacLachlan. (Chronicle, $14.99; ages 4 to 7.) A mysteriously smart dog changes everything for a little girl in this witty beginning to a new early chapter book series from MacLachlan, the author of books for children of all ages. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
Rich brings multiple themes together in this roiling genre-blender set in New Orleans in 1918. An ax murderer is terrorizing the city; the widow of a crime boss is hoping to legitimize the family business with her role in the construction of the Industrial Canal; a young African American jazz cornetist of prodigious talent is struggling to make a living from the music while working on the canal project; and a New Orleans patrolman, haunted by memories of WWI, vows to find the ax murderer and save his marriage all while a flu epidemic ravages the city's population, along with the abiding effects of corruption and the city's racial divide. It's a rich gumbo of ingredients, and Rich (Odds against Tomorrow, 2013) stirs them effectively, combining a lyrical, impressionistic style with a sure-handed grasp of the historical moment. He is especially strong on the early days of jazz, and his evocative prose proves well suited to describing jazzmen in full cry: Braiding appoggiaturas with acciaccaturas, he made his horn cry like an infant. A heady mix of literary thriller and high-end historical fiction.--Ott, Bill Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Set in New Orleans in the wake of World War I, Rich's spirited third novel (after Odds Against Tomorrow) contrasts the luminous early years of jazz with a number of particularly American darknesses, most notably a prototypical serial killer who cleaves his victims' heads with an axe. The novel's three main story lines follow army veteran and detective Bill Bastrop, hellbent on finding the killer; a mafia matriarch, Beatrice Vizzini, who's trying to turn her business straight; and the titular Izzy Zeno, a struggling jazz musician forced into petty theft to make ends meet. Much of the novel's first third explores each character's particular stakes and family situation, introducing Bastrop's increasingly estranged wife, Izzy's soon-to-be-pregnant wife, and Beatrice's simple-minded and domineering son, Georgio. After an encounter with one of Bastrop's former war buddies turns violent, the plot gathers considerable momentum, setting the three characters on the requisite collision course that ends at the construction site for the city's new canal. Though the story is a bit too neat, the New Orleans setting is well-drawn and memorable and Rich excels at immersing the reader in the narrative. Agent: Elyse Cheney, The Cheney Agency (Jan.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
In this deft historical thriller, Rich (Odds Against Tomorrow) seamlessly blends fact with fiction as three characters attempt to secure their legacies in the shadow of a gruesome murder, with post-World War I New Orleans as the backdrop. During the summer of 1918, with the Spanish flu spreading rapidly and a weird new music catching on, an ax-wielding serial killer is on the loose. Isadore Zeno, surely the greatest jazz cornetist Crescent City has never heard, finds opportunity in the city's terror to make his name. Det. William Bastrop, whose marriage has collapsed, sees cracking the case as a path to redemption. Beatrice Vizzini is the head of a crime family whose claim to legitimacy is staked on the construction of a giant canal that will return New Orleans to industrial glory, but her hulking, dim-witted son may derail it. Though these story lines do not converge until the climactic final chapter, they are absorbing enough on their own to keep readers engaged. The period details-most taken directly from the historical record-are expertly deployed. VERDICT A solid recommendation for admirers of James Lee Burke's New Orleans-based "Dave Robicheaux" series and Thomas Mullen's similarly brainy -thrillers (Darktown; Lightning Men).-Michael Pucci, South Orange P.L., NJ © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The lives of a jazz musician, a police detective, and a corporate executive intertwine in 1918-19 New Orleans.As newspaper headlines shout of an ax murderer, the novel opens with four white cops hunting a black "highwayman." But Detective Bill Bastrop finds his mind drifting to memories of World War I. Haunted by a moment of cowardice in wartime France, he seeks redemption in pursuing the Axman. When Isadore Zeno, a gifted black cornetist, first appears, he is stopped on the street by a white watchman and anxiously endures the third degree, thinking it's "enraging to be scared all the time." Zeno will use the public's fear to spark interest in the new jazz music, getting a newspaper to publish a letter he writes as the Axman threatening mayhem for any household that doesn't have jazz playing on a certain night. Beatrice Vizzini heads the construction company working on the Industrial Canal that will link Lake Pontchartrain and the Mississippi. She is tied to the Axman through her son, Giorgio, and the appearance of bodies and body parts in the canal dig's mud. Rich (Odds Against Tomorrow, 2013, etc.) uses music, race, and historical details in ways that will likely spark comparisons to E.L. Doctorow's multifaceted Ragtime. It's a nicely paced detective thriller, clever on corporate corruption and police procedure. As a kind of jazz number, it establishes the Axman theme and then plays solos on it through major and minor characters. The literary excursion features a big metaphor in the Industrial Canal, which divided New Orleansas the main characters all must face rifts in their personal lives.Marked by offbeat humor and up-tempo writing, this is a more conventional outing for Rich than his first two novels and could well expand his audience. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
