Review by Publisher's Weekly Review
This collection of political poetry and prose presents a wide and well-selected array of moderate, progressive, and radical voices united in opposition to Donald Trump's presidency, including such noted authors as Melissa Febos, Carmen Maria Machado, and Eileen Myles. As a "preamble" to the collection, Myles provides a prose piece entitled "Acceptance Speech (Nov 6, 2016)" that names various challenges facing Americans, such as white supremacy and homelessness, while imagining an alternate reality in which these problems are addressed. Machado's poem "How I Should Have Known Trump Would Be Elected President" is a powerful and succinct reflection on encountering racism and homophobia, such as when "I was sitting in a quiet car with my mother and two of her sisters, and one of them said, 'I just don't believe in gay people,' and I laughed, startled." The selections vary in tone, ranging from Febos's conciliatory essay "Teaching After Trump," on reaching out to Trump-leaning students, to Craig Santos Perez's fiery poem "America" ("America when will you be democratic/ When will you take down both your racist flags?"). Thanks to this variety, the collection should appeal to an equally wide range of readers who share the authors' opposition to the 45th president. (July) © Copyright PWxyz, LLC. All rights reserved.
Review by Kirkus Book Review
Feldman (The Angel of Losses, 2014) and Popkin (Everything Is Borrowed, 2018, etc.) gather a medley of diverse voices to reflect on politics, society, and culture in contemporary America.Essays, poems, fiction, photographs, and cartoons bristle with emotion from contributors responding to issues they consider most urgent: racism, sexism, poverty, and injustice. Nancy Hightower, who grew up in the evangelical South, captures the tenor of the collection when she urges the church, academia, and publishingwhich she sees as being largely whiteto break down racial boundaries and become "filled with, and overflowing with diversity." She suggests that "if those in the literary arts want to transform the landscape of America, they need to be better evangelicals." By that, she means that they must "write and publish work that speaks to students in the Bronx and LGBTQ teenagers in Oklahoma." Inclusivity, she asserts, would produce a "glorious rhetorical army" to resist the president "and his corrupt administration." Not surprisingly, many contributors rail against Donald Trump. Fiction writer Carmen Maria Machado cites her observations of racism and homophobia as reasons she should have known that Trump would be elected president. Poet, novelist, and creative nonfiction writer Samira Ahmed, who was born in India, takes on racism, reporting that she has been called terrorist, rag head, and sand nigger. "You realize, too young, that racists fail geography," she writes, "but that their epithets and perverted patriotism can still shatter moments of your childhood." Keeping silent is no adequate response, she warns: "in this land of the free and home of the brave, you plant yourself. / Like a flag." Cartoonist Liana Finck depicts a map of America with U.S. crossed out, substituted by T. H. E. M. Novelist Diane McKinney-Whetstone celebrates the "hopeful vibe" she felt when she participated in the Women's March. Hope counters an undercurrent of despair for many contributors: "I don't want to give up the struggle," says a despondent individual drawn by Finck. "I want to win and move on."A heartfelt and thoughtful collection. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.