Review by New York Times Review
These enchanting tales include a magical wolf, a rampaging bunny and the latest from Sandra Boynton. HERE, GEORGE! By Sandra Boynton. Illustrated by George Booth The iconic cartoonist Booth sketched a nervous, lovable-looking dog as a gift to Boynton. She turned it into one of her famously funny, perfectly calibrated board books, spinning a droll story about a pup who won't get up - or so his owners think. 32 pp. Simon & Schuster. $7.99. Ages 0 to 5. CIRCLE ROLLS By Barbara Kanninen. Illustrated by Serge Bloch. In this delightful sneak-lesson in geometry, physics, and helping your friends when they're in a jam, some colorful shapes have a bang-up time when Circle starts rolling. In Bloch's minimalist, loose-limbed pen-and-ink art, tiny people try valiantly to pitch in, too. 32 pp. Phaidon. $16.95. Ages 3 to 5. BIG BUNNY Written and illustrated by Rowboat Watkins. Watkins ("Rude Cakes") conjures another homey yet mind-bending story in this bedtime tale about an enormous rabbit, regularsized carrots, some trucker penguins and bus-driving giraffes. The infectious fun continues to the ending, which will be - trust me - a giant, hilarious surprise to both parents and kids. 32 pp. Chronicle. $16.99. Ages 3 to 7. A HOUSE THAT ONCE WAS By Julie Fogliano. Illustrated by Lane Smith. Two kids walking in the woods find an abandoned house. Who lived there? What happened? Accompanied by Lane's evocative art that suggests layers of history, Fogliano's story turns this childhood scenario into a radiant poem about the mysteries of other people and the wonderfulness of home. 42 pp. Roaring Brook. $18.99. Ages 3 to 7. FOREVER OR A DAY Written and illustrated by Sarah Jacoby. In Jacoby's elegant debut, time is both a riddle and a poem: "Perhaps it is a ghost/ it can come and go/ and you never even notice it was there," she writes. Her soft illustrations, in lovely sunrise, sunset and moonlight colors, capture both wide-open spaces and the enduring bonds of family love. 40 pp. Chronicle. $17.99. Ages 3 to 7. MOON Written and illustrated by Alison Oliver. Oliver's picture book debut channels "Where the Wild Things Are" for the hovered-over modern child. Moon, a little girl with a big to-do list, wonders, "What would it feel like to be free?" A wolf arrives to whisk her away to a magical forest where she plays, listens, howls - and becomes an independent kid, keeping her "wolty ways," including (gasp) standing on a swing. 40 pp. Clarion. $17.99. Ages 4 to 7. JEROME BY HEART By Thomas Scotto. Illustrated by Olivier Tallec. It's rare to find a book about friendship between boys this heartfelt. His parents scoff at the intensity of it all, but Raphael wants to spend every minute with Jerome - his school-trip buddy, his defender against mean kids, the friend who always makes him laugh. Both the words and the sweet illustrations capture the spirit behind childhood bonds. 32 pp. Enchanted Lion. $16.95. Ages 4 to 8. RED SKY AT NIGHT Written and illustrated by Elly MacKay Each page of this beautifully designed book has an old-fashioned saying about the weather ("When ladybugs swarm, expect a day that's warm"). With Mac Kay's dreamy cut-paper collage art featuring two siblings exploring outdoors, the old-fashioned approach to weather is oddly reassuring. 40 pp. Tundra. $17.99. Ages 4 to 8. RESCUE & JESSICA: A LIFE-CHANGING FRIENDSHIP By Jessica Kensky and Patrick Downes. Illustrated by Scott Magoon. Kensky, who lost both legs after the Boston Marathon bombing, despaired until Rescue, a service dog, arrived to help her navigate life with prosthetics. This sensitively told version- written with her husband, who also lost a leg in the bombing - highlights her relationship with the gallant Rescue. 32 pp. Candlewick. $16.99. Ages 5 to 9. THE DRAGON SLAYER: FOLKTALES FROM LATIN AMERICA Written and illustrated by Jaime Hernandez Hernandez, one of the brothers behind the Love and Rockets comic strip, adapts and updates three Latin American folk tales into a graphic-novel format. The buoyant results will delight all ages. A kitchen maid slays a dragon and marries a prince; a vain woman marries a mouse, with bad results; a boy cast out as lazy proves the logic of his approach. There's also fascinating historical material on the origins of each tale. 48 pp. TOON Books. $16.95. Ages 6 to 12. MARIA RUSSO is the children's books editor of the Book Review.
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
*Starred Review* Deep in the woods is a house that once was but now isn't a home. Thus begins a beautifully written tale of two children, a girl and a boy, discovering an abandoned, boarded-up house at the end of a winding, overgrown path. The two climb inside and discover items the former inhabitants left behind, including a hand mirror, books, faded pictures, and an artist's palette that has them conjuring up possibilities as to who used to live in the house. Smith employs different techniques for his remarkable illustrations to show the two distinct sections of the story. When the children are exploring the building, the pictures have a mottled appearance with paint splatters and patterns gracing the backgrounds. When revealing the children's imaginings, the pages exude a calmer feel and use paper-collage textures that are almost palpable. Though the two children think they are alone in their explorations, their every movement is closely observed by a perky, inquisitive bluebird with a worm. Acclaimed author Fogliano (When's My Birthday?, 2017) offers up lyrical, free verse text that blends stunningly with Caldecott Honor Book illustrator Smith's (Grandpa Green, 2011) amazing illustrations to create a timeless feel and an outstanding picture book.--Owen, Maryann Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this lyrical meditation by Fogliano (When¿s My Birthday?), two children discover an empty, derelict house: ¿Deep in the woods/ is a house/ just a house/ that once was / but now isn¿t/ a home.¿ Smith (Grandpa Green) draws the surrounding forest in bursts of texture and color, but when the children enter the house and wander through the rooms, the color fades and things take on a ghostly dimension. ¿Who was this someone who ate beans for dinner/ who sat by this fire/ who looked in this mirror?¿ Especially spooky are the photographic collage details showing the faces of the home¿s long-ago residents. The moodiness lifts as the guessing grows silly, and Smith¿s spreads switch to richer color, depth, and playful caricature: ¿Was it a man with a big beard and glasses who would look out the window and dream of the sea?¿ Sensitive readers may be put off by the story¿s eerier suggestions (¿Or what if they¿re lost and they¿re wandering lonely?¿), while those who share a fascination with abandoned places will be entranced. Ages 3¿6. Agent: Steven Malk, Writers House. (May)
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-Gr 3-A wizard of wordplay and a maestro of composition combine their considerable talents to explore the notion of home. With a stylistic nod to e.e. cummings and just enough rhyme to propel the pace and please the ear, Fogliano tracks siblings as they approach and enter an abandoned house. Her lines about the dwelling are a study in contrasts. Once it was, but now it isn't a home. The boy and girl notice: "A door that is closed but not quite. A door that is stuck between coming and going. A door that was once painted white." As the children peruse books and objects, they extrapolate conclusions about the owners. Perhaps the man was a sea captain, the woman-a painter. Smith's complex, layered illustrations first depict an impressionistic forest world, rich with a bouquet of deep, dappled colors. (A note on process adds appreciation.) Lighter wildflowers grace the foreground, and a bluebird-a character to watch-transports a worm. Inside the house, it's as if the pages have been bleached; sunlight streaming through roof holes renders possessions transparent. Collage elements, such as a mouse poking through a portrait, add humor. As the imagined inhabitants assume center stage, the oil paintings take on more solidity and definition. While the final sentence reinforces the opening message, a concluding iris shot-with bluebird and babies singing merrily on branches that have invaded the structure-suggests an alternate narrative. VERDICT Stirring to the eye and the spirit, this evocative book repays frequent readings. Perfect for one-on-one sharing.-Wendy Lukehart, District of Columbia Public Library © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Deep in the woods / is a house / just a house / that once was / but now isnt / a home. So begins Foglianos rhythmic, read-aloud-perfect tale of two children who discover a mysterious abandoned house. As they explore the ramshackle structure, with its broken windows and trees coming in where the roof used to go, the pair studies items left inside (a ship in a bottle, paint supplies, a model airplane) that spark their imaginations. Who lived there before, why did they go away, and is the house waiting there longingly for their return? As Foglianos text ponders the past, Smiths illustrations visualize the childrens object-inspired speculations about the places previous occupants: an old man dressed like a ships captain stares out to sea with a spyglass; a woman paints squirrels in a garden; a boy dreams of flying a plane. Smith uses different but complementary styles of illustration to effectively distinguish the realistic scenes from the imagined ones. For the illustrations of the childrens explorations, he employs a process that creates a textured blotted line effect suited to the weathered house, whereas the childrens imaginings appear in Smiths more familiar angular style, in oil and collage. Its a poetic and visually striking commentary on both what constitutes a home and the indelible marks we leave on this world. cynthia k. ritter (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A derelict house on top of a hill beckons two young children. Two children, possibly siblings, approach the waiting house on a winding, weed-covered path, all the while wondering about its past and those who dwelled within its walls. An empty window invites them to climb in. The tale is not told by the children but by an unseen narrator who seems to speak directly to the readers watching these events from outside the pages. The explorers find all sorts of items that were left behind, while the narrator asks, "Who looked in this mirror?" "Who napped in this chair?" "Who was this someonewho's gone but is still everywhere?" The language is direct, appealing equally to ear, eye, and mind. Intricate double-page spreads allow readers to follow the children as they explore and imagine and then return to their own cozy home. Smith's illustrations neatly separate action from imagination. The children and present-day house are depicted with blotted-line India ink, appearing a bit faded and mysterious (the children's skin takes on the color of the paper beneath). Their imagined house dwellers' activities are painted in bright, light-filled oils with paper collage; the soft edges of these reveal narrow white backgrounds, effectively separating them from now. It is all perfectly seamless; words and art are interwoven in a dance that enchants.Inventive and lovely. (Picture book. 5-9) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
