Review by New York Times Review
THE SPLINTERING OF THE AMERICAN MIND: Identity Politics, Inequality, and Community on Today's College Campuses, by William Egginton. (Bloomsbury, $28.) Egginton, a professor at Johns Hopkins, regards the often militant discourse around identity with sympathy and concern. THE CODDLING OF THE AMERICAN MIND: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure, by Greg Lukianoff and Jonathan Haidt. (Penguin Press, $28.) Expanding on their influential Atlantic article, the authors trace the culture of "safetyism" on campus to a generation convinced of its own fragility, warning of potentially dire consequences for democracy. IDENTITY: The Demand for Dignity and the Politics of Resentment, by Francis Fukuyama. (Farrar, Straus & Giroux, $26.) In a sympathetic analysis of identity politics, Fukuyama argues that the sense of being dismissed, rather than material interest, is the current locomotive of human affairs. THE LIES THAT BIND: Rethinking Identity: Creed, Country, Color, Class, Culture, by Kwame Anthony Appiah. (Liveright, $27.95.) Appiah, a cosmopolitan by background and choice, says that we tend to think of ourselves as part of monolithic tribes up against other tribes, whereas we each contain multitudes. ARTHUR ASHE: A Life, by Raymond Arsenault. (Simon & Schuster, $37.50.) This first major biography of the great tennis champion, written by a civil rights historian, shows that Ashe's activism was as important as his athletic skill. He belongs on the Mount Rushmore of elite sports figures who changed America. DEAD GIRLS: Essays on Surviving an American Obsession, by Alice Bolin. (Morrow/HarperCollins, paper, $15.99.) Bolin's stylish and inspired collection centers on the figure - ubiquitous in police procedurals from "Twin Peaks" to "True Detective" - of the "dead girl," a character who represents a dominant American fantasy, inciting desire and rage in equal measure. THIS MOURNABLE BODY, by Tsitsi Dangarembga. (Graywolf, paper, $16.) In this accomplished sequel to "Nervous Conditions," her prize winning debut of 30 years ago, Dangarembga, a Zimbabwean author and filmmaker, finds her indomitable heroine, Tambu, single, middle-aged and unemployed but unbowed. NOTES FROM THE FOG: Stories, by Ben Marcus. (Knopf, $26.95.) In his latest collection, the ever inventive Marcus delivers taut, bleak, dystopian stories that are disturbing and outlandish yet somehow eminently plausible. MARWAN'S JOURNEY, by Patricia de Arias. Illustrated by Laura Borras. (MinEdition, $17.99; ages 5 to 7.) This sensitive, beautifully illustrated tale of a boy's journey across a desert, away from his war-torn homeland, ends with safety and dreams of return. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
Media writer Bolin realized at a very young age that society loves a good dead girl. Analyzing the popularity of shows and radio programs like Twin Peaks, Serial, and Pretty Little Liars, it became abundantly clear that audiences adore a beautiful, innocent corpse. In her searing new essay collection, Bolin probes the generations-old obsession with young, tragic heroines. The topics of her exploration open broadly, dissecting the trope in television, film, and pop culture. Subject matter becomes more personal as the book progresses, meditating on Bolin's specific curiosity about California as a dead-girl breeding ground. The book's middle section chronicles Bolin's time living in the Golden State and walking the same, dehydrated earth as Sharon Tate, Patty Hearst, and any number of Joan Didion misfortu-femmes. In the final portion, Bolin ponders the role of nonfiction in eternalizing or stunting the world's toxic dead-girl fetish; the memoirist's pen, she believes, is especially mighty. Smart, thorough, and urgent, Bolin's essays are a force to be reckoned with.--Eathorne, Courtney Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Bolin's debut collection is a mixed bag of essays loosely based on female character tropes in pop culture and literature, from the "dead girls" of contemporary noir television shows to the teen witches and werewolves of film and literature. Discussing pop stars, Bolin defends Lana Del Rey's burlesque show tour and astutely deconstructs Britney Spears's oeuvre, contending that Spears's early bubble gum facade masks "a prodigious loneliness." Bolin riffs and flits through topics with tangents that don't always connect to the main theme; in one essay she begins by exploring the femme fatales in the otherwise progressive detective novels of the Scandinavian duo Maj Sjöwell and Peter Wahlöö, touches briefly on Pippi Longstocking, and then ponders her father's recent Asperger's diagnosis. In the collection's lengthy final essay, Bolin reevaluates her obsession with the writer Joan Didion, who admittedly inspired Bolin's move to L.A. in 2014. In this piece, she recounts her own misadventures in a new city, which leads to the realization that Didion's ethos of "glamorous desperation" may be just blind privilege. This last piece is a great personal essay-it's smart, confessional, and fully developed-and the other works in this collection pale in comparison. (June) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
In this engrossing debut collection of essays, Bolin (Creative Nonfiction/Univ. of Memphis) looks at two things: America's cultural obsession with dead girls in works of literature and on TV and Los Angeles from the perspective of both a newcomer and a veteran."Our refusal to address warning signs that are so common they have become clich means we are not failing to prevent violence but choosing not to," writes the author, the former nonfiction editor of Electric Literature's literary magazine, Okey-Panky. In fact, according to Bolin, Americans demonstrate a specific fascination with watching women die on screen, seeing them lose control over their lives to abusive husbands and societies, and, most crucially to her story, investigating the circumstances around their murders. To study these phenomena, the author explores shows like Twin Peaks, True Detectives, and Pretty Little Liars, among others. "If you watch enough hours of murder shows," she writes, "you experience a peculiar sense of dj vuthe same murders are recounted again and again across shows." Interwoven with these analyses of pop culture is the story of the author's arrival in LA, broke, friendless, and with not much awareness of life under the sunny Californian sky. She drew many impressions of the city from the work of Joan Didion and Raymond Chandler, among others, who have painted a picture of a unique, bewildering city: "I was impressed by the unnerving sense of a city that sprang up overnight and sprawled like an invasive species over the landscape." Bolin's LA story becomes exemplary of her insights about female-obsession culture, from her wacky roommates to her boyfriends to her eventual private and public writing practices. The author's voice is eerily enthralling, systematically on point, and quite funny, though at times readers may not fully understand the motives behind their laughter.An illuminating study on the role women play in the media and in their own lives. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
